Publications

Publications from Aarhus University

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Nielsen (vært), J. I., Thorsen, C. I. & Oxholm (optagelse, klip), J. (2018). 16:9 Podcast #01: Sex i populærkulturen (1:2). Pictures, Video and sound recordings (digital), 16:9 Filmtidsskrift. http://www.16-9.dk/2018/01/podcast-01/

Nielsen (vært), J. I., Thorsen, C. I. & Oxholm (optagelse, klip), J. (2018). 16:9 Podcast #02: Sex i populærkulturen (2:2). Pictures, Video and sound recordings (digital), 16:9 Filmtidsskrift. http://www.16-9.dk/2018/02/podcast-02/

Korsgaard, M. B. & Nielsen, J. I. (2023). 16:9 Podcast: 16:9 fylder 20 år. Pictures, Video and sound recordings (digital), 16:9 Filmtidsskrift. http://www.16-9.dk/2023/09/podcast-08/

Nielsen, J. I., Højer (vært), H. & Oxholm (optagelse, klip), J. (2020). 16:9 Podcast: Fjernsyn for viderekomne, the recap. Pictures, Video and sound recordings (digital), 16:9 Filmtidsskrift. http://www.16-9.dk/2020/12/podcast-06/

Nielsen, J. I., Højer (vært), H., Halskov, A. & Oxholm (optagelse og redigering), J. (2020). 16:9 Podcast: Streaming for viderekomne. Pictures, Video and sound recordings (digital), 16:9 Filmtidsskrift. http://www.16-9.dk/2020/03/podcast-05/

Kring, N., Thaarup, C., Rasmussen, A., Svenningsen, S. D. & Waade, A. M. (2016). 1864 og DR under forandring: public service, branding og lancering . In K. T. Hansen (Ed.), 1864 : tv-serien, historien, kritikken (pp. 115-134). Aalborg Universitetsforlag.

Waade, A. M. & Østergaard, I. A. (2016). 1864 på Fyn: FilmFyn, branding, filmturisme og location placement . In K. T. Hansen (Ed.), 1864: tv-serien, historien, kritikken (pp. 209-234). Aalborg Universitetsforlag.

Waade, A. M. (2017). Aarhus Filmcity : Cross-Sectoral Strategies. Paper presented at European Media Management Association Conference 2017 - Preconference: Media Clusters, Ghent, Belgium. http://mediaclusters.brussels/wp-content/uploads/2017/06/5_Aarhus-Filmcity-cross-sectoral-strategies.pdf

Jacobsen, U. C. (2020). A cosmopolitan tribe of viewers: Crime, women, and akogare in Japan. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Audiences of Danish Television Drama (pp. 75-90). Nordicom. https://www.nordicom.gu.se/system/tdf/publikationer-hela-pdf/the_global_audiences_of_danish_television_drama_web.pdf?file=1&type=node&id=40632&force=0

Waade, A. M. & Have, I. (2008). Aesthetification of Politics: Non-verbal Political Communication in Danish Television Documentaries. In J. Stömbäck, M. Ørsten & T. Aalberg (Eds.), Political Communication Nordicom.

Waade, A. M. & Have, I. (2007). Aesthetification of Politics: Non-verbal Political Communication inDanish Television Documentaries. Paper presented at NordMedia Nordisk Medieforskerkonference, Helsinki, Finland.

Eichner, S. (2014). Agency and Media Reception: Experiencing Video Games, Film, and Television. Springer.

Eichner, S. (2015). Agency, Text, and ‘Doing Media’. Abstract from IAMCR 2015, Montreal, Canada.

Nielsen, J. I. (2005). A History of Violence. 16:9, 3(14). http://www.16-9.dk/2005-11/pdf/16-9_november2005_side08_filmanmeldelse.pdf

Jacobsen, U. C. & Rittenhofer, I. (2015). Aligning the notion of ‘public(s)’ for management communication in uncertain times. Abstract from EUPRERA 2015 Congress, Oslo, Norway.

Nielsen, J. I. (2020, Jun 18). Alternativ onlineforelæsning. Århus Universitet. https://educate.au.dk/praksiseksempler/blended-learning/alternativ-onlineforelaesning/

Waade, A. M. & Sandvik, K. (2006). Al verden er en scene - rollespil som performativ fortælling. In A. M. Waade & K. Sandvik (Eds.), Rollespil - i æstetisk, pædagogisk og kulturelt perspektiv (1.udg. ed., pp. 7-23). Aarhus UniPresse.

Eichner, S. (2016). A mismatch between text and audience? The “failure” of “Deutschland 83” in domestic television. Abstract from European Screens 2016, York, United Kingdom.

Jacobsen, U. C. (2021). A New Kid on the Block: English in Greenland. Paper presented at Greenland – Denmark 1721 + 300 = 2021, Copenhagen, Denmark.

Nielsen, J. I. (2010). "Antonioni Pirouette". 16:9, (39).

Eichner, S., Mikos, L. & Wedel, M. (2006). „Apocalypse Now in Middle Earth“: „Genre“ in the Critical Reception of The Lord of the Rings in Germany. In E. Mathijs (Ed.), The Lord of the Rings. Popular Culture in Global Context Wallflower Press.

Eichner, S. (2015). Applying meaning to Danish television series: audience research in Germany. Paper presented at IAMCR 2015, Montreal, Canada.

