What Makes Danish TV Drama Series Travel?

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Publications from Aarhus University

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2013

Contribution to conference

Esser, A. & Jensen, P. M. (2013). The Use of International Television Formats by Public-Service Broadcasters in Australia, Denmark and Germany. Paper presented at IAMCR 2013, Dublin, Ireland.
Jensen, P. M., Esser, A., Keinonen, H. & Lemor, A. M. (2013). A Trans-National Audience Study of a Global Format Genre: Talent Shows in Denmark, Finland, Germany and Great Britain. Paper presented at IAMCR 2013, Dublin, Ireland.
Jensen, P. M. (2013). Reception of Talent Shows in Denmark: First Results from a Trans-National Audience Study of a Global Format Genre. Paper presented at nordmedia 2013: Defending Democracy, Oslo, Norway.
Jensen, P. M. (2013). The Use of Television Format Adaptation in Denmark: Public Service Broadcasters Compared to Commercial Broadcasters. Paper presented at NordMedia 2013, Oslo, Norway.
Jensen, P. M. & Waade, A. M. (2013). When public service drama travels: Production funding models and the schisms involved. Paper presented at Making Television in the 21st Century, Aarhus, Denmark. http://dac.au.dk/fileadmin/dac/Forskning/Forskningsprogrammer/abstractsECREA.pdf
Nielsen, J. I. (2013). Blockbuster TV: Bestseller & Blockbuster Culture – Books, Cinema and Television.
Nielsen, J. I. (2013). House of Cards and the Paradoxical Role of Netflix.
Waade, A. M. (2013). Death in a Cold Climate: Landscape, setting and climate as production value in Scandinavian crime series. Paper presented at Bestseller and Blockbuster Culture, Aalborg, Denmark. http://www.bestseller-blockbuster.aau.dk/
Waade, A. M. (2013). Film production, social media marketing and participatory culture. Paper presented at Rethink Participatory Cultural Citizenship, Aarhus, Denmark.
Waade, A. M. (2013). Ildsjæle og kendiskultur - Medieturisme, kreativt erhverv og regional udvikling: Oplæg præsenteret ved symposium Helsingborg Campus/Lunds Universitet: Kultur og regional udvikling.
Waade, A. M. & Jensen, P. M. (2013). The Killing and The Bridge as Nordic Noir: Setting, LIght and Language as Production Values in Danish TV series. Paper presented at nordmedia 2013: Defending Democracy, Oslo, Norway.

2014

Contribution to journal

Jacobsen, U. C. (2014). Knowledge Asymmetries in Action. HERMES - Journal of Language and Communication in Business, 53, 57-71. http://download2.hermes.asb.dk/archive/download/Hermes-53-5-jacobsen.pdf
Nielsen, J. I. (2014). Blockbusteren som eksperimentalfilm. 16:9, 12(54). http://www.16-9.dk/2014-02/side06_feature3.htm

2014

Contribution to book anthology

Damkjaer, M. S. & Waade, A. M. (2014). Armchair Tourism: The Travel Series as a Hybrid Genre. In F. Hanusch & E. Fürsich (Eds.), Travel Journalism : Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan.
Damkjær, M. S. & Waade, A. M. (2014). Armchair tourism: The travel series as a hybrid genre. In Travel Journalism: Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan. https://doi.org/10.1057/9781137325983
Gemzøe, L. S. (2014). Se det fra den lyse side: Den ulykkelige slutning i nyere amerikansk film. In Terminus i litteratur, medier og kultur (Vol. Bind 6, pp. 187-217). Aalborg Universitetsforlag. http://aauforlag.dk/Shop/historie-kultur-litteratur/terminus-the-end-in-literature-media-and-cult.aspx
Gemzøe, L. A. (2014). Se det fra den lyse side. In K. T. Hansen & P. K. Pedersen (Eds.), The End: Terminus in Literature, Media ans Culture (pp. 187-216). Aalborg Universitetsforlag.
Nielsen, J. I. (2014). Classic(al) Lang – Conflicting Impulses in Ministry of Fear: Conflicting Impulses in Ministry of Fear. In J. McElhaney (Ed.), A Companion to Fritz Lang (1 ed., Vol. 1). Wiley-Blackwell.

