Find

What Makes Danish TV Drama Series Travel?

Publications

Publications from Aarhus University

Sort by: Date | Author | Title

Nielsen, J. I. (2010). "Antonioni Pirouette". 16:9, (39).

Nielsen, J. I. (2008). "En scenes anatomi: til fødselsdag". 16:9, (29).

Nielsen, J. I. (2007). "Having fun with the long take". 16:9, (21).

Nielsen, J. I. (2011). "Når tæppet rives væk under én". 16:9, (40). http://www.16-9.dk/2011-02/side12_frame.htm

Eichner, S. (2021). "Othered" identities: Representation in European drama fiction. Abstract from NECS 2020 - Transitions: Moving Images and Bodies, Palermo, Italy.

Jensen, P. M. & McCutcheon, M. (2020). "Othering the Self and Same-ing the Other": Australians watching Nordic Noir. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Audiences of Danish TV Drama (pp. 21-37). Nordicom. https://www.nordicom.gu.se/sv/system/tdf/publikationer-hela-pdf/the_global_audiences_of_danish_television_drama_web.pdf?file=1&type=node&id=40632&force=0

Jensen, P. M. (2019). "Othering the Self and Same-ing the Other": Australians Watching Scandi Noir. Abstract from EURONOIR, Aalborg, Denmark.

Nielsen, J. I. (2012). "Point of view i The Fighter". 16:9, 10(44), 1. http://www.16-9.dk/2012-02/side07_anatomi.htm

Nielsen, J. I. (2010). "So ein Ding". 16:9, (35).

Nielsen, J. I. (2008). "There's Something About Comedy Theory". P.O.V., (26), 72-87.

Waade, A. M. & Sandvik, K. (2007). "I play roles, therefore I am": Placing LARP in a broader cultural perspective. In M. Gade (Ed.), Knudepunkt 2007 (1.udgave ed., pp. 250-256).

Eichner, S. (2015). 'Lifeworld’ proximity and ‘Authenticity’: The ‘Europeaness’ in Danish Television. Paper presented at TV in the Age of Transnationalisation and Transmedialisation, London, United Kingdom.

Keinonen, H., Jensen, P. M., Lemor, A. M. & Esser, A. (2018). 'Modes of engagement with musical talent shows: Studying audience engagement as a set of experiences'. Participations: Journal of Audience & Reception Studies, 15(2), 58-76. [4]. http://www.participations.org/Volume%2015/Issue%202/5.pdf

Kring, N., Thaarup, C., Rasmussen, A., Svenningsen, S. D. & Waade, A. M. (2016). 1864 og DR under forandring: public service, branding og lancering . In K. T. Hansen (Ed.), 1864 : tv-serien, historien, kritikken (pp. 115-134). Aalborg Universitetsforlag. Interdisciplinære kulturstudier No. 8

Waade, A. M. & Østergaard, I. A. (2016). 1864 på Fyn: FilmFyn, branding, filmturisme og location placement . In K. T. Hansen (Ed.), 1864: tv-serien, historien, kritikken (pp. 209-234). Aalborg Universitetsforlag.

Waade, A. M. (2011). Wallander Country; Setting and landscape in Scandinavian crime series . Paper presented at Symposium on Stieg Larsson and Scandinavian Crime Fiction , L.A., United States.

Nielsen, J. I. (2005). A History of Violence. 16:9, 3(14). http://www.16-9.dk/2005-11/pdf/16-9_november2005_side08_filmanmeldelse.pdf

Jensen, P. M., Esser, A., Keinonen, H. & Lemor, A. M. (2013). A Trans-National Audience Study of a Global Format Genre: Talent Shows in Denmark, Finland, Germany and Great Britain. Paper presented at IAMCR 2013, Dublin, Ireland.

Jacobsen, U. C. (2020). A cosmopolitan tribe of viewers: Crime, women, and akogare in Japan. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Audiences of Danish Television Drama (pp. 75-90). Nordicom. https://www.nordicom.gu.se/system/tdf/publikationer-hela-pdf/the_global_audiences_of_danish_television_drama_web.pdf?file=1&type=node&id=40632&force=0

Eichner, S. (2016). A mismatch between text and audience? The “failure” of “Deutschland 83” in domestic television. Abstract from European Screens 2016, York, United Kingdom.

Jacobsen, U. C. & Jensen, P. M. (2015). A three-tier, seven country audience study on the emergence of Denmark's transnational TV culture. Abstract from Nordmedia 2015, Copenhagen, Denmark.

Jacobsen, U. C. (2010). A world of knowledge asymmetries: The professional communication of Swazi cultural identity. Paper presented at Language Use and Cultural Identity Workshop, Helsinki. FI, Finland.

Waade, A. M. (2017). Aarhus Filmcity : Cross-Sectoral Strategies. Paper presented at European Media Management Association Conference 2017 - Preconference: Media Clusters, Ghent, Belgium. http://mediaclusters.brussels/wp-content/uploads/2017/06/5_Aarhus-Filmcity-cross-sectoral-strategies.pdf

Waade, A. M. & Have, I. (2008). Aesthetification of Politics: Non-verbal Political Communication in Danish Television Documentaries. In J. Stömbäck, M. Ørsten & T. Aalberg (Eds.), Political Communication Nordicom.

