What Makes Danish TV Drama Series Travel?

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Publications from Aarhus University

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Book anthology

Jensen, P. M., Redvall, E. N. & Christensen, C. L. (Eds.) (2023). Audiovisual content for children and adolescents in Scandinavia: Production, distribution, and reception in a multiplatform era. Nordicom. https://doi.org/10.48335/9789188855817
Knudsen, B. T. & Waade, A. M. (Eds.) (2010). Re-investing Authenticity: Tourism, Place and Emotions. Channel View Publications.
Nielsen, J. I. (Ed.) (2011). Fjernsyn for viderekomne: - de nye amerikanske tv-serier. (1 ed.) Turbine. http://www.16-9.dk/books/index.htm
Waade, A. M. & Sandvik, K. (Eds.) (2006). Rollespil -  i æstetisk, pædagogisk og kulturelt perspektiv. (1. udgave ed.) Aarhus UniPresse.
Bengesser, C. H., Hansen, K. T. & Gemzøe, L. S. (Eds.) (2020). Location marketing and cultural tourism. http://www.detect-project.eu/wp-content/uploads/2020/02/COMPLETE_d4.1_final2.pdf
Gemzøe, L. S. (2013). Skandinaviske adaptationer og remakes i perioden 1990-2012. Kosmorama. https://www.kosmorama.org/kosmorama/artikler/rapport-skandinaviske-adaptationer-og-remakes-i-perioden-1990-2012
Jacobsen, U. C. (2018). Language Encounters in Aarhus 2017. (No. 20 ed.) rethinkIMPACTS 2017. http://projects.au.dk/fileadmin/user_upload/LEA2017.pdf
Jensen, P. M., Mitric, P., Sehested, T. & Mouritsen, A. S. (2021). What is Quality Audiovisual Fiction as Seen through the Eyes of Young Danish Viewers: Results from an Explorative Survey of 8–17 Year Old Children. Aarhus Universitet & Københavns Universitet. https://comm.ku.dk/research-data/danishchildrenreport_jensen__mitric__larsen___mouritsen.pdf/
Nielsen, J. I. (2007). Camera Movement in Narrative Cinema: Towards a Taxonomy of Functions. (1 ed.).
Nielsen, J. I., Øfsti, M. & Bengesser, C. H. (Eds.) (2026). Value creation and competitiveness in small European markets. https://doi.org/https://zenodo.org/records/19133640
Øfsti, M., Nielsen, J. I. & Kostovska, I. (2025). Small European films: challenges and drivers of change for distribution and exhibition . Crescine.eu. https://www.crescine.eu/small-european-films-challenges-drivers
Pagello, F., Schleich, M., Jensen, P. M., Bengesser, C. H., Spaletta, M., De Rosa, P. & Lupoli, L. (2020). European Creative Audiences.
Redvall, E. N. & Jensen, P. M. (2023). Fighting to keep up with children and young audiences: Reflections on Danish children’s television in the 2020s. The Children's Media Foundation. https://www.thechildrensmediafoundation.org/the-childrens-media-yearbook-2023
Stegger Gemzøe, L. & Hansen, K. T. (Eds.) (2020). Researching transcultural identity I: production perspectives.

