Publications

Publications from Aarhus University

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Aveyard, K., Moran, A. & Jensen, P. M. (Eds.) (2016). New Patterns in Global Television Formats. Intellect.

Aveyard, K., Jensen, P. M. & Moran, A. (2016). Introduction: A Changing Format Mosaic. In K. Aveyard, P. M. Jensen & A. Moran (Eds.), New Patterns in Global Television Formats (pp. 1-16). Intellect.

Bechmann, A., Ess, C. & Waade, A. M. (2012). Locative mobile media, place and performativity. Paper presented at Local and Mobile conference 2012, Raleigh, NC., United States.

Bechmann, A. & Waade, A. M. (2013). TripAdvisor: Empirical study of communicative functions of travel apps. Abstract from Methodologies of mobile communication and media research, Copenhagen, Denmark.

Bengesser, C. H., Hansen, K. T. & Gemzøe, L. S. (Eds.) (2020). Location marketing and cultural tourism. http://www.detect-project.eu/wp-content/uploads/2020/02/COMPLETE_d4.1_final2.pdf

Bengesser, C. H. & Waade, A. M. (2020). Locative media in screen tourism: The production of the DETECt Aarhus app. In C. Bengesser, K. T. Hansen & L. S. Gemzøe (Eds.), Location marketing and cultural tourism (pp. 13-18) http://www.detect-project.eu/wp-content/uploads/2020/02/COMPLETE_d4.1_final2.pdf

Bengesser, C. H. & Waade, A. M. (2021). Smart Crime Tourism as Multilayered Cultural Encounters: Exploring Aarhus via Locative Media and Crime Narratives. European Review, 29(5), 635-650. https://doi.org/10.1017/S1062798720001155

Bengesser, C. H. & Waade, A. M. (2021). Screen Tourism on the Smartphone: A Typology and Critical Evaluation of the First Decade of Smart Screen Tourism . In A. Leotta & B. Diego (Eds.), Audiovisual Tourism Promotion (pp. 173-195). Palgrave.

Bengesser, C. H., Jensen, P. M., Spaletta, M. & De Rosa, P. (2021). Audiences’ perceptions of place, society and (TV) culture in popular European audiovisual crime narratives. Abstract from NECS 2021, Palermo, Italy. https://create.piktochart.com/output/54843434-detect_audience

Bengesser, C. H., De Rosa, P., Jensen, P. M. & Spaletta, M. (2023). Audiences of popular European television crime drama: A nine-country study on consumption patterns, attitudes and drivers of transcultural connection. European Journal of Communication, 38(2), 148-165. https://doi.org/10.1177/02673231221112535

Bengesser, C. H., De Rosa, P., Jensen, P. M. & Spaletta, M. (2021, Oct 29). Detect’s European Audience Study: Insights into the preferences and passions of European crime viewers. https://cstonline.net/detects-european-audience-study-insights-into-the-preferences-and-passions-of-european-crime-viewers-by-cathrin-bengesser-marica-spalletta-pia-majbritt-jensen-paola-de-rosa/

Bengesser, C. H. & Nielsen, J. I. (2024, May 14). Genre Mix. https://www.crescine.eu/small-film-industries/production#2

Chow, P.-S., Waade, A. M. & Saunders, R. A. (2020). Geopolitical Television Drama Within and Beyond the Nordic Region. Nordicom Review, 41(S1), 11-27. https://doi.org/10.2478/nor-2020-0013

Chow, P. S., Saunders, R. A. & Waade, A. M. (2020). Introduction dark screens: The geopolitics of nordic television drama. Nordicom Review, 41(s1), 3-9. https://doi.org/10.2478/nor-2020-0010

Damkjaer, M. S. & Waade, A. M. (2014). Armchair Tourism: The Travel Series as a Hybrid Genre. In F. Hanusch & E. Fürsich (Eds.), Travel Journalism : Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan.