Waade, A. M. & Have, I. (2007). Aesthetification of Politics: Non-verbal Political Communication inDanish Television Documentaries. Paper presented at NordMedia Nordisk Medieforskerkonference, Helsinki, Finland.

Eichner, S. (2014). Agency and Media Reception: Experiencing Video Games, Film, and Television. Springer.

Eichner, S. (2015). Agency, Text, and ‘Doing Media’. Abstract from IAMCR 2015, Montreal, Canada.

Waade, A. M. & Sandvik, K. (2006). Al verden er en scene - rollespil som performativ fortælling. In A. M. Waade & K. Sandvik (Eds.), Rollespil - i æstetisk, pædagogisk og kulturelt perspektiv (1.udg. ed., pp. 7-23). Aarhus UniPresse.

Jacobsen, U. C. & Rittenhofer, I. (2015). Aligning the notion of ‘public(s)’ for management communication in uncertain times. Abstract from EUPRERA 2015 Congress, Oslo, Norway.

Nielsen, J. I. (2020, Jun 18). Alternativ onlineforelæsning. Aarhus Universitet. https://educate.au.dk/praksiseksempler/blended-learning/alternativ-onlineforelaesning/

Eichner, S. (2015). Applying meaning to Danish television series: audience research in Germany. Paper presented at IAMCR 2015, Montreal, Canada.

Waade, A. M. (2020). Arctic noir on screen: midnight Sun (2016-) as a mix of geopolitical criticism and spectacular, mythical landscapes. In L. Badley, A. Nestingen & J. Seppälä (Eds.), Nordic Noir, Adaptation, Appropriation (pp. 37-53). Palgrave Macmillan. Palgrave Studies in Adaptation and Visual Culture https://doi.org/10.1007/978-3-030-38658-0

Damkjaer, M. S. & Waade, A. M. (2014). Armchair Tourism: The Travel Series as a Hybrid Genre. In F. Hanusch & E. Fürsich (Eds.), Travel Journalism : Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan.

Waade, A. M. (2006). Armchair Travelling with Pilot Guides: Cartographic and Sensuous Strategies. In J. Falkheimer & A. Jansson (Eds.), Geographies of Communication: The Spatial Turn in Media Studies (pp. 155-168). Nordicom.

Bengesser, C. H., Jensen, P. M., Spaletta, M. & De Rosa, P. (2021). Audiences’ perceptions of place, society and (TV) culture in popular European audiovisual crime narratives. Abstract from NECS 2021, Palermo, Italy. https://create.piktochart.com/output/54843434-detect_audience

Jensen, P. M. & Jacobsen, U. C. (2020). Augmenting proximities theory: Including other proximities in the transnational travel of Danish television drama. In A. M. Waade, E. N. Redvall & P. M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation (pp. 169-186). Palgrave Macmillan.

Jensen, P. M. & Jacobsen, U. C. (2019). Augmenting proximities theory: Including other proximities in the transnational travel of Danish television drama. Paper presented at NordMedia 2019, Malmö, Sweden.

Gemzøe, L. S. (2021). Autobiographical adaptation in NBC’s Love Is a Four-Letter Word. Journal of Scandinavian Cinema, 11(1), 113-131. https://doi.org/10.1386/jsca_00042_1

Waade, A. M. (2011). BBC’s Wallander series: Sweden seen with British eyes. Critical Studies in Television.

Eichner, S. (2019). Berlin Noir: Location, Aesthetics and Market Logic of New German series. Abstract from EURONOIR, Aalborg, Denmark.

Eichner, S. & Mikos, L. (2017). Berlin in Television Drama Series: A Mediated Space. SERIES - International journal of TV series narratives, 3(1), 41-49. https://doi.org/10.6092/issn.2421-454X/7141

Nielsen, J. I. (2011). Bio pics. 16:9, 9(43). http://www.16-9.dk/2011-09/side03_leder.htm

Nielsen, J. I. (2013). Blockbuster TV: Bestseller & Blockbuster Culture – Books, Cinema and Television.

Nielsen, J. I. (2014). Blockbusteren som eksperimentalfilm. 16:9, 12(54). http://www.16-9.dk/2014-02/side06_feature3.htm

Waade, A. M. (2020). Book Review: The Killing. Critical Studies in Television, 15(2), 208-210. https://doi.org/10.1177/1749602020909620c

Nielsen, J. I. (2004). Bordwell on Bordwell: Part 1 – Hitchcock, Hartley and the Poetics of Cinema. 16:9, (7).

Nielsen, J. I. (2004). Bordwell on Bordwell: Part II – Functions of Film Style. 16:9, (8).

Nielsen, J. I. (2004). Bordwell on Bordwell: Part III – Writing on Film Style. 16:9, (9).

Nielsen, J. I. (2005). Bordwell on Bordwell: Part IV - Levels of Engagement. 16:9, 3(10). http://www.16-9.dk/2005-02/pdf/16-9_februar2005_side11_inenglish.pdf

Jacobsen, U. C. & Jensen, P. M. (2016). Born European, born regional, or born global? Language convergence in The Team. Nordic Journal of Media Studies, 14(1), 123-140. https://doi.org/10.1386/nl.14.1.123_1

Displaying results 1 to 50 out of 384

1

Publications from Aalborg University

Revised 10.02.2021