Contribution to book anthology

Aveyard, K., Jensen, P. M. & Moran, A. (2016). Introduction: A Changing Format Mosaic. In K. Aveyard, P. M. Jensen & A. Moran (Eds.), New Patterns in Global Television Formats (pp. 1-16). Intellect.
Bengesser, C. & Waade, A. M. (2022). Screen tourism on the smartphone: A typology and critical evaluation of the first decade of smart screen tourism. In Audiovisual Tourism Promotion: A Critical Overview (pp. 173-195). Springer Nature. https://doi.org/10.1007/978-981-16-6410-6_9
Bengesser, C. H. & Waade, A. M. (2021). Screen Tourism on the Smartphone: A Typology and Critical Evaluation of the First Decade of Smart Screen Tourism . In A. Leotta & B. Diego (Eds.), Audiovisual Tourism Promotion (pp. 173-195). Palgrave.
Damkjaer, M. S. & Waade, A. M. (2014). Armchair Tourism: The Travel Series as a Hybrid Genre. In F. Hanusch & E. Fürsich (Eds.), Travel Journalism : Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan.
Damkjær, M. S. & Waade, A. M. (2014). Armchair tourism: The travel series as a hybrid genre. In Travel Journalism: Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan. https://doi.org/10.1057/9781137325983
Esser, A., Jensen, P. M., Keinonen, H. & Lemor, A. M. (2016). The duality of banal transnationalism and banal nationalism: television audiences and the musical talent competition genre. In K. Aveyard, A. Moran & P. M. Jensen (Eds.), New Patterns in Global Television Formats (pp. 295-309). Intellect.
From, U. & Waade, A. M. (2007). Kunsten at stille de gode spørgsmål: Observations- og spørgeteknikker i kollegial supervision, undervisning og vejledning. In H. L. Andersen & L. Søndergaard (Eds.), Kollegial supervison på universitetet (pp. 59-72). Aarhus Universitetsforlag.
Gemzøe, L. S. (2016). Genreanalyse og Interstellar. In J. Riber Christensen & S. Ledet Christiansen (Eds.), Filmanalyse (pp. 151-167). Systime Academic.
Gemzøe, L. S. (2014). Se det fra den lyse side: Den ulykkelige slutning i nyere amerikansk film. In Terminus i litteratur, medier og kultur (Vol. Bind 6, pp. 187-217). Aalborg Universitetsforlag. http://aauforlag.dk/Shop/historie-kultur-litteratur/terminus-the-end-in-literature-media-and-cult.aspx
Gemzøe, L. A. (2014). Se det fra den lyse side. In K. T. Hansen & P. K. Pedersen (Eds.), The End: Terminus in Literature, Media ans Culture (pp. 187-216). Aalborg Universitetsforlag.
Grønlund, A. & Waade, A. M. R. (Accepted/In press). Drone Technologies in Screen Productions: Nordic Landscapes and Sustainability in the TV series Trom. In E. Weissmann & D. L. Palatinus (Eds.), Television and Sustainability: Technology, Industry, and Cultural Form in a Time of Permacrisis Peter Lang.
Halskov, A. & Nielsen, J. I. (2017). Funny how things change: moderne audiovisuel komik. In A. Halskov, H. Højer & T. Schwartz Larsen (Eds.), Helt til grin: moderne audiovisuel komik på tværs af medier (pp. 12-31). VIA Film & Transmedia.
Hansen, K. T. & Waade, A. M. (2019). Taking place, screening place: studying locations in Danish television drama production. In C. Batty (RMIT), M. Berry (RMIT), S. Kerrigan (Newcastle) , K. Dooley (Curtin) & B. Frankham (UTS) (Eds.), The Palgrave Handbook of Screen Production (pp. 103-116). Palgrave Macmillan.
Jacobsen, U. C. (2020). A cosmopolitan tribe of viewers: Crime, women, and akogare in Japan. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Audiences of Danish Television Drama (pp. 75-90). Nordicom. https://www.nordicom.gu.se/system/tdf/publikationer-hela-pdf/the_global_audiences_of_danish_television_drama_web.pdf?file=1&type=node&id=40632&force=0
Jacobsen, U. C. & Meleiro, A. (2020). Brazilian Encounters: Buyers and bloggers appropriating content. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Audiences of Danish Television Drama (pp. 57-74). Nordicom. https://www.nordicom.gu.se/sv/system/tdf/publikationer-hela-pdf/the_global_audiences_of_danish_television_drama_web.pdf?file=1&type=node&id=40632&force=0
Jacobsen, U. C. (2023). Knowledge Asymmetry, and Corvus Corax in Greenland/Denmark: Locating method. In J. Engberg, A. Fage-Butler & P. Kastberg (Eds.), Perspectives on Knowledge Communication: Concepts and settings (pp. 97-112). Routledge. https://doi.org/10.4324/9781003285120-6
Jacobsen, U. C. (2013). Messianic moments in communicating sustainability. In M. Nielsen, I. Rittenhofer, M. G. Ditlevesen, S. E. Andersen & I. Pollach (Eds.), Nachhaltigkeit in der Wirtschaftskommunikation (pp. 93-107). Springer VS.
