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What Makes Danish TV Drama Series Travel?

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Publications from Aarhus University

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Jensen, P. M. (2017). “Original Good, Adaptation Bad”: Investigating the Deeper Reasons behind Australian Audience Preference for the Nordic Versions of Forbrydelsen and Bron/Broen. Paper presented at Media Mutations 9: The Format Factor, Bologna, Italy.

Jensen, P. M. & McCutcheon, M. (2017). Ratings behaving madly: Danish TV drama’s fortuitous success in Australia. Paper presented at Nordmedia 2017, Tampere, Finland. http://www.uta.fi/cmt/en/Conferences/NordMedia2017/Divisions/Division10/Division10_Abstracts.pdf

Jensen, P. M. (2013). Reception of Talent Shows in Denmark: First Results from a Trans-National Audience Study of a Global Format Genre. Paper presented at nordmedia 2013: Defending Democracy, Oslo, Norway.

Jensen, P. M. (2019). Studying current media use among children and young audiences. Paper presented at Biannual Conference of the Television Studies Section of ECREA , Groningen, Netherlands.

Jensen, P. M. (2016). The Global Rise of the Danish TV Drama. Paper presented at Transnational Audiences, Wollongong, Australia.

Jensen, P. M. (2016). The peripheral counter-flow of Danish TV drama and the reasons behind it: a non-anglophone turn in global television?. Paper presented at ECREA 2016 Prague, Prague, Czech Republic.

Jensen, P. M. (2015). The transnational appeal of Danish TV series. Paper presented at Media Engagement International Conference, Lund, Sweden.

Jensen, P. M. (2013). The Use of Television Format Adaptation in Denmark: Public Service Broadcasters Compared to Commercial Broadcasters. Paper presented at NordMedia 2013, Oslo, Norway.

Jensen, P. M. & Waade, A. M. (2013). When public service drama travels: Production funding models and the schisms involved. Paper presented at Making Television in the 21st Century, Aarhus, Denmark. http://dac.au.dk/fileadmin/dac/Forskning/Forskningsprogrammer/abstractsECREA.pdf

Jensen, P. M. (2015). Why does Danish TV Drama Travel? A Three-Tier Seven-Country Audience Study on the Rise of Denmark’s Transnational TV Culture: A Three-Tier Seven-Country Audience Study on the Rise of Denmark’s Transnational TV Culture. Paper presented at IAMCR 2015, Montreal, Canada.

McCutcheon, M. & Jensen, P. M. (2017). Ratings Behaving Madly: Danish TV Drama's Fortuitous Success in Australia. Paper presented at ANZCA - Australian and New Zealand Communication Association Annual Conference - Sydney University, Sydney, Australia.

Nielsen, J. I. (2013). Blockbuster TV: Bestseller & Blockbuster Culture – Books, Cinema and Television.

Nielsen, J. I. (2014). From Gøngehøvdingen to 1864: A Production Analysis of Audiovisual Style in DR Series. Paper presented at Årsmøde SMID 2014, Nyborg, Denmark.

Nielsen, J. I. (2013). House of Cards and the Paradoxical Role of Netflix.

Nielsen, J. I. (2024). Keynote: Four Avenues for Small Film Ecosystems. Paper presented at 15th Annual International Small Cinemas Conference , Zagreb, Croatia.

Nielsen, J. I. (2015). Points of Contact, Points of Difference: Danish & American production cultures . Paper presented at TV in the Age of Transnationalisation and Transmedialisation, London, United Kingdom.

Nielsen, J. I. (2024). Ripple Effects of Cinema Infrastructure in a Small Film Ecosystem. Paper presented at 15th Annual International Small Cinemas Conference , Zagreb, Croatia.

Nielsen, J. I. (2015). Secrets Pages in DR’s Playbook: the development of audiovisual style in DR series from Gøngehøvdingen (1992) to 1864 (2014). Paper presented at NordMedia 2015, Copenhagen, Denmark.

Nielsen, J. I. (2025). Seriality and Platform Vernacular (Nordmedia). Paper presented at NordMedia 2025, Odense.

Nielsen, J. I. (2018). Stylish drama series – overt style in Danish drama series?. Paper presented at Transnational Television Drama, Aarhus, Denmark.

Nielsen, J. I. (2010). The Cell Phone in Contemporary Danish Crime Series. Paper presented at Emotion, Media and Crime, Aarhus, Denmark.

Nielsen, J. I., Jensen, P. M. & Waade, A. M. (2014). When Public Service Drama Travels: The Internationalisation of Danish Television Drama and the Production Funding Models Involved. Paper presented at RIPE 2014, Tokyo, Japan. http://ripeat.org/wp-content/uploads/tdomf/3790/Jensen%20_%20Waade%20RIPE%20paper%202014.pdf

Rittenhofer, I. & Jacobsen, U. C. (2015). Swarms: Exploring novel qualities of public relations: EUPRERA full paper submission for double blind review. Paper presented at EUPRERA 2015 Congress, Oslo, Norway. http://euprera2015.no/

Saunders, R. & Waade, A. M. (2018). Screening the regions: Framework for studying the geopolitical aspects of television drama series across Europe. Paper presented at ECREA 2018, Lugano, Switzerland.

