What Makes Danish TV Drama Series Travel?

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Publications from Aarhus University

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Chow, P. S., Saunders, R. A. & Waade, A. M. (2020). Introduction dark screens: The geopolitics of nordic television drama. Nordicom Review, 41(s1), 3-9. https://doi.org/10.2478/nor-2020-0010
Waade, A. M. (2020). ‘Just Follow the Trail of Blood’: Nordic Noir Tourism and Screened Landscapes. In A. M. Waade, E. N. Redvall & P. M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation (pp. 231-252). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-40798-8
Stegger Gemzøe, L. (2020). Lines across genres in Danish tv-series. In J. Kirk, J. Riber Christensen, B. Russel Graham, M. Jensen, G. Agger & B. Sørensen (Eds.), Life After Lines (pp. 67-86). Aalborg Universitetsforlag. https://aauforlag.dk/shop/e-boeger/life-after-lines-tim-ingold-across-the-humani.aspx
Bengesser, C. H., Hansen, K. T. & Gemzøe, L. S. (Eds.) (2020). Location marketing and cultural tourism. http://www.detect-project.eu/wp-content/uploads/2020/02/COMPLETE_d4.1_final2.pdf
Bengesser, C. H. & Waade, A. M. (2020). Locative media in screen tourism: The production of the DETECt Aarhus app. In C. Bengesser, K. T. Hansen & L. S. Gemzøe (Eds.), Location marketing and cultural tourism (pp. 13-18) http://www.detect-project.eu/wp-content/uploads/2020/02/COMPLETE_d4.1_final2.pdf
Jensen, P. M. & McCutcheon, M. (2020). "Othering the Self and Same-ing the Other": Australians watching Nordic Noir. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Audiences of Danish TV Drama (pp. 21-37). Nordicom. https://www.nordicom.gu.se/sv/system/tdf/publikationer-hela-pdf/the_global_audiences_of_danish_television_drama_web.pdf?file=1&type=node&id=40632&force=0
Stegger Gemzøe, L. & Toft Hansen, K. (Ed.) (2020, Nov). Producing Transcultural Identity through Crime Narratives: Recommendations and Comparative Overview.
Stegger Gemzøe, L. & Hansen, K. T. (Eds.) (2020). Researching transcultural identity I: production perspectives.
Halskov, A. (Ed.), Larsen, T. S., Nielsen, J. I. (Ed.), Højer, H. (Ed.) & Korsgaard, M. B. (Ed.) (2020). Streaming for viderekomne. VIA Film & Transmedia.
Nielsen, J. I. (2020). Streaming i det danske medielandskab. In J. I. Nielsen, M. B. Korsgaard, A. Halskov, H. Højer & T. S. Larsen (Eds.), Streaming for viderekomne (pp. 14-24). VIA Film & Transmedia.
Stegger Gemzøe, L. (2020). System and Culture in Format Adaptation. SERIES - International journal of TV series narratives, 6(1), 107-119. https://doi.org/10.6092/issn.2421-454X/10460
Jensen, P. M. & Jacobsen, U. C. (Eds.) (2020). The Global Audiences of Danish Television Drama. Nordicom. http://norden.diva-portal.org/smash/record.jsf?pid=diva2%3A1414057&dswid=-2095
Stegger Gemzøe, L. (2020). The Showrunner's Touch: The Killing Revisited. In L. Badley, A. Nestingen & J. Seppälä (Eds.), Nordic Noir, Adaptation, Appropriation (pp. 235-252). Palgrave Macmillan. https://www.palgrave.com/us/book/9783030386573
Waade, A. M., Redvall, E. N. & Jensen, P. M. (2020). Transnational Television Drama? Lessons Learned from Danish Drama. In A. M. Waade, E. N. Redvall & P. M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation (Vol. 34, pp. 1-22). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-40798-8
Jacobsen, U. C. & Jensen, P. M. (2020). Unfolding the global travel of Danish television drama series. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Travel of Danish Television Drama (pp. 9-20). Nordicom. https://www.nordicom.gu.se/sv
Jacobsen, U. C. (2021). A New Kid on the Block: English in Greenland. Paper presented at Greenland – Denmark 1721 + 300 = 2021, Copenhagen, Denmark.
