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What Makes Danish TV Drama Series Travel?

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Publications from Aarhus University

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Korsgaard, M. B. (Producer) & Nielsen, J. I. (Producer). (2023). 16:9 Podcast: 16:9 fylder 20 år. Pictures, Video and sound recordings (digital), 16:9 Filmtidsskrift. http://www.16-9.dk/2023/09/podcast-08/

Kring, N., Thaarup, C., Rasmussen, A., Svenningsen, S. D. & Waade, A. M. (2016). 1864 og DR under forandring: public service, branding og lancering . In K. T. Hansen (Ed.), 1864 : tv-serien, historien, kritikken (pp. 115-134). Aalborg Universitetsforlag.

Waade, A. M. & Østergaard, I. A. (2016). 1864 på Fyn: FilmFyn, branding, filmturisme og location placement . In K. T. Hansen (Ed.), 1864: tv-serien, historien, kritikken (pp. 209-234). Aalborg Universitetsforlag.

Waade, A. M. (2017). Aarhus Filmcity : Cross-Sectoral Strategies. Paper presented at European Media Management Association Conference 2017 - Preconference: Media Clusters, Ghent, Belgium. http://mediaclusters.brussels/wp-content/uploads/2017/06/5_Aarhus-Filmcity-cross-sectoral-strategies.pdf

Jacobsen, U. C. (2020). A cosmopolitan tribe of viewers: Crime, women, and akogare in Japan. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Audiences of Danish Television Drama (pp. 75-90). Nordicom. https://www.nordicom.gu.se/system/tdf/publikationer-hela-pdf/the_global_audiences_of_danish_television_drama_web.pdf?file=1&type=node&id=40632&force=0

Waade, A. M. & Have, I. (2008). Aesthetification of Politics: Non-verbal Political Communication in Danish Television Documentaries. In J. Stömbäck, M. Ørsten & T. Aalberg (Eds.), Political Communication Nordicom.

Waade, A. M. & Have, I. (2007). Aesthetification of Politics: Non-verbal Political Communication inDanish Television Documentaries. Paper presented at NordMedia Nordisk Medieforskerkonference, Helsinki, Finland.

Eichner, S. (2014). Agency and Media Reception: Experiencing Video Games, Film, and Television. Springer.

Eichner, S. (2015). Agency, Text, and ‘Doing Media’. Abstract from IAMCR 2015, Montreal, Canada.

Nielsen, J. I. (2005). A History of Violence. 16:9, 3(14). http://www.16-9.dk/2005-11/pdf/16-9_november2005_side08_filmanmeldelse.pdf

Jacobsen, U. C. & Rittenhofer, I. (2015). Aligning the notion of ‘public(s)’ for management communication in uncertain times. Abstract from EUPRERA 2015 Congress, Oslo, Norway.

Nielsen, J. I. (2020, Jun 18). Alternativ onlineforelæsning. Aarhus Universitet. https://educate.au.dk/praksiseksempler/blended-learning/alternativ-onlineforelaesning/

Waade, A. M. & Sandvik, K. (2006). Al verden er en scene - rollespil som performativ fortælling. In A. M. Waade & K. Sandvik (Eds.), Rollespil - i æstetisk, pædagogisk og kulturelt perspektiv (1.udg. ed., pp. 7-23). Aarhus UniPresse.

Eichner, S. (2016). A mismatch between text and audience? The “failure” of “Deutschland 83” in domestic television. Abstract from European Screens 2016, York, United Kingdom.

Nielsen, J. I. (2010). "Antonioni Pirouette". 16:9, (39).

Eichner, S., Mikos, L. & Wedel, M. (2006). „Apocalypse Now in Middle Earth“: „Genre“ in the Critical Reception of The Lord of the Rings in Germany. In E. Mathijs (Ed.), The Lord of the Rings. Popular Culture in Global Context Wallflower Press.

Eichner, S. (2015). Applying meaning to Danish television series: audience research in Germany. Paper presented at IAMCR 2015, Montreal, Canada.

Waade, A. M. (2020). Arctic noir on screen: midnight Sun (2016-) as a mix of geopolitical criticism and spectacular, mythical landscapes. In L. Badley, A. Nestingen & J. Seppälä (Eds.), Palgrave Studies in Adaptation and Visual Culture (pp. 37-53). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-38658-0

Damkjær, M. S. & Waade, A. M. (2014). Armchair tourism: The travel series as a hybrid genre. In Travel Journalism: Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan. https://doi.org/10.1057/9781137325983

Damkjaer, M. S. & Waade, A. M. (2014). Armchair Tourism: The Travel Series as a Hybrid Genre. In F. Hanusch & E. Fürsich (Eds.), Travel Journalism : Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan.

Waade, A. M. (2006). Armchair Travelling with Pilot Guides: Cartographic and Sensuous Strategies. In J. Falkheimer & A. Jansson (Eds.), Geographies of Communication: The Spatial Turn in Media Studies (pp. 155-168). Nordicom.

Jacobsen, U. C. & Jensen, P. M. (2015). A three-tier, seven country audience study on the emergence of Denmark's transnational TV culture. Abstract from Nordmedia 2015, Copenhagen, Denmark.

Jensen, P. M., Esser, A., Keinonen, H. & Lemor, A. M. (2013). A Trans-National Audience Study of a Global Format Genre: Talent Shows in Denmark, Finland, Germany and Great Britain. Paper presented at IAMCR 2013, Dublin, Ireland.