2014

Contribution to conference

Gemzøe, L. S. (2014). Building Bridges Across Borders: Bron/Broen vs. The Tunnel. Abstract from Ecrea 2014, Lisbon, Portugal. http://ecrea2014.ulusofona.pt/images/prog_final_web_ecrea.pdf
Nielsen, J. I. (2014). From Gøngehøvdingen to 1864: A Production Analysis of Audiovisual Style in DR Series. Paper presented at Årsmøde SMID 2014, Nyborg, Denmark.
Nielsen, J. I., Jensen, P. M. & Waade, A. M. (2014). When Public Service Drama Travels: The Internationalisation of Danish Television Drama and the Production Funding Models Involved. Paper presented at RIPE 2014, Tokyo, Japan. http://ripeat.org/wp-content/uploads/tdomf/3790/Jensen%20_%20Waade%20RIPE%20paper%202014.pdf
Waade, A. M. (2014). Danish TV Drama Series - and Nordic Noir. Paper presented at RESEARCHING PRODUCTION AND AUDIENCES: National and International Contexts of Television , London, United Kingdom.
Waade, A. M. (2014). In the footsteps of Saga Norén Film induced tourism and tourism induced television production. Paper presented at Producers and Audiences, Lund, Sweden.
Waade, A. M. (2014). Locations in television drama series: Theoretical and methodological approaches. Paper presented at ECREA, Lisbon, Portugal.
Waade, A. M. (2014). Nordic Noir og nordisk melankoli. Paper presented at Nordic Noir seminar, Oslo, Norway.
Waade, A. M., Jensen, P. M., Nielsen, J. I., Eichner, S., Gemzøe, L. S. & Esser, A. (2014). Questioning the national outlook of television studies (Plenary panel): What makes Danish television drama travel, FKK 2014-2018. Paper presented at Årsmøde SMID, Nyborg, Denmark. http://www.smid.dk
Waade, A. M. (2014). What Makes Danish TV Series Travel?. Paper presented at Media and Place, Leeds, United Kingdom. http://ojs.statsbiblioteket.dk/index.php/scp/article/view/18183

2015

Contribution to journal

Eichner, S. & Waade, A. M. (2015). Local Colour in German and Danish television Drama: Tatort and Bron/Broen. Global Media Journal. German Edition, 5(1). http://www.db-thueringen.de/servlets/DerivateServlet/Derivate-31988/GMJ9_Eichner%20Waade_final.pdf
Esser, A. & Jensen, P. M. (2015). The use of international television formats by public-service broadcasters in Australia, Denmark and Germany. The International Communication Gazette (Online), 77(4), 359-383. https://doi.org/10.1177/1748048514568766
Jacobsen, U. C. (2015). Cosmopolitan sensitivities, vulnerability and Global Englishes. Language and Intercultural Communication, 15(4), 459-474. https://doi.org/10.1080/14708477.2015.1031674
Jacobsen, U. C. (2015). Valérie Carayol & Alex Frame (Eds.), 2012, Communication and PR from a Cross-Cultural Standpoint: Practical and Methodological Issues, Peter Lang. Corporate Communications, 20(1), 111-114. https://doi.org/10.1108/CCIJ-04-2013-0022
Jensen, P. M. (2015). Trine Syvertsen, Gunn Enli, Ole J. Mjøs and Hallvard Moe. The Media Welfare State: Nordic Media in the Digital Age. Ann Arbor: The University of Michigan Press. 2014. MedieKultur: Journal of media and communication research, 31(59). http://ojs.statsbiblioteket.dk/index.php/mediekultur/article/view/21770/20299

2015

Contribution to book anthology

Waade, A. M. & Toft-Nielsen, C. (2015). Harry Potter som transmedia storytelling: franchise, fantasy og fans. In P. S. Lauridsen & E. Svendsen (Eds.), Medieanalyse (pp. 60-82). Article 4 Samfundslitteratur.

