What Makes Danish TV Drama Series Travel?

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Publications from Aarhus University

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2023

Contribution to book anthology

Saunders, R. A., Souch, I. & Waade, A. M. R. (2023). Screening Arctic Landscapes in Nordic Television Drama: Anthropocenic Imageries, Ecological Crises, National Identities . In Disturbed Ecologies : Photography, Geopolitics, and the Northern Landscape in the Era of Environmental Crisis. (Vol. 203, pp. 257-281). Transcript Verlag.
Toft-Nielsen, C. & Waade, A. M. R. (2023). Transmedia storytelling, paratekster og fankultur. In P. S. Lauridsen & E. Svendsen (Eds.), Medieanalyse (2 ed., pp. 59-79). Samfundslitteratur.
Jensen, P. M. (2022). Far away, so close: Sydney-siders watching Forbrydelsen, Borgen and Bron\Broen. In R. McCulloch & W. Proctor (Eds.), The Scandinavian Invasion: Nordic Noir and Beyond (pp. 145-167). Peter Lang.
Bengesser, C. & Waade, A. M. (2022). Screen tourism on the smartphone: A typology and critical evaluation of the first decade of smart screen tourism. In Audiovisual Tourism Promotion: A Critical Overview (pp. 173-195). Springer Nature. https://doi.org/10.1007/978-981-16-6410-6_9
Waade, A. M. (2021). Screening the west coast: Developing New Nordic Noir tourism in Denmark and using the actual places as full-scale visual mood boards for the scriptwriting process. In N. van Es, S. Reijnders, L. Bolderman & A. Waydorf (Eds.), Locating Imagination in Popular Culture: Place, Tourism and Belonging (pp. 99-117). Routledge.
Waade, A. M. & Toft-Nielsen, C. (2021). Fankultur. In P. Schantz Lauridsen & E. Svendsen (Eds.), Medietemaer (pp. 167-183). Samfundslitteratur.
Bengesser, C. H. & Waade, A. M. (2021). Screen Tourism on the Smartphone: A Typology and Critical Evaluation of the First Decade of Smart Screen Tourism . In A. Leotta & B. Diego (Eds.), Audiovisual Tourism Promotion (pp. 173-195). Palgrave.
Waade, A. M. (2020). ‘Just Follow the Trail of Blood’: Nordic Noir Tourism and Screened Landscapes. In A. M. Waade, E. N. Redvall & P. M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation (pp. 231-252). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-40798-8
Waade, A. M. (2020). Arctic noir on screen: midnight Sun (2016-) as a mix of geopolitical criticism and spectacular, mythical landscapes. In L. Badley, A. Nestingen & J. Seppälä (Eds.), Palgrave Studies in Adaptation and Visual Culture (pp. 37-53). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-38658-0
Nielsen, J. I. (2020). Fifty Shades of Green - On Visual Style in Danish Drama Series. In A.-M. Waade, E. N. Redvall & M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation (pp. 103-124). Palgrave Macmillan.
Jensen, P. M. & Jacobsen, U. C. (2020). Augmenting proximities theory: Including other proximities in the transnational travel of Danish television drama. In A. M. Waade, E. N. Redvall & P. M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation (pp. 169-186). Palgrave Macmillan.
Jacobsen, U. C. & Meleiro, A. (2020). Brazilian Encounters: Buyers and bloggers appropriating content. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Audiences of Danish Television Drama (pp. 57-74). Nordicom. https://www.nordicom.gu.se/sv/system/tdf/publikationer-hela-pdf/the_global_audiences_of_danish_television_drama_web.pdf?file=1&type=node&id=40632&force=0
Jacobsen, U. C. (2020). A cosmopolitan tribe of viewers: Crime, women, and akogare in Japan. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Audiences of Danish Television Drama (pp. 75-90). Nordicom. https://www.nordicom.gu.se/system/tdf/publikationer-hela-pdf/the_global_audiences_of_danish_television_drama_web.pdf?file=1&type=node&id=40632&force=0
Nielsen, J. I. (2020). Streaming i det danske medielandskab. In J. I. Nielsen, M. B. Korsgaard, A. Halskov, H. Højer & T. S. Larsen (Eds.), Streaming for viderekomne (pp. 14-24). VIA Film & Transmedia.
Jacobsen, U. C. & Jensen, P. M. (2020). Unfolding the global travel of Danish television drama series. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Travel of Danish Television Drama (pp. 9-20). Nordicom. https://www.nordicom.gu.se/sv