Damkjær, M. S. & Waade, A. M. (2011). Rejseserien - mellem engagerende journalistik, forbrugerorientering og tv-underholdning. Journalistica, 1, 133-161. http://ojs.statsbiblioteket.dk/index.php/journalistica/article/view/4326/5095

Damkjær, M. S. & Waade, A. M. (2014). Armchair tourism: The travel series as a hybrid genre. In Travel Journalism: Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan. https://doi.org/10.1057/9781137325983

Degn, H.-P., Jensen, P. M. & Krogager, S. G. S. (2015). Danish Drama Series: An Export Success Cradled on the Domestic Market. Abstract from IAMCR 2015, Montreal, Canada.

Eichner, S. & Waade, A. M. (2015). Local Colour in German and Danish television Drama: Tatort and Bron/Broen. Global Media Journal. German Edition, 5(1). http://www.db-thueringen.de/servlets/DerivateServlet/Derivate-31988/GMJ9_Eichner%20Waade_final.pdf

Eichner, S. (2014). Agency and Media Reception: Experiencing Video Games, Film, and Television. Springer.

Eichner, S. & Prommer, E. (Eds.) (2014). Fernsehen: Europäische Perspektiven. UVK Verlagsgesellschaft.

Eichner, S., Mikos, L. & Winter, R. (Eds.) (2013). Transnationale Serienkultur: Theorie, Ästhetik, Narration und Rezeption neuer Fernsehserien. Springer.

Eichner, S. (2014). The Crime Genre, Audience Preferences and the German Television Landscape.

Eichner, S., Mikos, L., Prommer, E. & Wedel, M. (2007). Die »Herr der Ringe«-Trilogie: Attraktion und Faszination eines populärkulturellen Phänomens. UVK Verlagsgesellschaft.

Eichner, S. (2016). Food across media: popular food contents among children in Germany. In J. Leer & K. Klitgaard Povlsen (Eds.), Food and media: practices, distinctions and heterotopias (pp. 169-184). Routledge.

Eichner, S. (2016). In-Sight the Game: Special Effects im Computerspiel. In M. Wedel (Ed.), Special Effects in der Wahrnehmung des Publikums: Beiträge zur Wirkungsästhetik und Rezeption transfilmischer Effekte (pp. 269-284). Springer.

Eichner, S. & Prommer, E. (2014). Fernsehen: Vom „Babelsberger Modell“ zu Doing Media. In Fernsehen: europäische Perspektiven (pp. 9-20). UVK Verlagsgesellschaft.

Eichner, S. (2013). TV Serien als Blockbuster: TV Serien as Blockbuster. In Transnationale Serienkultur: Theorie, Ästhetik, Narration und Rezeption neuer Fernsehserien (pp. 45-65). Springer.

Eichner, S. (2017). Videospielanalyse. In L. Mikos & C. Wegener (Eds.), Qualitative Medienforschung. Ein Handbuch (Vol. 2. Auflage, pp. 524-533). UVK Verlagsgesellschaft.

Eichner, S., Prommer, E., Yurtaeva‐Martens , Y. & Kaptan, Y. (2019). New media and audience behavior. In K. Arnold , S. Kinnebrock & P. Preston (Eds.), The handbook of European communication history (pp. 385-402). Wiley.

Eichner, S. (2016). Representing Childhood, Triggering Emotions: Child Characters in Video Games. In B. Perron & F. Schröter (Eds.), Video Games and the Mind: Essays on Cognition, Affect and Emotion (pp. 174-188). McFarland.

