What Makes Danish TV Drama Series Travel?

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Publications from Aarhus University

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Bengesser, C. H., De Rosa, P., Jensen, P. M. & Spaletta, M. (2023). Audiences of popular European television crime drama: A nine-country study on consumption patterns, attitudes and drivers of transcultural connection. European Journal of Communication, 38(2), 148-165. https://doi.org/10.1177/02673231221112535
Bengesser, C. H. & Waade, A. M. (2021). Smart Crime Tourism as Multilayered Cultural Encounters: Exploring Aarhus via Locative Media and Crime Narratives. European Review, 29(5), 635-650. https://doi.org/10.1017/S1062798720001155
Chow, P.-S., Waade, A. M. & Saunders, R. A. (2020). Geopolitical Television Drama Within and Beyond the Nordic Region. Nordicom Review, 41(S1), 11-27. https://doi.org/10.2478/nor-2020-0013
Damkjaer, M. S. & Waade, A. M. R. (Accepted/In press). Momfluencing beyond Influencers in Nordic Contexts: Brave Motherhood, Amateur Nano-Influencers, and Digital Parenting. Frontiers in Communication.
Damkjær, M. S. & Waade, A. M. (2011). Rejseserien - mellem engagerende journalistik, forbrugerorientering og tv-underholdning. Journalistica, 1, 133-161. http://ojs.statsbiblioteket.dk/index.php/journalistica/article/view/4326/5095
Eichner, S. & Waade, A. M. (2015). Local Colour in German and Danish television Drama: Tatort and Bron/Broen. Global Media Journal. German Edition, 5(1). http://www.db-thueringen.de/servlets/DerivateServlet/Derivate-31988/GMJ9_Eichner%20Waade_final.pdf
Esser, A. & Jensen, P. M. (2015). The use of international television formats by public-service broadcasters in Australia, Denmark and Germany. The International Communication Gazette (Online), 77(4), 359-383. https://doi.org/10.1177/1748048514568766
Freudendal, J., Christensen, C. L. & Jensen, P. M. (2026). Danish films and series in a no-win-situation? Analyzing the preferences of young audiences and domestic industry responses. Critical Studies in Television, 21(1), 58-77. Article 17496020251383859. https://doi.org/10.1177/17496020251383859
Gemzøe, L. S. (2021). Autobiographical adaptation in NBC’s Love Is a Four-Letter Word. Journal of Scandinavian Cinema, 11(1), 113-131. https://doi.org/10.1386/jsca_00042_1
Gemzøe, L. A. (2013). Brødre vs. Brothers - The Transatlantic Remake as Cultural Adaptation. Akademisk Kvarter, 7, 283-297. http://www.akademiskkvarter.hum.aau.dk/pdf/vol7/19a_LyngeAggerGemzoee_BroedreVsBrothers.pdf
Gemzøe, L. S. (2012). En scenes anatomi: Once upon a time in Nazi-occupied France. 16:9, 2012(4). https://www.16-9.dk/2012-04/side07_anatomi.htm
Gemzøe, L. S. & Agger, G. (2012). Søndagsdrama. Cut, (98). http://cutmagazine.dk/wp-content/uploads/2017/10/CUT-098.pdf
Gemzøe, L. S. (2021). The Kim Wall Murder Serialized: Ethics & Aesthetics in High-Profile True Crime. SERIES - International journal of TV series narratives, 7(1), 81-90. https://doi.org/10.6092/issn.2421-454X/12483
Gemzøe, L. S. (2017). Transformations of National Culture in Bron|Broen and The Bridge. The Bridge, 40(1), Article 10. https://scholarsarchive.byu.edu/thebridge/vol40/iss1/10/
Gemzøe, L. S. (2026). Vital Moments in Dysfunctional Hollywood. Journal of Popular Film and Television, 54(1), 50-64. https://doi.org/10.1080/01956051.2025.2563553
Grønlund, A. & Waade, A. M. R. (2024). Screening Greenland in Borgen - Power & Glory: The on- and off-screen contestedness of Arctic landscapes and locations. Critical Studies in Television, 19(3), 352-370. https://doi.org/10.1177/17496020241258709
Hejná, M., Borkfelt, S., Eaton, M., Christensen, K. R., Clasen, M., Fage-Butler, A., Jespersen, A. B., Jacobsen, U. C., Kjeldgaard-Christiansen, J., Schjoldager, A., Stephan, M. & Sørensen, M. H. (2019). Interdisciplinary: To Be or Not to Be? Working Across Disciplinary Boundaries in the Humanities (and Beyond). Leviathan: Interdisciplinary Journal in English, (5). https://doi.org/10.7146/lev.v0i5.115491
Jacobsen, U. C. & Jensen, P. M. (2016). Born European, born regional, or born global? Language convergence in The Team. Nordic Journal of Media Studies, 14(1), 123-140. https://doi.org/10.1386/nl.14.1.123_1
Jacobsen, U. C. (2015). Cosmopolitan sensitivities, vulnerability and Global Englishes. Language and Intercultural Communication, 15(4), 459-474. https://doi.org/10.1080/14708477.2015.1031674
Jacobsen, U. C. (2018). Does subtitled television drama brand the nation? Danish television drama and its language(s) in Japan. European Journal of Cultural Studies, 21(5), 614-630. https://doi.org/10.1177/1367549417751150