Jensen, P. M. & McCutcheon, M. (2020). "Othering the Self and Same-ing the Other": Australians watching Nordic Noir. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Audiences of Danish TV Drama (pp. 21-37). Nordicom. https://www.nordicom.gu.se/sv/system/tdf/publikationer-hela-pdf/the_global_audiences_of_danish_television_drama_web.pdf?file=1&type=node&id=40632&force=0
Waade, A. M., Redvall, E. N. & Jensen, P. M. (2020). Transnational Television Drama? Lessons Learned from Danish Drama. In A. M. Waade, E. N. Redvall & P. M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation (Vol. 34, pp. 1-22). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-40798-8
Stegger Gemzøe, L. (2020). Lines across genres in Danish tv-series. In J. Kirk, J. Riber Christensen, B. Russel Graham, M. Jensen, G. Agger & B. Sørensen (Eds.), Life After Lines (pp. 67-86). Aalborg Universitetsforlag. https://aauforlag.dk/shop/e-boeger/life-after-lines-tim-ingold-across-the-humani.aspx
Stegger Gemzøe, L. (2020). The Showrunner's Touch: The Killing Revisited. In L. Badley, A. Nestingen & J. Seppälä (Eds.), Nordic Noir, Adaptation, Appropriation (pp. 235-252). Palgrave Macmillan. https://www.palgrave.com/us/book/9783030386573
Hansen, K. T. & Waade, A. M. (2019). Taking place, screening place: studying locations in Danish television drama production. In C. Batty (RMIT), M. Berry (RMIT), S. Kerrigan (Newcastle) , K. Dooley (Curtin) & B. Frankham (UTS) (Eds.), The Palgrave Handbook of Screen Production (pp. 103-116). Palgrave Macmillan.
Waade, A. M., Pasgaard, J. C., Meldgaard, M. & Nielsen, T. (2019). Nordic landscapes in collaborative place-making interventions. In C. Cassinger, S. Gyimóthy & A. Lucarelli (Eds.), The nordic wave in place branding : Poetics, Practices, Politics (pp. 91-108). Edward Elgar Publishing. https://doi.org/10.4337/9781788974325.00018
Waade, A. M. (2018). Medier, steder og turisme. In P. S. Lauridsen & E. Svendsen (Eds.), Medieteori (pp. 212-229). Samfundslitteratur.
Waade, A. M. & Agger, G. (2018). Melancholy and Murder: Mood and Tone in Crime Series. In K. T. Hansen, S. Peacock & S. Turnbull (Eds.), European Television Crime Drama and Beyond (1 ed., pp. 61-82). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-96887-2
Nielsen, J. I. (2018). Tv-serien som roman? In T. Rye Andersen, J. Bruhn, N. Christensen, S. Kjerkegaard, S. T. Linkis, B. Stougaard Pedersen & H. K. Rustad (Eds.), Litteratur mellem medier (pp. 293-322). Aarhus Universitetsforlag.
Pedersen, B. S. & Waade, A. M. (2017). Introduktion: Kreativ markedskommunikation - æstetik og deltagelse. In B. S. Pedersen & A. M. Waade (Eds.), Kreativ Markedskommunikation: Æstetik og deltagelse (pp. 3-28). Systime.
Waade, A. M. (2017). Kreativ destinationsbranding og borgerdeltagelse: Fiktionsturisme, sportsturisme og festivalturisme. In B. S. Pedersen & A. M. Waade (Eds.), Kreativ markedskommunikation: Æstetik og deltagelse (pp. 219-246). Systime.
Nielsen, J. I. (2017). Having fun with the long take: den lange indstilling som komisk henvendelsesform. In A. Halskov, H. Højer & T. Schwartz Larsen (Eds.), Helt til grin: moderne audiovisuel komik på tværs af medier (pp. 34-52). VIA Film & Transmedia.
Halskov, A. & Nielsen, J. I. (2017). Funny how things change: moderne audiovisuel komik. In A. Halskov, H. Højer & T. Schwartz Larsen (Eds.), Helt til grin: moderne audiovisuel komik på tværs af medier (pp. 12-31). VIA Film & Transmedia.
Esser, A., Jensen, P. M., Keinonen, H. & Lemor, A. M. (2016). The duality of banal transnationalism and banal nationalism: television audiences and the musical talent competition genre. In K. Aveyard, A. Moran & P. M. Jensen (Eds.), New Patterns in Global Television Formats (pp. 295-309). Intellect.
Nielsen, J. I. (2016). I sine følelsers vold: stil og fortælling i 1864. In 1864: tv-serien, historien, kritikken (pp. 165-187). Aalborg Universitetsforlag.
Waade, A. M. & Østergaard, I. A. (2016). 1864 på Fyn: FilmFyn, branding, filmturisme og location placement . In K. T. Hansen (Ed.), 1864: tv-serien, historien, kritikken (pp. 209-234). Aalborg Universitetsforlag.
