What Makes Danish TV Drama Series Travel?

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Publications from Aarhus University

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Waade, A. M. (2018). Medier, steder og turisme. In P. S. Lauridsen & E. Svendsen (Eds.), Medieteori (pp. 212-229). Samfundslitteratur.
Jensen, P. M. (2018). Mediesystemer. In P. S. Lauridsen & E. Svendsen (Eds.), Medieteori (pp. 175-190). Samfundslitteratur.
Waade, A. M. & Agger, G. (2018). Melancholy and Murder: Mood and Tone in Crime Series. In K. T. Hansen, S. Peacock & S. Turnbull (Eds.), European Television Crime Drama and Beyond (1 ed., pp. 61-82). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-96887-2
Waade, A. M. (2017). Melancholy in Nordic Noir: Characters, landscapes, light and music. Critical Studies in Television, 12(4), 380-394. https://doi.org/10.1177/1749602017729629
Jacobsen, U. C. (2013). Messianic moments in communicating sustainability. In M. Nielsen, I. Rittenhofer, M. G. Ditlevesen, S. E. Andersen & I. Pollach (Eds.), Nachhaltigkeit in der Wirtschaftskommunikation (pp. 93-107). Springer VS.
Nielsen, J. I. (2003). Mise-en-scène - Film Style and Interpretation. 16:9.
Nielsen, J. I. (2010). Mobiltelefonitis: Om mobiltelefonens entré i film og tv-serier. Kosmorama, (245), 168-182. http://video.dfi.dk/Kosmorama/magasiner/245/kosmorama245_168_artikel15.pdf
Nielsen, J. I. (2013). Mode og mozzarella. 16:9, 11(52). http://www.16-9.dk/2013-09/index.htm
Keinonen, H., Jensen, P. M., Lemor, A. M. & Esser, A. (2018). 'Modes of engagement with musical talent shows: Studying audience engagement as a set of experiences'. Participations: Journal of Audience & Reception Studies, 15(2), 58-76. Article 4. http://www.participations.org/Volume%2015/Issue%202/5.pdf
Jacobsen, U. C. (2010). Moments of knowledge communication in the arena of sustainability: Conceptualising knowledge asymmetries unfolding in communication encounters. Abstract from 14th Biennial Conference of the Rhetoric Society of America: Rhetoric: Concord and Controversy, Minneapolis, United States.
Damkjaer, M. S. & Waade, A. M. R. (2025). Motherhood Marketing: Community-Building and Advocacy in Momkind’s Branded Content. Paper presented at NordMedia 2025, Odense, Denmark.
Nielsen, J. I. (2011). "Når tæppet rives væk under én". 16:9, (40). http://www.16-9.dk/2011-02/side12_frame.htm
Nielsen, J. I. (2013). Netflix: paradoksernes holdeplads. 16:9, 11(51). http://www.16-9.dk/2013-06/side03_leder.htm
Aveyard, K., Jensen, P. M. & Moran, A. (Eds.) (2016). New Patterns in Global Television Formats. Intellect Ltd.
Jensen, P. M. & Mitric, P. (2022, Feb 4). New report: Quality audiovisual fiction as seen through the eyes of young Danish viewers. CSTonline.net. https://cstonline.net/new-report-quality-audiovisual-fiction-as-seen-through-the-eyes-of-young-danish-viewers-by-pia-majbritt-jensen-and-petar-mitric/
Waade, A. M., Pasgaard, J. C., Meldgaard, M. & Nielsen, T. (2019). Nordic landscapes in collaborative place-making interventions. In C. Cassinger, S. Gyimóthy & A. Lucarelli (Eds.), The nordic wave in place branding : Poetics, Practices, Politics (pp. 91-108). Edward Elgar Publishing. https://doi.org/10.4337/9781788974325.00018
Waade, A. M. (2015). Nordic Noir Ambiance and Nordic Melancholy. Paper presented at NordMedia 2015, Copenhagen, Denmark.
Jensen, P. M. & Waade, A. M. (2013). Nordic Noir Challenging "The Language of Advantage": Setting, Light and Language as Production Values in Danish Television Series . The Journal of Popular Television, 1(2), 259-265. https://doi.org/10.1386/jptv.1.2.259_1
Waade, A. M. (2017). Nordic Noir landscape values: Transnational co-productions, screen tourism and place branding . Paper presented at Branding Nordic Aesthetics conference, Oslo , Norway.
Waade, A. M. (2014). Nordic Noir og nordisk melankoli. Paper presented at Nordic Noir seminar, Oslo, Norway.
Waade, A. M. & Jensen, P. M. (2013). Nordic Noir Production Values: The Killing and The Bridge. Akademisk Kvarter, 7, 188-201. http://www.akademiskkvarter.hum.aau.dk/pdf/vol7/13a_AWaadePMJensen_NordicNoir.pdf
Waade, A. M. (2016). Nordic Noir Tourism and Television Landscapes: In the footsteps of Kurt Wallander and Saga Norén . Scandinavica: An International Journal of Scandinavian Studies, 55(1), 42-65. http://www.scandinavica.net/2016-1.php
Nielsen, J. I. (2016). November, november, november: danske tv-serier. In Nordiske nätter: magasin (pp. 12-13). Folkeuniversitetet i Århus. https://nordiskenaetter.fuau.dk/media/6011/nn-magasin_norden_2016_web.pdf
