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What Makes Danish TV Drama Series Travel?

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Publications from Aarhus University

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Eichner, S. (2002). Die Lust am Schießen – Ego-Shooter im Visier. Rezeptionsmotivation und Rezeptionsvergnügen bei computerbasierten Actionspielen. tv diskurs.

Eichner, S. (2007). Die Sims – Sozialverträglich und Beziehungsorientiert? tv diskurs, 42(4), 60-65.

Jacobsen, U. C. (2018). Does subtitled television drama brand the nation? Danish television drama and its language(s) in Japan. European Journal of Cultural Studies, 21(5), 614-630. https://doi.org/10.1177/1367549417751150

Eichner, S. & Prommer, E. (2017). Doing Media: Multiperspektivität als Theorie- und Forschungskonzept in komplexen Medienwelten. Medien und Kommunikationswissenschaft, 65(3), 573-590. https://doi.org/10.5771/1615-634X-2017-3-573

Chow, P.-S., Waade, A. M. & Saunders, R. A. (2020). Geopolitical Television Drama Within and Beyond the Nordic Region. Nordicom Review, 41(S1), 11-27. https://doi.org/10.2478/nor-2020-0013

Jensen, P. M. (2016). Global impact of Danish drama series: a peripheral, non-commercial creative counter-flow. Kosmorama, (263). http://www.kosmorama.org/Artikler/Global-Impact-of-Danish-Drama-Series.aspx

Waade, A. M. & Jørgensen, U. A. (2010). Haptic Routes and digestive destinations in cooking series: images of food and place in Keith Floyd and The Hairy Bikers in relation to art history . Journal of Tourism and Cultural Change, 8(1-2), 84 - 100. https://doi.org/10.1080/14766825.2010.491918

Waade, A. M. (2010). Imagine Paradise in Ads: Imagination and visual matrices in tourism and consumer culture. Nordicom Review, 31(1), 15 - 33.

Stegger Gemzøe, L. (2021). Ironic Europe: Gender and National Stereotypes in Killing Eve. Akademisk kvarter, 22(april), 137-148. https://doi.org/10.5278/ojs.academicquarter.vi22.6607

Jacobsen, U. C. (2014). Knowledge Asymmetries in Action. Hermes, 53, 57-71. http://download2.hermes.asb.dk/archive/download/Hermes-53-5-jacobsen.pdf

Stegger Gemzøe, L. (2021). Language, Europe and ‘banal diversity’ in trans-European crime dramas. Journal of European Popular Culture, 12(2).

Eichner, S. & Waade, A. M. (2015). Local Colour in German and Danish television Drama: Tatort and Bron/Broen. Global Media Journal. German Edition, 5(1). http://www.db-thueringen.de/servlets/DerivateServlet/Derivate-31988/GMJ9_Eichner%20Waade_final.pdf

Waade, A. M. (2017). Melancholy in Nordic Noir: Characters, landscapes, light and music. Critical Studies in Television, 12(4), 380-394. https://doi.org/10.1177/1749602017729629

Nielsen, J. I. (2010). Mobiltelefonitis: Om mobiltelefonens entré i film og tv-serier. Kosmorama, (245), 168-182. http://video.dfi.dk/Kosmorama/magasiner/245/kosmorama245_168_artikel15.pdf

Keinonen, H., Jensen, P. M., Lemor, A. M. & Esser, A. (2018). 'Modes of engagement with musical talent shows: Studying audience engagement as a set of experiences'. Participations: Journal of Audience & Reception Studies, 15(2), 58-76. Article 4. http://www.participations.org/Volume%2015/Issue%202/5.pdf

Jensen, P. M. & Waade, A. M. (2013). Nordic Noir Challenging "The Language of Advantage": Setting, Light and Language as Production Values in Danish Television Series . The Journal of Popular Television, 1(2), 259-265. https://doi.org/10.1386/jptv.1.2.259_1

Waade, A. M. & Jensen, P. M. (2013). Nordic Noir Production Values: The Killing and The Bridge. Akademisk Kvarter, 7, 188-201. http://www.akademiskkvarter.hum.aau.dk/pdf/vol7/13a_AWaadePMJensen_NordicNoir.pdf

Waade, A. M. (2016). Nordic Noir Tourism and Television Landscapes: In the footsteps of Kurt Wallander and Saga Norén . Scandinavica: An International Journal of Scandinavian Studies, 55(1), 42-65. http://www.scandinavica.net/2016-1.php

Eichner, S. (2003). Phänomen LAN-Party. tv diskurs.

Nielsen, J. I. (2016). Points of Contact, Points of Distance: DR/TV2 meet HBO/Netflix. Nordic Journal of Media Studies, 14(1), 29-45. https://doi.org/10.1386/nl.14.1.29_1

Eichner, S. (2010). Previously on … Babelsberg. Contemporary Serial Culture: Quality TV Series in a New Media Environment. tv diskurs 52, (2/2010), 112-115.

Stegger Gemzøe, L. (2021). Producers and Showrunners in NBC’s Love is a Four-Letter Word. Journal of Scandinavian Cinema.