Waade, A. M. (2020). Arctic noir on screen: midnight Sun (2016-) as a mix of geopolitical criticism and spectacular, mythical landscapes. In L. Badley, A. Nestingen & J. Seppälä (Eds.), Palgrave Studies in Adaptation and Visual Culture (pp. 37-53). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-38658-0

Damkjær, M. S. & Waade, A. M. (2014). Armchair tourism: The travel series as a hybrid genre. In Travel Journalism: Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan. https://doi.org/10.1057/9781137325983

Damkjaer, M. S. & Waade, A. M. (2014). Armchair Tourism: The Travel Series as a Hybrid Genre. In F. Hanusch & E. Fürsich (Eds.), Travel Journalism : Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan.

Waade, A. M. (2006). Armchair Travelling with Pilot Guides: Cartographic and Sensuous Strategies. In J. Falkheimer & A. Jansson (Eds.), Geographies of Communication: The Spatial Turn in Media Studies (pp. 155-168). Nordicom.

Jacobsen, U. C. & Jensen, P. M. (2015). A three-tier, seven country audience study on the emergence of Denmark's transnational TV culture. Abstract from Nordmedia 2015, Copenhagen, Denmark.

Jensen, P. M., Esser, A., Keinonen, H. & Lemor, A. M. (2013). A Trans-National Audience Study of a Global Format Genre: Talent Shows in Denmark, Finland, Germany and Great Britain. Paper presented at IAMCR 2013, Dublin, Ireland.

Bengesser, C. H., De Rosa, P., Jensen, P. M. & Spaletta, M. (2023). Audiences of popular European television crime drama: A nine-country study on consumption patterns, attitudes and drivers of transcultural connection. European Journal of Communication, 38(2), 148-165. https://doi.org/10.1177/02673231221112535

Bengesser, C. H., Jensen, P. M., Spaletta, M. & De Rosa, P. (2021). Audiences’ perceptions of place, society and (TV) culture in popular European audiovisual crime narratives. Abstract from NECS 2021, Palermo, Italy. https://create.piktochart.com/output/54843434-detect_audience

Jensen, P. M., Redvall, E. N. & Christensen, C. L. (Eds.) (2023). Audiovisual content for children and adolescents in Scandinavia: Production, distribution, and reception in a multiplatform era. Nordicom. https://doi.org/10.48335/9789188855817

Jensen, P. M. & Jacobsen, U. C. (2020). Augmenting proximities theory: Including other proximities in the transnational travel of Danish television drama. In A. M. Waade, E. N. Redvall & P. M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation (pp. 169-186). Palgrave Macmillan.

Jensen, P. M. & Jacobsen, U. C. (2019). Augmenting proximities theory: Including other proximities in the transnational travel of Danish television drama. Paper presented at NordMedia 2019, Malmö, Sweden.

Gemzøe, L. S. (2021). Autobiographical adaptation in NBC’s Love Is a Four-Letter Word. Journal of Scandinavian Cinema, 11(1), 113-131. https://doi.org/10.1386/jsca_00042_1

Jacobsen, U. C. (2010). A world of knowledge asymmetries: The professional communication of Swazi cultural identity. Paper presented at Language Use and Cultural Identity Workshop, Helsinki. FI, Finland.

Waade, A. M. (2011). BBC’s Wallander series: Sweden seen with British eyes. Critical Studies in Television.

Waade, A. M. (2015). “Behind Every Series is a Strong Woman”: Gender as transnational production value in the Danish TV drama series.. Paper presented at TV in the Age of Transnationalisation and Transmedialisation, London, United Kingdom.

Eichner, S. & Mikos, L. (2017). Berlin in Television Drama Series: A Mediated Space. SERIES - International journal of TV series narratives, 3(1), 41-49. https://doi.org/10.6092/issn.2421-454X/7141

Eichner, S. (2023). Berlin in Television Series. Paper presented at Locating Media Industries: Cities, Spaces, Places, London, United Kingdom.

Eichner, S. (2019). Berlin Noir: Location, Aesthetics and Market Logic of New German series. Abstract from EURONOIR, Aalborg, Denmark.

Nielsen, J. I. (2011). Bio pics. 16:9, 9(43). http://www.16-9.dk/2011-09/side03_leder.htm

Nielsen, J. I. (2014). Blockbusteren som eksperimentalfilm. 16:9, 12(54). http://www.16-9.dk/2014-02/side06_feature3.htm

Nielsen, J. I. (2013). Blockbuster TV: Bestseller & Blockbuster Culture – Books, Cinema and Television.

Nielsen, J. I. (2006). Bølgebryder: interview med Anders Refn. 16:9, 4(16). http://www.16-9.dk/2006-04/side05_feature2.htm

Waade, A. M. (2020). Book Review: The Killing. Critical Studies in Television, 15(2), 208-210. https://doi.org/10.1177/1749602020909620c

Nielsen, J. I. (2004). Bordwell on Bordwell: Part 1 – Hitchcock, Hartley and the Poetics of Cinema. 16:9, (7).

Nielsen, J. I. (2004). Bordwell on Bordwell: Part II – Functions of Film Style. 16:9, (8).

Nielsen, J. I. (2004). Bordwell on Bordwell: Part III – Writing on Film Style. 16:9, (9).

Nielsen, J. I. (2005). Bordwell on Bordwell: Part IV - Levels of Engagement. 16:9, 3(10). http://www.16-9.dk/2005-02/pdf/16-9_februar2005_side11_inenglish.pdf

Nielsen, J. I. (2023). Borgen and Netflix: A Match Made in...? In T. Dunleavy & E. Weissmann (Eds.), TV Drama in the Multiplatform Era: Transnational Coproduction and Cultural Specificity (pp. 57-80). Palgrave Macmillan.

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Publications from Aalborg University

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Publications from Aarhus University

Publications from Aalborg University

Eva Redvall