Bengesser, C. H., Jensen, P. M., Spaletta, M. & De Rosa, P. (2021). Audiences’ perceptions of place, society and (TV) culture in popular European audiovisual crime narratives. Abstract from NECS 2021, Palermo, Italy. https://create.piktochart.com/output/54843434-detect_audience
Gemzøe, L. S. (2021). Autobiographical adaptation in NBC’s Love Is a Four-Letter Word. Journal of Scandinavian Cinema, 11(1), 113-131. https://doi.org/10.1386/jsca_00042_1
Jensen, P. M. & Mitric, P. (2021). Continuity, change or crisis? Producing and circulating fiction for Danish children and young audiences in the 2020s. Abstract from Nordmedia 2021, Reykjavik, Iceland.
Bengesser, C. H., De Rosa, P., Jensen, P. M. & Spaletta, M. (2021, Oct 29). Detect’s European Audience Study: Insights into the preferences and passions of European crime viewers. https://cstonline.net/detects-european-audience-study-insights-into-the-preferences-and-passions-of-european-crime-viewers-by-cathrin-bengesser-marica-spalletta-pia-majbritt-jensen-paola-de-rosa/
Waade, A. M. & Toft-Nielsen, C. (2021). Fankultur. In P. Schantz Lauridsen & E. Svendsen (Eds.), Medietemaer (pp. 167-183). Samfundslitteratur.
Stegger Gemzøe, L. (2021). Ironic Europe: Gender and National Stereotypes in Killing Eve. Akademisk kvarter, 22(april), 137-148. https://doi.org/10.5278/ojs.academicquarter.vi22.6607
Jensen, P. M. & Waade, A. M. (2021). Is the Nordic Media Welfare State facing a crisis? Young audiences' media use and their notions of quality and relevance. 1. Paper presented at The Fourth Nordic Challenges
, Boston, Massachusetts, United States.
Nielsen, J. I. & Halskov, A. (2021). Kastanjemanden: Interview med Søren Sveistrup. 16:9. http://www.16-9.dk/2022/07/soren-sveistrup/
Stegger Gemzøe, L. (2021). Language, Europe and ‘banal diversity’ in trans-European crime dramas. Journal of European Popular Culture, 12(2).
Stegger Gemzøe, L. (2021). Producers and Showrunners in NBC’s Love is a Four-Letter Word. Journal of Scandinavian Cinema.
Jensen, P. M. & Mitric, P. (2021). REACHING YOUNG AUDIENCES: A methodology to research children’s and adolescents’ notion of quality and relevance in audiovisual fiction. Abstract from SCMS 2021, United States.
Waade, A. M. (2021). Screening the west coast: Developing New Nordic Noir tourism in Denmark and using the actual places as full-scale visual mood boards for the scriptwriting process. In N. van Es, S. Reijnders, L. Bolderman & A. Waydorf (Eds.), Locating Imagination in Popular Culture: Place, Tourism and Belonging (pp. 99-117). Routledge.
Bengesser, C. H. & Waade, A. M. (2021). Screen Tourism on the Smartphone: A Typology and Critical Evaluation of the First Decade of Smart Screen Tourism . In A. Leotta & B. Diego (Eds.), Audiovisual Tourism Promotion (pp. 173-195). Palgrave.
Bengesser, C. H. & Waade, A. M. (2021). Smart Crime Tourism as Multilayered Cultural Encounters: Exploring Aarhus via Locative Media and Crime Narratives. European Review, 29(5), 635-650. https://doi.org/10.1017/S1062798720001155
Nielsen, J. I. & Eichner, S. (2021). Streaming and streaming practices in Denmark. Abstract from ECREA 2020, Braga, Portugal.
Gemzøe, L. S. (2021). The Kim Wall Murder Serialized: Ethics & Aesthetics in High-Profile True Crime. SERIES - International journal of TV series narratives, 7(1), 81-90. https://doi.org/10.6092/issn.2421-454X/12483
Raats, T. & Jensen, P. M. (2021). The role of public service media in sustaining TV drama in small markets. Television & New Media, 21(5), 835-855. Article 1527476420913398. https://doi.org/10.1177/1527476420913398
Jensen, P. M. & Waade, A. M. (2021). The Transnational Value Chain of Danish Television Drama Series. Abstract from NECS 2021, Palermo, Italy.
Jensen, P. M., Mitric, P., Sehested, T. & Mouritsen, A. S. (2021). What is Quality Audiovisual Fiction as Seen through the Eyes of Young Danish Viewers: Results from an Explorative Survey of 8–17 Year Old Children. Aarhus Universitet & Københavns Universitet. https://comm.ku.dk/research-data/danishchildrenreport_jensen__mitric__larsen___mouritsen.pdf/
Jensen, P. M. (2022). Far away, so close: Sydney-siders watching Forbrydelsen, Borgen and Bron\Broen. In R. McCulloch & W. Proctor (Eds.), The Scandinavian Invasion: Nordic Noir and Beyond (pp. 145-167). Peter Lang.