2015

Contribution to conference

Degn, H.-P., Jensen, P. M. & Krogager, S. G. S. (2015). Danish Drama Series: An Export Success Cradled on the Domestic Market. Abstract from IAMCR 2015, Montreal, Canada.
Jacobsen, U. C. & Rittenhofer, I. (2015). Aligning the notion of ‘public(s)’ for management communication in uncertain times. Abstract from EUPRERA 2015 Congress, Oslo, Norway.
Jacobsen, U. C. & Jensen, P. M. (2015). A three-tier, seven country audience study on the emergence of Denmark's transnational TV culture. Abstract from Nordmedia 2015, Copenhagen, Denmark.
Jacobsen, U. C. (2015). Empirical references: Locating appropriate data to explain cosmopolitan impact. Abstract from i-Mean 4@Warwick, Warwick, United Kingdom.
Jacobsen, U. C. (2015). On the power of non-exhaustible consumption goods to impact uneven cosmopolitan relationships. Abstract from ACSS 2015, Kobe, Japan.
Jensen, P. M. (2015). Global Export Patterns and Potential Impacts of Danish TV Drama. Abstract from New directions in film and television production studies, Bristol, United Kingdom.
Jensen, P. M. (2015). The transnational appeal of Danish TV series: a buyer’s and distributor's perspective. Abstract from TV in the Age of Transnationalisation and Transmedialisation, London, United Kingdom.
Jensen, P. M. (2015). The transnational appeal of Danish TV series. Paper presented at Media Engagement International Conference, Lund, Sweden.
Jensen, P. M. (2015). Why does Danish TV Drama Travel? A Three-Tier Seven-Country Audience Study on the Rise of Denmark’s Transnational TV Culture: A Three-Tier Seven-Country Audience Study on the Rise of Denmark’s Transnational TV Culture. Paper presented at IAMCR 2015, Montreal, Canada.
Nielsen, J. I. (2015). Points of Contact, Points of Difference: Danish & American production cultures . Paper presented at TV in the Age of Transnationalisation and Transmedialisation, London, United Kingdom.
Nielsen, J. I. (2015). Secrets Pages in DR’s Playbook: the development of audiovisual style in DR series from Gøngehøvdingen (1992) to 1864 (2014). Paper presented at NordMedia 2015, Copenhagen, Denmark.
Rittenhofer, I. & Jacobsen, U. C. (2015). Swarms: Exploring novel qualities of public relations: EUPRERA full paper submission for double blind review. Paper presented at EUPRERA 2015 Congress, Oslo, Norway. http://euprera2015.no/
Waade, A. M. (2015). “Behind Every Series is a Strong Woman”: Gender as transnational production value in the Danish TV drama series.. Paper presented at TV in the Age of Transnationalisation and Transmedialisation, London, United Kingdom.
Waade, A. M. (2015). Local colour - and how can we study production values empirically?. Paper presented at Crime Pays, Crime Days-Conference, Aalborg , Denmark.
Waade, A. M. (2015). Locations in TV Drama Series: The Danish Series Dicte and Arvingerne as Examples. Paper presented at Geomedia , Karlstad, Sweden. http://geomedia.se
Waade, A. M. (2015). Nordic Noir Ambiance and Nordic Melancholy. Paper presented at NordMedia 2015, Copenhagen, Denmark.
Waade, A. M. & Botoric, V. (2015). Participation in the business context: Crowdsourcing in the LEGO Group and the animation film The Reward. Paper presented at Participation and Cultural Transformations, Cultural transformations Research programme, Aarhus University, Denmark.

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Eva Redvall

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Revised 04.12.2025