Bengesser, C. H., De Rosa, P., Jensen, P. M. & Spaletta, M. (2023). Audiences of popular European television crime drama: A nine-country study on consumption patterns, attitudes and drivers of transcultural connection. European Journal of Communication, 38(2), 148-165. https://doi.org/10.1177/02673231221112535

Bengesser, C. H., Jensen, P. M., Spaletta, M. & De Rosa, P. (2021). Audiences’ perceptions of place, society and (TV) culture in popular European audiovisual crime narratives. Abstract from NECS 2021, Palermo, Italy. https://create.piktochart.com/output/54843434-detect_audience

Jensen, P. M., Redvall, E. N. & Christensen, C. L. (2023). Audiovisual content for children and adolescents in Scandinavia: Production, distribution, and reception in a multiplatform era. Nordicom. https://doi.org/10.48335/9789188855817-1

Jensen, P. M. & Jacobsen, U. C. (2020). Augmenting proximities theory: Including other proximities in the transnational travel of Danish television drama. In A. M. Waade, E. N. Redvall & P. M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation (pp. 169-186). Palgrave Macmillan.

Jensen, P. M. & Jacobsen, U. C. (2019). Augmenting proximities theory: Including other proximities in the transnational travel of Danish television drama. Paper presented at NordMedia 2019, Malmö, Sweden.

Gemzøe, L. S. (2021). Autobiographical adaptation in NBC’s Love Is a Four-Letter Word. Journal of Scandinavian Cinema, 11(1), 113-131. https://doi.org/10.1386/jsca_00042_1

Jacobsen, U. C. (2010). A world of knowledge asymmetries: The professional communication of Swazi cultural identity. Paper presented at Language Use and Cultural Identity Workshop, Helsinki. FI, Finland.

Waade, A. M. (2011). BBC’s Wallander series: Sweden seen with British eyes. Critical Studies in Television.

Waade, A. M. (2015). “Behind Every Series is a Strong Woman”: Gender as transnational production value in the Danish TV drama series.. Paper presented at TV in the Age of Transnationalisation and Transmedialisation, London, United Kingdom.

Eichner, S. & Mikos, L. (2017). Berlin in Television Drama Series: A Mediated Space. SERIES - International journal of TV series narratives, 3(1), 41-49. https://doi.org/10.6092/issn.2421-454X/7141

Eichner, S. (2019). Berlin Noir: Location, Aesthetics and Market Logic of New German series. Abstract from EURONOIR, Aalborg, Denmark.

Nielsen, J. I. (2011). Bio pics. 16:9, 9(43). http://www.16-9.dk/2011-09/side03_leder.htm

Nielsen, J. I. (2014). Blockbusteren som eksperimentalfilm. 16:9, 12(54). http://www.16-9.dk/2014-02/side06_feature3.htm

Nielsen, J. I. (2013). Blockbuster TV: Bestseller & Blockbuster Culture – Books, Cinema and Television.

Nielsen, J. I. (2006). Bølgebryder: interview med Anders Refn. 16:9, 4(16). http://www.16-9.dk/2006-04/side05_feature2.htm

Waade, A. M. (2020). Book Review: The Killing. Critical Studies in Television, 15(2), 208-210. https://doi.org/10.1177/1749602020909620c

Nielsen, J. I. (2004). Bordwell on Bordwell: Part 1 – Hitchcock, Hartley and the Poetics of Cinema. 16:9, (7).

Nielsen, J. I. (2004). Bordwell on Bordwell: Part II – Functions of Film Style. 16:9, (8).

Nielsen, J. I. (2004). Bordwell on Bordwell: Part III – Writing on Film Style. 16:9, (9).

Nielsen, J. I. (2005). Bordwell on Bordwell: Part IV - Levels of Engagement. 16:9, 3(10). http://www.16-9.dk/2005-02/pdf/16-9_februar2005_side11_inenglish.pdf

Jacobsen, U. C. & Jensen, P. M. (2016). Born European, born regional, or born global? Language convergence in The Team. Nordic Journal of Media Studies, 14(1), 123-140. https://doi.org/10.1386/nl.14.1.123_1

Jacobsen, U. C. & Meleiro, A. (2020). Brazilian Encounters: Buyers and bloggers appropriating content. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Audiences of Danish Television Drama (pp. 57-74). Nordicom. https://www.nordicom.gu.se/sv/system/tdf/publikationer-hela-pdf/the_global_audiences_of_danish_television_drama_web.pdf?file=1&type=node&id=40632&force=0

Jensen, P. M. & Raats, T. (2016). Bringing distinctive TV drama? The role and effectiveness of public service media as lever for tv drama production: a two-case comparison. Paper presented at RIPE@2016 Public Service Media in a Networked Society?, Antwerpen, Belgium.

Nielsen, J. I. (2011). Broadcastnetværk. In J. I. Nielsen, A. Halskov & H. Højer (Eds.), Fjernsyn for viderekomne : - de nye amerikanske tv-serier (1 ed., Vol. 1, pp. 242). Turbine. http://www.16-9.dk/books/index.htm

Gemzøe, L. A. (2013). Brødre vs. Brothers - The Transatlantic Remake as Cultural Adaptation. Akademisk Kvarter, 7, 283-297. http://www.akademiskkvarter.hum.aau.dk/pdf/vol7/19a_LyngeAggerGemzoee_BroedreVsBrothers.pdf

Gemzøe, L. S. (2014). Building Bridges Across Borders: Bron/Broen vs. The Tunnel. Abstract from Ecrea 2014, Lisbon, Portugal. http://ecrea2014.ulusofona.pt/images/prog_final_web_ecrea.pdf

Nielsen, J. I. (2007). Camera Movement in Narrative Cinema: Towards a Taxonomy of Functions. (1 ed.).

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Publications from Aalborg University

Revised 10.02.2021