Waade, A. M. (2017). Aarhus Filmcity : Cross-Sectoral Strategies. Paper presented at European Media Management Association Conference 2017 - Preconference: Media Clusters, Ghent, Belgium. http://mediaclusters.brussels/wp-content/uploads/2017/06/5_Aarhus-Filmcity-cross-sectoral-strategies.pdf

Waade, A. M. & Have, I. (2007). Aesthetification of Politics: Non-verbal Political Communication inDanish Television Documentaries. Paper presented at NordMedia Nordisk Medieforskerkonference, Helsinki, Finland.

Waade, A. M. (2015). “Behind Every Series is a Strong Woman”: Gender as transnational production value in the Danish TV drama series.. Paper presented at TV in the Age of Transnationalisation and Transmedialisation, London, United Kingdom.

Waade, A. M. & Sandvik, K. (2008). Crime Scene as Augmented Reality On Screen, Online and Offline. Paper presented at ICA, Montreal, Canada.

Waade, A. M. & Sandvik, K. (2007). Crime Scene as Spatial Production On screen, Online and Offline. Paper presented at NordMedia Nordisk Medieforskerkonference, Helsinki 2007, Finland.

Waade, A. M. (2014). Danish TV Drama Series - and Nordic Noir. Paper presented at RESEARCHING PRODUCTION AND AUDIENCES: National and International Contexts of Television , London, United Kingdom.

Waade, A. M. (2012). ‘Death in a Cold Climate’: Wallander tourism, production value and belongings. Paper presented at Cultural Studies Association of Australia, Sydney, Australia.

Waade, A. M. (2013). Death in a Cold Climate: Landscape, setting and climate as production value in Scandinavian crime series. Paper presented at Bestseller and Blockbuster Culture, Aalborg, Denmark. http://www.bestseller-blockbuster.aau.dk/

Waade, A. M. (2011). Wallander Country; Setting and landscape in Scandinavian crime series . Paper presented at Symposium on Stieg Larsson and Scandinavian Crime Fiction , L.A., United States.

Waade, A. M. (2013). Film production, social media marketing and participatory culture. Paper presented at Rethink Participatory Cultural Citizenship, Aarhus, Denmark.

Waade, A. M. (2010). From bestsellers to blockbusters: Conceptualising location in the crime series about Inspector Wallander. Paper presented at Contemporary series culture, Berlin, Germany.

Waade, A. M. & Jørgensen, U. A. (2009). Haptic routes and digestive destinations: Travel, food and place in Keith Floyd and The Hairy Bikers with links to art history. Paper presented at Emotion in Motion: The Passion of Tourism, travel and Movement, Leeds, United Kingdom.

Waade, A. M. (2009). Haptic Routes and Digestive Destinations in Cooking Series: Travel, food and place in Keith Floyd and The Hairy Bikers with links to art history. Paper presented at Emotion and Motion within Place, Aarhus, Denmark.

Waade, A. M. (2004). Hyperturisme og medieret turisterfaring. Paper presented at SMID, Ebeltoft oktober 27.-28.10., Ebeltoft, Denmark.

Waade, A. M. (2013). Ildsjæle og kendiskultur - Medieturisme, kreativt erhverv og regional udvikling: Oplæg præsenteret ved symposium Helsingborg Campus/Lunds Universitet: Kultur og regional udvikling.

Waade, A. M. (2007). Imagining paradise in commercials. Paper presented at GAZING, GLANCING, GLIMPSING:TOURISTS AND TOURISM IN A VISUAL WORLD, Brighton, United Kingdom.

Waade, A. M. (2014). In the footsteps of Saga Norén Film induced tourism and tourism induced television production. Paper presented at Producers and Audiences, Lund, Sweden.

Waade, A. M. (2017). Landscape gazing in television drama: From landscape paintings to tourism and TV drama: Midnight Sun (2016-). Paper presented at Landscapes in Television Drama Series, Aarhus, Denmark.

Waade, A. M. (2015). Local colour - and how can we study production values empirically?. Paper presented at Crime Pays, Crime Days-Conference, Aalborg , Denmark.

Waade, A. M. & Hansen, K. T. (2016). Locating Nordic Noir. Paper presented at Noir in the North 2016, Reykjavik, Iceland.

Waade, A. M. (2017). Location placement in screen productions. Paper presented at European Media Management Association Conference 2017, Belgium.

Waade, A. M. (2017). Location placement in screen productions: New Nordic Noir. Paper presented at Branded Content Research Network Conference , London, United Kingdom.

Waade, A. M. (2014). Locations in television drama series: Theoretical and methodological approaches. Paper presented at ECREA, Lisbon, Portugal.

Waade, A. M. (2015). Locations in TV Drama Series: The Danish Series Dicte and Arvingerne as Examples. Paper presented at Geomedia , Karlstad, Sweden. http://geomedia.se

Waade, A. M. (2004). Mediatization of the Tourist Experience: Cultural perspectives on Hyper Tourism. Paper presented at 13th Nordic Symposium in Tourism and Hospitality Research, Aalborg University, Aalborg, Denmark.

Waade, A. M. (2015). Nordic Noir Ambiance and Nordic Melancholy. Paper presented at NordMedia 2015, Copenhagen, Denmark.

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Publications from Aalborg University

Revised 04.12.2025