Jacobsen, U. C. (2014). Knowledge Asymmetries in Action. HERMES - Journal of Language and Communication in Business, 53, 57-71. http://download2.hermes.asb.dk/archive/download/Hermes-53-5-jacobsen.pdf
Jacobsen, U. C. (2024). The Entanglements of English in Contemporary Greenland. Études Inuit Studies, 47(1-2), 19-40. https://doi.org/10.7202/1113382ar
Jensen, P. M. (2020). DANIMARCA. LASCIATECI CANTARE. Link. Idee per la television, (26), 16.
Jensen, P. M. (2007). Danish and Australian Television: The Impact of Format Adaptation. Media International Australia, 124.
Jensen, P. M. & Jacobsen, U. C. (2017). Danish TV drama: behind the unexpected popularity. Critical Studies in Television, 12(4), 325-330. https://doi.org/10.1177/1749602017733562
Jensen, P. M. (2012). Danska javna radiotelevizija - primerjalna zgodba o uspehu. Medijska preža : bilten za opazovanje medijev = media watch newsletter, (43), 36-37. http://digital.edition-on.net/Mirovni_Institut/mirovni_institut_preza_december2012.html
Jensen, P. M. (2005). Formatversionering. Et overblik. MedieKultur, 39, 4-13.
Jensen, P. M. (2005). Formatversionering i krig mod medieimperialismen. SAMSON, 15(1), 20-22.
Jensen, P. M. (2016). Global impact of Danish drama series: a peripheral, non-commercial creative counter-flow. Kosmorama, (263). http://www.kosmorama.org/Artikler/Global-Impact-of-Danish-Drama-Series.aspx
Jensen, P. M. & Waade, A. M. (2013). Nordic Noir Challenging "The Language of Advantage": Setting, Light and Language as Production Values in Danish Television Series . The Journal of Popular Television, 1(2), 259-265. https://doi.org/10.1386/jptv.1.2.259_1
Jensen, P. M. (2008). The International Extent and Elasticity of Lifestyle Television. MedieKultur, 45.
Jensen, P. M. & Jacobsen, U. C. (2017). The 'three-leaf clover': A methodological lens to understand transnational audiences. Critical Studies in Television, 12(4), 430-444. https://doi.org/10.1177/1749602017729312
Jensen, P. M. (2013). The Use of Format Adaptation in Danish Public Service Programming. Critical Studies in Television, 8(2). https://doi.org/10.7227/CST.8.2.9
Jensen, P. M., Nielsen, J. I. & Waade, A. M. (2016). When public service drama travels: the internationalization of Danish television drama and the associated production funding models. The Journal of Popular Television, 4(1), 91-108. https://doi.org/10.1386/jptv.4.1.91_1
Keinonen, H., Jensen, P. M., Lemor, A. M. & Esser, A. (2018). 'Modes of engagement with musical talent shows: Studying audience engagement as a set of experiences'. Participations: Journal of Audience & Reception Studies, 15(2), 58-76. Article 4. http://www.participations.org/Volume%2015/Issue%202/5.pdf
McElroy, R., Nielsen, J. I. & Noonan, C. (2018). Small is beautiful? The salience of scale and power to three European cultures of TV production: The case of Danish, Irish and Welsh public service broadcasting. Critical Studies in Television, Vol. 13(2), 169-187. https://doi.org/10.1177/1749602018763566
Møller Tommerup Andersen, M. & Gemzøe, L. S. (2025). Should We Trust Their Statements? Media Industries, 12(1). https://doi.org/10.3998/mij.4941
Nielsen, J. I. (2010). "Antonioni Pirouette". 16:9, (39).
Nielsen, J. I. (2014). Blockbusteren som eksperimentalfilm. 16:9, 12(54). http://www.16-9.dk/2014-02/side06_feature3.htm
Nielsen, J. I. (2006). Bølgebryder: interview med Anders Refn. 16:9, 4(16). http://www.16-9.dk/2006-04/side05_feature2.htm
Nielsen, J. I. (2004). Bordwell on Bordwell: Part 1 – Hitchcock, Hartley and the Poetics of Cinema. 16:9, (7).
Nielsen, J. I. (2004). Bordwell on Bordwell: Part II – Functions of Film Style. 16:9, (8).
Nielsen, J. I. (2004). Bordwell on Bordwell: Part III – Writing on Film Style. 16:9, (9).
Nielsen, J. I. (2005). Bordwell on Bordwell: Part IV - Levels of Engagement. 16:9, 3(10). http://www.16-9.dk/2005-02/pdf/16-9_februar2005_side11_inenglish.pdf
Nielsen, J. I. & Højer, H. (2024). Cell phone fiction: Serial poetics and platform vernacular. First Monday, 29(5). https://doi.org/10.5210/fm.v29i5.13281
Nielsen, J. I. (2008). ”Classics revisited". 16:9, (26).
Nielsen, J. I. (2009). Den anden slæde i Citizen Kane. 16:9, (27).
Nielsen, J. I. (2012). Den kreative fabrik: Interview med Nadia Kløvedal Reich. 16:9, 10(48).
Nielsen, J. I. (2012). Det var butleren, der gjorde det. 16:9, 10(48).
Nielsen, J. I. (2012). DR-drama som æstetisk spydspids: Interview med Ingolf Gabold. 16:9, 10(48).

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Eva Redvall

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Revised 04.12.2025