Eichner, S., Mikos, L., Prommer, E. & Wedel, M. (2008). Involvement in The Lord of the Rings: Audience Strategies and Orientations. In M. Barker & E. Mathijs (Eds.), Watching The Lord of the Rings. Tolkien’s World Audiences

Eichner, S. (2008). Und ewig lockt Gewalt – folgenlos im Computerspiel? Gewalt im Computerspiel und in der Realität im Sozialisationskontext und die Rolle des Jugendschutzes. In J. Fritz (Ed.), Computerspiele(r) verstehen. Zugänge zu virtuellen Spielwelten für Eltern und Pädagogen

Eichner, S. (2006). Involvement durch Action und Narration bei Herr der Ringe“. Adressierungsstrategien und Zuschauerorientierung. In B. Frizzoni & I. Tomkowiak (Eds.), Unterhaltung. Konzepte – Formen – Wirkung Chronos.

Eichner, S. (2006). Kinder als Mediennutzer im Medienverbund – Medienwirkung und Medienkompetenz. In H. J. Stiehler & L. Mikos (Eds.), Die Kunst des Betrachters. Jugendsoziologie, Kinderfilm und Medienkompetenz: Festschrift für Dieter Wiedemann. Leipziger Universitätsverlag Leipziger Universitätsverlag.

Eichner, S., Mikos, L. & Wedel, M. (2006). „Apocalypse Now in Middle Earth“: „Genre“ in the Critical Reception of The Lord of the Rings in Germany. In E. Mathijs (Ed.), The Lord of the Rings. Popular Culture in Global Context Wallflower Press.

Eichner, S. (2005). Videospielanalyse. In L. Mikos & C. Wegener (Eds.), Qualitative Medienforschung. Ein Handbuch Konstanz: UVK/UTB.

Eichner, S. (2010). Previously on … Babelsberg. Contemporary Serial Culture: Quality TV Series in a New Media Environment. tv diskurs 52, (2/2010), 112-115.

Eichner, S. (2007). Die Sims – Sozialverträglich und Beziehungsorientiert? tv diskurs, 42(4), 60-65.

Eichner, S. (2003). Phänomen LAN-Party. tv diskurs.

Eichner, S. (2002). Die Lust am Schießen – Ego-Shooter im Visier. Rezeptionsmotivation und Rezeptionsvergnügen bei computerbasierten Actionspielen. In Der Amoklauf von Erfurt Archiv der Jugendkulturen .

Eichner, S. (2002). Die Lust am Schießen – Ego-Shooter im Visier. Rezeptionsmotivation und Rezeptionsvergnügen bei computerbasierten Actionspielen. tv diskurs.

Eichner, S. & Prommer, E. (2015). Von der Mediennutzung zu ’Doing Media’: Multiperspektivität als Theorie- und Forschungskonzept. Abstract from Gemeinsame Jahrestagung der Fachgruppen Computervermittelte Kommunikation und Soziologie der Medienkommunikation der DGPuK, Berlin, Germany.

Eichner, S. (2015). Scene of Crime Germany: Regionalism and Audience Appeal in ‘Tatort’. Abstract from Crime Pays, Crime Days-Conference, Aalborg , Denmark.

Eichner, S. (2015). Imagined Communities” und “imagined utopia”? Dänische Fernsehserien und transnationale Rezeptionsstrategien. Paper presented at GfM 2015 , Bayreuth, Germany.

Eichner, S. (2015). Questioning the national in Danish television: Reading strategies and national imagery of Danish TV drama series in Germany. Paper presented at NordMedia, København, Denmark.

Eichner, S. (2015). Agency, Text, and ‘Doing Media’. Abstract from IAMCR 2015, Montreal, Canada.

Eichner, S. (2015). Applying meaning to Danish television series: audience research in Germany. Paper presented at IAMCR 2015, Montreal, Canada.

Eichner, S. (2015). 'Lifeworld’ proximity and ‘Authenticity’: The ‘Europeaness’ in Danish Television. Paper presented at TV in the Age of Transnationalisation and Transmedialisation, London, United Kingdom.

Eichner, S. (2015). Television Series as containers of imagined communities. Abstract from NECS 2015 (European Network for Cinema and Media Studies , Łódz, Poland.

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