Publications

Publications from Aarhus University

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Waade, A. M. (2015). Locations in TV Drama Series: The Danish Series Dicte and Arvingerne as Examples. Paper presented at Geomedia , Karlstad, Sweden. http://geomedia.se

Bengesser, C. H. & Waade, A. M. (2020). Locative media in screen tourism: The production of the DETECt Aarhus app. In C. Bengesser, K. T. Hansen & L. S. Gemzøe (Eds.), Location marketing and cultural tourism (pp. 13-18) http://www.detect-project.eu/wp-content/uploads/2020/02/COMPLETE_d4.1_final2.pdf

Bechmann, A., Ess, C. & Waade, A. M. (2012). Locative mobile media, place and performativity. Paper presented at Local and Mobile conference 2012, Raleigh, NC., United States.

Falahey, A. & Jensen, P. M. (2011). Making Television around the World: Some indicators of a pilot study comparing Danish and Australian adaptations of global format television productions. Paper presented at The annual conference of the Australian Sociological Association, Newcastle, Australia.

Waade, A. M. (2004). Mediatization of the Tourist Experience: Cultural perspectives on Hyper Tourism. Paper presented at 13th Nordic Symposium in Tourism and Hospitality Research, Aalborg University, Aalborg, Denmark.

Waade, A. M. (2005). Mediepolitik i spil - medier som aktør, arena og kulturpolitiske udfordringer i nordisk sammenhæng. Nordisk Kulturpolitisk Tidskrift, temanummer: Mediepolitik, (1-2005).

Jensen, J. L. & Waade, A. M. (2009). Medier og Turisme. Systime Academic.

Waade, A. M. (2018). Medier, steder og turisme. In P. S. Lauridsen & E. Svendsen (Eds.), Medieteori (pp. 212-229). Samfundslitteratur.

Jensen, P. M. (2018). Mediesystemer. In P. S. Lauridsen & E. Svendsen (Eds.), Medieteori (pp. 175-190). Samfundslitteratur.

Waade, A. M. & Agger, G. (2018). Melancholy and Murder: Mood and Tone in Crime Series. In K. T. Hansen, S. Peacock & S. Turnbull (Eds.), European Television Crime Drama and Beyond (1 ed., pp. 61-82). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-96887-2

Waade, A. M. (2017). Melancholy in Nordic Noir: Characters, landscapes, light and music. Critical Studies in Television, 12(4), 380-394. https://doi.org/10.1177/1749602017729629

Jacobsen, U. C. (2013). Messianic moments in communicating sustainability. In M. Nielsen, I. Rittenhofer, M. G. Ditlevesen, S. E. Andersen & I. Pollach (Eds.), Nachhaltigkeit in der Wirtschaftskommunikation (pp. 93-107). Springer VS.

Nielsen, J. I. (2003). Mise-en-scène - Film Style and Interpretation. 16:9.

Nielsen, J. I. (2010). Mobiltelefonitis: Om mobiltelefonens entré i film og tv-serier. Kosmorama, (245), 168-182. http://video.dfi.dk/Kosmorama/magasiner/245/kosmorama245_168_artikel15.pdf

Nielsen, J. I. (2013). Mode og mozzarella. 16:9, 11(52). http://www.16-9.dk/2013-09/index.htm

Keinonen, H., Jensen, P. M., Lemor, A. M. & Esser, A. (2018). 'Modes of engagement with musical talent shows: Studying audience engagement as a set of experiences'. Participations: Journal of Audience & Reception Studies, 15(2), 58-76. Article 4. http://www.participations.org/Volume%2015/Issue%202/5.pdf

Jacobsen, U. C. (2010). Moments of knowledge communication in the arena of sustainability: Conceptualising knowledge asymmetries unfolding in communication encounters. Abstract from 14th Biennial Conference of the Rhetoric Society of America: Rhetoric: Concord and Controversy, Minneapolis, United States.

Damkjaer, M. S. & Waade, A. M. R. (Accepted/In press). Momfluencing beyond Influencers in Nordic Contexts: Brave Motherhood, Amateur Nano-Influencers, and Digital Parenting. Frontiers in Communication.

Damkjaer, M. S. & Waade, A. M. R. (2025). Motherhood Marketing: Community-Building and Advocacy in Momkind’s Branded Content. Paper presented at NordMedia 2025, Odense, Denmark.

Nielsen, J. I. (2011). "Når tæppet rives væk under én". 16:9, (40). http://www.16-9.dk/2011-02/side12_frame.htm

Nielsen, J. I. (2024). Netflix and Borgen: A match made in...? In T. Dunleavy & E. Weissmann (Eds.), TV Drama in the Multiplatform Era: Transnational Coproduction and Cultural Specificity (pp. 57-79). Springer International Publishing Switzerland. https://doi.org/10.1007/978-3-031-35585-1_3

Nielsen, J. I. (2013). Netflix: paradoksernes holdeplads. 16:9, 11(51). http://www.16-9.dk/2013-06/side03_leder.htm

Aveyard, K., Jensen, P. M. & Moran, A. (Eds.) (2016). New Patterns in Global Television Formats. Intellect Ltd.