Nielsen, J. I. (2024, May 14). Number of cinemas & screens.
Nielsen, J. I. (2003). Om visuel stil i amerikansk film. Anglo Files, 56-62.
Jacobsen, U. C. (2015). On the power of non-exhaustible consumption goods to impact uneven cosmopolitan relationships. Abstract from ACSS 2015, Kobe, Japan.
Nielsen, J. I. (2002). On Visual Design and Staging in Casablanca. P. O. V. - A Danish Journal of Film Studies, (14), 75-88.
Nielsen, J. I. (2003). Ophuls og kærlighedskarussellen. 16:9.
Jensen, P. M. (2017). “Original Good, Adaptation Bad”: Investigating the Deeper Reasons behind Australian Audience Preference for the Nordic Versions of Forbrydelsen and Bron/Broen. Paper presented at Media Mutations 9: The Format Factor, Bologna, Italy.
Jensen, P. M. & McCutcheon, M. (2020). "Othering the Self and Same-ing the Other": Australians watching Nordic Noir. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Audiences of Danish TV Drama (pp. 21-37). Nordicom. https://www.nordicom.gu.se/sv/system/tdf/publikationer-hela-pdf/the_global_audiences_of_danish_television_drama_web.pdf?file=1&type=node&id=40632&force=0
Jensen, P. M. (2019). "Othering the Self and Same-ing the Other": Australians Watching Scandi Noir. Abstract from EURONOIR, Aalborg, Denmark.
Nielsen, J. I. (2004). På den anden side af klippet. 16:9, (9).
Nielsen, J. I. (2011). På rette spor. 16:9, 9(43). http://www.16-9.dk/2011-09/side08_filmanmeldelse.htm
Waade, A. M. & Botoric, V. (2015). Participation in the business context: Crowdsourcing in the LEGO Group and the animation film The Reward. Paper presented at Participation and Cultural Transformations, Cultural transformations Research programme, Aarhus University, Denmark.
Nielsen, J. I. (2024, May 14). Performance of animation films.
Knudsen, B. T. & Waade, A. M. (2010). Performative Authenticity in Tourism and Spatial Experience: Rethinking the relation between travel, place and emotion in the context of cultural economy and emotional geography. In Re-investing Authenticity: Tourism, Place and Emotions (pp. 1-19). Channel View Publications.
Waade, A. M. R. & Leyda, J. (2022, Oct). Petro-Monopause in "Borgen: Power & Glory". https://lareviewofbooks.org/article/petro-menopause-in-borgen-power-glory/
Waade, A. M. (2006). Pilot Gudies som fantastisk rejse: Fysiks, medieret og imaginær turisme som æstetisk praksis. In U. Bisgaard & C. Fridberg (Eds.), Det æstetiskes aktualitet (pp. 113-128). Multivers.
Waade, A. M. (2006). Pilot Guides as Fantastic travelling : Hyper tourism and the mediatization of the tourist gaze . Paper presented at Aesthetics and Mobility, Helsinki, Finland.
Nielsen, J. I. (2012). "Point of view i The Fighter". 16:9, 10(44), 1. http://www.16-9.dk/2012-02/side07_anatomi.htm
Nielsen, J. I. (2015). Points of Contact, Points of Difference: Danish & American production cultures . Paper presented at TV in the Age of Transnationalisation and Transmedialisation, London, United Kingdom.
Nielsen, J. I. (2016). Points of Contact, Points of Distance: DR/TV2 meet HBO/Netflix. Nordic Journal of Media Studies, 14(1), 29-45. https://doi.org/10.1386/nl.14.1.29_1
Nielsen, J. I. (2025). Portræt af kunstneren: En anmeldelse af The Brutalist. 16:9. https://16-9.dk/2025/04/the-brutalist/
Stegger Gemzøe, L. (2021). Producers and Showrunners in NBC’s Love is a Four-Letter Word. Journal of Scandinavian Cinema.
Stegger Gemzøe, L. & Toft Hansen, K. (Ed.) (2020, Nov). Producing Transcultural Identity through Crime Narratives: Recommendations and Comparative Overview.
Waade, A. M. & Wille, J. I. (2016). Production Design and Location in the Danish Television Drama Series "Arvingerne" (The Legacy). Kosmorama, (263). http://www.kosmorama.org/Nyt/~/link.aspx?_id=5F499C1696C247849194F49B7672F791&_z=z
Nielsen, J. I. & Bengesser, C. H. (2024, May 14). Production volume. https://www.crescine.eu/small-film-industries/production#1
Waade, A. M., Jensen, P. M., Nielsen, J. I., Eichner, S., Gemzøe, L. S. & Esser, A. (2014). Questioning the national outlook of television studies (Plenary panel): What makes Danish television drama travel, FKK 2014-2018. Paper presented at Årsmøde SMID, Nyborg, Denmark. http://www.smid.dk
Waade, A. M. & Sandvik, K. (2007). "I play roles, therefore I am": Placing LARP in a broader cultural perspective. In M. Gade (Ed.), Knudepunkt 2007 (1.udgave ed., pp. 250-256).
Nielsen, J. I. (2005). Rænkespil. 16:9, 3(11). http://www.16-9.dk/2005-04/pdf/16-9_april2005_side10_dvdanmeldelse.pdf

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Eva Redvall

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Revised 04.12.2025