Waade, A. M. & Wille, J. I. (2016). Production Design and Location in the Danish Television Drama Series "Arvingerne" (The Legacy). Kosmorama, (263). http://www.kosmorama.org/Nyt/~/link.aspx?_id=5F499C1696C247849194F49B7672F791&_z=z

Damkjær, M. S. & Waade, A. M. (2011). Rejseserien - mellem engagerende journalistik, forbrugerorientering og tv-underholdning. Journalistica, 1, 133-161. http://ojs.statsbiblioteket.dk/index.php/journalistica/article/view/4326/5095

Stegger Gemzøe, L. (2019). Showrunner-effekten. 16:9, 2019(5).

Waade, A. M. & From, U. (2007). Smagfulde fremstillinger: Oplevelsesmatricer i mad- og rejsejournalistik. Journalistica.

McElroy, R., Nielsen, J. I. & Noonan, C. (2018). Small is beautiful? The salience of scale and power to three European cultures of TV production: The case of Danish, Irish and Welsh public service broadcasting. Critical Studies in Television, Vol. 13(2), 169-187. https://doi.org/10.1177/1749602018763566

Bengesser, C. H. & Waade, A. M. (2021). Smart Crime Tourism as Multilayered Cultural Encounters: Exploring Aarhus via Locative Media and Crime Narratives. European Review, 29(5), 635-650. https://doi.org/10.1017/S1062798720001155

Eichner, S., Gutiérrez Lozano , J. F. & Hagedoorn, B. (Eds.) (2021). Special Issue: The Youthification of Television: Volume 16 Issue 2, June 2021. Critical Studies in Television, 16(2).

Nielsen, J. I. (2010). Structural Completeness in The War is Over. Short Film Studies, 1(1), 37-41.

Stegger Gemzøe, L. (2020). System and Culture in Format Adaptation. SERIES - International journal of TV series narratives, 6(1), 107-119. https://doi.org/10.6092/issn.2421-454X/10460

Nielsen, J. I. (2009). The Case of Monsieur Hulot. P.O.V., (28), 75-84.

Nielsen, J. I. (2016). The Danish Way of Doing It the American Way. Kosmorama, (263). http://www.kosmorama.org/artikler/~/link.aspx?_id=223706CF95AD4D18A289EA40A7F8313C&_z=z

Eichner, S. & Mikos, L. (2016). The Export of Nordic Stories: The International Success of Scandinavian TV Drama Series. Nordicom Information, 38(2), 17-21. http://www.nordicom.gu.se/sites/default/files/kapitel-pdf/nordicom-information_38_2016_2_17-21.pdf

Waade, A. M. & Povlsen, K. K. (2009). The Girl With the Dragon Tattoo: Adapting embodied gender from novel to movie in Stieg Larsson’s crime fiction. P.O.V.

Jensen, P. M. (2008). The International Extent and Elasticity of Lifestyle Television. MedieKultur, 45.

Gemzøe, L. S. (2021). The Kim Wall Murder Serialized: Ethics & Aesthetics in High-Profile True Crime. SERIES - International journal of TV series narratives, 7(1). https://doi.org/10.6092/issn.2421-454X/12483

Nielsen, J. I. (2008). "There's Something About Comedy Theory". P.O.V., (26), 72-87.

Raats, T. & Jensen, P. M. (2020). The role of public service media in sustaining TV drama in small markets. Television & New Media, 21(5), 835-855. Article 1527476420913398. https://doi.org/10.1177/1527476420913398

Nielsen, J. I. (2007). The Shape of a Western: Visual Design in Winchester '73 and The Man from Laramie. P.O.V., 24, 15-29.

Jensen, P. M. & Jacobsen, U. C. (2017). The 'three-leaf clover': A methodological lens to understand transnational audiences. Critical Studies in Television, 12(4), 430-444. https://doi.org/10.1177/1749602017729312

Jensen, P. M. (2013). The Use of Format Adaptation in Danish Public Service Programming. Critical Studies in Television, 8(2). https://doi.org/10.7227/CST.8.2.9

Esser, A. & Jensen, P. M. (2015). The use of international television formats by public-service broadcasters in Australia, Denmark and Germany. The International Communication Gazette (Online), 77(4), 359-383. https://doi.org/10.1177/1748048514568766

Waade, A. M. (2009). Travel Series as TV Entertainment: Showing and consuming the world. MedieKultur.

Nielsen, J. I. (2012). Tv-serien som vor tids roman? Passage, (68), 83-100.

Jensen, P. M., Nielsen, J. I. & Waade, A. M. (2016). When public service drama travels: the internationalization of Danish television drama and the associated production funding models. The Journal of Popular Television, 4(1), 91-108. https://doi.org/10.1386/jptv.4.1.91_1

Nielsen, J. I. (2006). Bølgebryder: interview med Anders Refn. 16:9, 4(16). http://www.16-9.dk/2006-04/side05_feature2.htm

Nielsen, J. I. (2008). ”Classics revisited". 16:9, (26).

Jensen, P. M. (2020). DANIMARCA. LASCIATECI CANTARE. Link. Idee per la television, (26), 16.

Jensen, P. M. (2012). Danska javna radiotelevizija - primerjalna zgodba o uspehu. 15. medijska preza (Media Watch journal), (43), 36-37. http://digital.edition-on.net/Mirovni_Institut/mirovni_institut_preza_december2012.html

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Publications from Aalborg University

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Revised 10.02.2021