Korsgaard, M. B., Nielsen, J. I., Højer, H., Langkjær (vært), J. & Oxholm (optagelse, klip), J. (2022). Kunstfilmen i streaminglandskabet. Pictures, Video and sound recordings (digital), 16:9 Filmtidsskrift. http://www.16-9.dk/2022/03/podcast-07/
Jensen, P. M. & Mitric, P. (2022, Feb 4). New report: Quality audiovisual fiction as seen through the eyes of young Danish viewers. CSTonline.net. https://cstonline.net/new-report-quality-audiovisual-fiction-as-seen-through-the-eyes-of-young-danish-viewers-by-pia-majbritt-jensen-and-petar-mitric/
Waade, A. M. R. & Leyda, J. (2022, Oct). Petro-Monopause in "Borgen: Power & Glory". https://lareviewofbooks.org/article/petro-menopause-in-borgen-power-glory/
Korsgaard, M. B. & Nielsen, J. I. (2023). 16:9 Podcast: 16:9 fylder 20 år. Pictures, Video and sound recordings (digital), 16:9 Filmtidsskrift. http://www.16-9.dk/2023/09/podcast-08/
Bengesser, C. H., De Rosa, P., Jensen, P. M. & Spaletta, M. (2023). Audiences of popular European television crime drama: A nine-country study on consumption patterns, attitudes and drivers of transcultural connection. European Journal of Communication, 38(2), 148-165. https://doi.org/10.1177/02673231221112535
Jensen, P. M., Redvall, E. N. & Christensen, C. L. (Eds.) (2023). Audiovisual content for children and adolescents in Scandinavia: Production, distribution, and reception in a multiplatform era. Nordicom. https://doi.org/10.48335/9789188855817
Nielsen, J. I. (2023). Borgen and Netflix: A Match Made in...? In T. Dunleavy & E. Weissmann (Eds.), TV Drama in the Multiplatform Era: Transnational Coproduction and Cultural Specificity (pp. 57-80). Palgrave Macmillan.
Waade, A. M. R. & Dobrescu, C. (2023). Euroscapes: Space, Place, and Multi-Level Governance in European Television Crime Series. In M. Dall'Asta, J. Migozzi, F. Pagello & A. Pepper (Eds.), Contemporary European Crime Fiction : Representing History and Politics (pp. 271-290). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-21979-5_15
Jensen, P. M. (2023). Far Away, So Close: Sydney-Siders Watching Forbrydelsen, Borgen and Bron/Broen. In R. McCulloch & W. Proctor (Eds.), The Scandinavian Invasion: Nordic Noir and Beyond (pp. 145-168). Peter Lang.
Redvall, E. N. & Jensen, P. M. (2023). Fighting to keep up with children and young audiences: Reflections on Danish children’s television in the 2020s. The Children's Media Foundation. https://www.thechildrensmediafoundation.org/the-childrens-media-yearbook-2023
Redvall, E. N., Jensen, P. M. & Christensen, C. L. (2023). Introduction: Audiovisual content for children and adolescents in Scandinavia. In P. M. Jensen, E. N. Redvall & C. L. Christensen (Eds.), Audiovisual content for children and adolescents in Scandinavia: Production, distribution, and reception in a multiplatform era (pp. 9-26). Nordicom. https://doi.org/10.48335/9789188855817-1
Jacobsen, U. C. (2023). Knowledge Asymmetry, and Corvus Corax in Greenland/Denmark: Locating method. In J. Engberg, A. Fage-Butler & P. Kastberg (Eds.), Perspectives on Knowledge Communication: Concepts and settings (pp. 97-112). Routledge. https://doi.org/10.4324/9781003285120-6
Saunders, R. A., Souch, I. & Waade, A. M. R. (2023). Screening Arctic Landscapes in Nordic Television Drama: Anthropocenic Imageries, Ecological Crises, National Identities . In Disturbed Ecologies : Photography, Geopolitics, and the Northern Landscape in the Era of Environmental Crisis. (Vol. 203, pp. 257-281). Transcript Verlag.
Waade, A. M. R. & Grønlund, A. (2023). Televisual landscape technologies: Borgen: Power & Glory in Greenland. 45-45. Abstract from Redefining Televisuality: Programmes, Practices, Methods, Potsdam-Babelsberg, Germany.

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Eva Redvall

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Revised 04.12.2025