Kring, N., Thaarup, C., Rasmussen, A., Svenningsen, S. D. & Waade, A. M. (2016). 1864 og DR under forandring: public service, branding og lancering . In K. T. Hansen (Ed.), 1864 : tv-serien, historien, kritikken (pp. 115-134). Aalborg Universitetsforlag.
Nielsen, J. I. (2016). Formalisme og 'Birdman'. In J. Riber Christensen & S. Ledet Christiansen (Eds.), Filmanalyse (pp. 35-59). Systime.
Nielsen, J. I. (2016). Five Functions of Camera Movement in Narrative Cinema. In L. Coleman, D. Miyao & R. Schaefer (Eds.), Transnational Cinematography Studies (pp. 25-53). Lexington Books.
Aveyard, K., Jensen, P. M. & Moran, A. (2016). Introduction: A Changing Format Mosaic. In K. Aveyard, P. M. Jensen & A. Moran (Eds.), New Patterns in Global Television Formats (pp. 1-16). Intellect.
Gemzøe, L. S. (2016). Genreanalyse og Interstellar. In J. Riber Christensen & S. Ledet Christiansen (Eds.), Filmanalyse (pp. 151-167). Systime Academic.
Jensen, P. M. (2016). How media system rather than culture determines national variation: Danish idols and australian idol compared. In Adapting Idols: Authenticity, Identity and Performance in a Global Television Format (pp. 27-39). Taylor and Francis Group. https://doi.org/10.4324/9781315565620-11
Waade, A. M. & Toft-Nielsen, C. (2015). Harry Potter som transmedia storytelling: franchise, fantasy og fans. In P. S. Lauridsen & E. Svendsen (Eds.), Medieanalyse (pp. 60-82). Article 4 Samfundslitteratur.
Nielsen, J. I. (2014). Classic(al) Lang: Conflicting Impulses in Ministry of Fear. In J. McElhaney (Ed.), A Companion to Fritz Lang (1 ed., Vol. 1, pp. 430-457). Wiley-Blackwell. https://doi.org/10.1002/9781118587751.ch23
Damkjaer, M. S. & Waade, A. M. (2014). Armchair Tourism: The Travel Series as a Hybrid Genre. In F. Hanusch & E. Fürsich (Eds.), Travel Journalism : Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan.
Gemzøe, L. S. (2014). Se det fra den lyse side: Den ulykkelige slutning i nyere amerikansk film. In Terminus i litteratur, medier og kultur (Vol. Bind 6, pp. 187-217). Aalborg Universitetsforlag. http://aauforlag.dk/Shop/historie-kultur-litteratur/terminus-the-end-in-literature-media-and-cult.aspx
Gemzøe, L. A. (2014). Se det fra den lyse side. In K. T. Hansen & P. K. Pedersen (Eds.), The End: Terminus in Literature, Media ans Culture (pp. 187-216). Aalborg Universitetsforlag.
Damkjær, M. S. & Waade, A. M. (2014). Armchair tourism: The travel series as a hybrid genre. In Travel Journalism: Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan. https://doi.org/10.1057/9781137325983
Jacobsen, U. C. (2013). Messianic moments in communicating sustainability. In M. Nielsen, I. Rittenhofer, M. G. Ditlevesen, S. E. Andersen & I. Pollach (Eds.), Nachhaltigkeit in der Wirtschaftskommunikation (pp. 93-107). Springer VS.
Nielsen, J. I. (2013). The Oscars og den klassiske Hollywoodfilm. In Guldfeber – på sporet af Oscarfilmen (1 ed., Vol. 1). Turbine.
Jensen, P. M. (2012). How media system rather than culture determines national variation: Danish and Australian Idols compared. In K. Zwaan & J. De Bruin (Eds.), Adapting Idols: authenticity, identity and performance in a global TV format (pp. 27-40). Ashgate.
Nielsen, J. I. (2011). Rundt om Mad Men. In N. Jakob Isak, H. Andreas & H. Henrik (Eds.), Fjernsyn for viderekomne - de nye amerikanske tv-serier (1 ed., Vol. 1, pp. 202-223). Turbine. http://www.16-9.dk/books/index.htm
Nielsen, J. I. (2011). Broadcastnetværk. In J. I. Nielsen, A. Halskov & H. Højer (Eds.), Fjernsyn for viderekomne : - de nye amerikanske tv-serier (1 ed., Vol. 1, pp. 242). Turbine. http://www.16-9.dk/books/index.htm
Knudsen, B. T. & Waade, A. M. (2010). Performative Authenticity in Tourism and Spatial Experience: Rethinking the relation between travel, place and emotion in the context of cultural economy and emotional geography. In Re-investing Authenticity: Tourism, Place and Emotions (pp. 1-19). Channel View Publications.
Waade, A. M. (2010). Små steder – store forbrydelser: Stedspecifik realisme, provinsmiljø og rurale landskaber i skandinaviske krimiserier. In G. Agger & A. M. Waade (Eds.), Den skandinavisk krimi: bestsellere og blockbustere (1 ed., pp. 63 - 78). Nordicom.

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Eva Redvall

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Revised 04.12.2025