Jensen, P. M. & Mitric, P. (2022, Feb 4). New report: Quality audiovisual fiction as seen through the eyes of young Danish viewers. CSTonline.net. https://cstonline.net/new-report-quality-audiovisual-fiction-as-seen-through-the-eyes-of-young-danish-viewers-by-pia-majbritt-jensen-and-petar-mitric/

Waade, A. M., Pasgaard, J. C., Meldgaard, M. & Nielsen, T. (2019). Nordic landscapes in collaborative place-making interventions. In C. Cassinger, S. Gyimóthy & A. Lucarelli (Eds.), The nordic wave in place branding : Poetics, Practices, Politics (pp. 91-108). Edward Elgar Publishing. https://doi.org/10.4337/9781788974325.00018

Waade, A. M. (2015). Nordic Noir Ambiance and Nordic Melancholy. Paper presented at NordMedia 2015, Copenhagen, Denmark.

Jensen, P. M. & Waade, A. M. (2013). Nordic Noir Challenging "The Language of Advantage": Setting, Light and Language as Production Values in Danish Television Series . The Journal of Popular Television, 1(2), 259-265. https://doi.org/10.1386/jptv.1.2.259_1

Waade, A. M. (2017). Nordic Noir landscape values: Transnational co-productions, screen tourism and place branding . Paper presented at Branding Nordic Aesthetics conference, Oslo , Norway.

Waade, A. M. (2014). Nordic Noir og nordisk melankoli. Paper presented at Nordic Noir seminar, Oslo, Norway.

Waade, A. M. & Jensen, P. M. (2013). Nordic Noir Production Values: The Killing and The Bridge. Akademisk Kvarter, 7, 188-201. http://www.akademiskkvarter.hum.aau.dk/pdf/vol7/13a_AWaadePMJensen_NordicNoir.pdf

Waade, A. M. (2016). Nordic Noir Tourism and Television Landscapes: In the footsteps of Kurt Wallander and Saga Norén . Scandinavica: An International Journal of Scandinavian Studies, 55(1), 42-65. http://www.scandinavica.net/2016-1.php

Nielsen, J. I. (2016). November, november, november: danske tv-serier. In Nordiske nätter: magasin (pp. 12-13). Folkeuniversitetet i Århus. https://nordiskenaetter.fuau.dk/media/6011/nn-magasin_norden_2016_web.pdf

Nielsen, J. I. (2024, May 14). Number of cinemas & screens.

Nielsen, J. I. (2003). Om visuel stil i amerikansk film. Anglo Files, 56-62.

Jacobsen, U. C. (2015). On the power of non-exhaustible consumption goods to impact uneven cosmopolitan relationships. Abstract from ACSS 2015, Kobe, Japan.

Nielsen, J. I. (2002). On Visual Design and Staging in Casablanca. P. O. V. - A Danish Journal of Film Studies, (14), 75-88.

Nielsen, J. I. (2003). Ophuls og kærlighedskarussellen. 16:9.

Jensen, P. M. (2017). “Original Good, Adaptation Bad”: Investigating the Deeper Reasons behind Australian Audience Preference for the Nordic Versions of Forbrydelsen and Bron/Broen. Paper presented at Media Mutations 9: The Format Factor, Bologna, Italy.

Jensen, P. M. & McCutcheon, M. (2020). "Othering the Self and Same-ing the Other": Australians watching Nordic Noir. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Audiences of Danish TV Drama (pp. 21-37). Nordicom. https://www.nordicom.gu.se/sv/system/tdf/publikationer-hela-pdf/the_global_audiences_of_danish_television_drama_web.pdf?file=1&type=node&id=40632&force=0

Jensen, P. M. (2019). "Othering the Self and Same-ing the Other": Australians Watching Scandi Noir. Abstract from EURONOIR, Aalborg, Denmark.

Nielsen, J. I. (2004). På den anden side af klippet. 16:9, (9).

Nielsen, J. I. (2011). På rette spor. 16:9, 9(43). http://www.16-9.dk/2011-09/side08_filmanmeldelse.htm

Waade, A. M. & Botoric, V. (2015). Participation in the business context: Crowdsourcing in the LEGO Group and the animation film The Reward. Paper presented at Participation and Cultural Transformations, Cultural transformations Research programme, Aarhus University, Denmark.

Primorac, J., Kostovska, I., Nielsen, J. I. & Øfsti, M. (2025). Pathways to sustainability for small European film markets: Balancing industrial goals with cultural & public good objectives. Abstract from NECS 2025, Lisbon, Portugal.

Nielsen, J. I. (2024, May 14). Performance of animation films.

Knudsen, B. T. & Waade, A. M. (2010). Performative Authenticity in Tourism and Spatial Experience: Rethinking the relation between travel, place and emotion in the context of cultural economy and emotional geography. In Re-investing Authenticity: Tourism, Place and Emotions (pp. 1-19). Channel View Publications.

Waade, A. M. R. & Leyda, J. (2022, Oct). Petro-Monopause in "Borgen: Power & Glory". https://lareviewofbooks.org/article/petro-menopause-in-borgen-power-glory/

Waade, A. M. (2006). Pilot Gudies som fantastisk rejse: Fysiks, medieret og imaginær turisme som æstetisk praksis. In U. Bisgaard & C. Fridberg (Eds.), Det æstetiskes aktualitet (pp. 113-128). Multivers.

Waade, A. M. (2006). Pilot Guides as Fantastic travelling : Hyper tourism and the mediatization of the tourist gaze . Paper presented at Aesthetics and Mobility, Helsinki, Finland.

Nielsen, J. I. (2012). "Point of view i The Fighter". 16:9, 10(44), 1. http://www.16-9.dk/2012-02/side07_anatomi.htm

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Publications from Aalborg University

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Publications

Publications from Aarhus University

Publications from Aalborg University

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