Jacobsen, U. C. & Jensen, P. M. (2020). Unfolding the global travel of Danish television drama series. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Travel of Danish Television Drama (pp. 9-20). Nordicom. https://www.nordicom.gu.se/sv
Jensen, P. M. & Jacobsen, U. C. (2020). Augmenting proximities theory: Including other proximities in the transnational travel of Danish television drama. In A. M. Waade, E. N. Redvall & P. M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation (pp. 169-186). Palgrave Macmillan.
Jensen, P. M. (2022). Far away, so close: Sydney-siders watching Forbrydelsen, Borgen and Bron\Broen. In R. McCulloch & W. Proctor (Eds.), The Scandinavian Invasion: Nordic Noir and Beyond (pp. 145-167). Peter Lang.
Jensen, P. M. (2023). Far Away, So Close: Sydney-Siders Watching Forbrydelsen, Borgen and Bron/Broen. In R. McCulloch & W. Proctor (Eds.), The Scandinavian Invasion: Nordic Noir and Beyond (pp. 145-168). Peter Lang.
Jensen, P. M. (2012). How media system rather than culture determines national variation: Danish and Australian Idols compared. In K. Zwaan & J. De Bruin (Eds.), Adapting Idols: authenticity, identity and performance in a global TV format (pp. 27-40). Ashgate.
Jensen, P. M. (2016). How media system rather than culture determines national variation: Danish idols and australian idol compared. In Adapting Idols: Authenticity, Identity and Performance in a Global Television Format (pp. 27-39). Taylor and Francis Group. https://doi.org/10.4324/9781315565620-11
Jensen, P. M. (2009). How Media Systems Shape the Localization of TV Formats: A Transnational Case Study of The Block and Nerds FC in Australia and Denmark. In A. Moran (Ed.), TV Formats Worldwide: Localizing Global Programs (pp. 163-186). Intellect.
Jensen, P. M. (2018). Mediesystemer. In P. S. Lauridsen & E. Svendsen (Eds.), Medieteori (pp. 175-190). Samfundslitteratur.
Jensen, P. M. & McCutcheon, M. (2020). "Othering the Self and Same-ing the Other": Australians watching Nordic Noir. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Audiences of Danish TV Drama (pp. 21-37). Nordicom. https://www.nordicom.gu.se/sv/system/tdf/publikationer-hela-pdf/the_global_audiences_of_danish_television_drama_web.pdf?file=1&type=node&id=40632&force=0
Jensen, P. M. & Mitric, P. (2023). The appeal of public service fiction in an internationalised media context: Findings from a survey of 8–17-year-old Danes. In Audiovisual content for children and adolescents in Scandinavia: Production, distribution, and reception in a multiplatform era (pp. 139-162). Nordicom. https://doi.org/10.48335/9789188855817-8
Knudsen, B. T. & Waade, A. M. (2010). Performative Authenticity in Tourism and Spatial Experience: Rethinking the relation between travel, place and emotion in the context of cultural economy and emotional geography. In Re-investing Authenticity: Tourism, Place and Emotions (pp. 1-19). Channel View Publications.
Kring, N., Thaarup, C., Rasmussen, A., Svenningsen, S. D. & Waade, A. M. (2016). 1864 og DR under forandring: public service, branding og lancering . In K. T. Hansen (Ed.), 1864 : tv-serien, historien, kritikken (pp. 115-134). Aalborg Universitetsforlag.
Nielsen, J. I. (2011). Broadcastnetværk. In J. I. Nielsen, A. Halskov & H. Højer (Eds.), Fjernsyn for viderekomne : - de nye amerikanske tv-serier (1 ed., Vol. 1, pp. 242). Turbine. http://www.16-9.dk/books/index.htm
Nielsen, J. I. (2014). Classic(al) Lang: Conflicting Impulses in Ministry of Fear. In J. McElhaney (Ed.), A Companion to Fritz Lang (1 ed., Vol. 1, pp. 430-457). Wiley-Blackwell. https://doi.org/10.1002/9781118587751.ch23
Nielsen, J. I., Heiselberg, L. & Walther, B. K. (2025). Conclusion. In L. Heiselberg, B. K. Walther, J. I. Nielsen & R. Rønlev (Eds.), Seriality in the Streaming Era (pp. 151-159). Routledge. https://doi.org/10.4324/9781003539735-6
Nielsen, J. I. (2020). Fifty Shades of Green - On Visual Style in Danish Drama Series. In A.-M. Waade, E. N. Redvall & M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation (pp. 103-124). Palgrave Macmillan.
Nielsen, J. I. (2016). Five Functions of Camera Movement in Narrative Cinema. In L. Coleman, D. Miyao & R. Schaefer (Eds.), Transnational Cinematography Studies (pp. 25-53). Lexington Books.
Nielsen, J. I. (2016). Formalisme og 'Birdman'. In J. Riber Christensen & S. Ledet Christiansen (Eds.), Filmanalyse (pp. 35-59). Systime.
Nielsen, J. I. (2016). Fotocollage Nordic noir-stemning: baseret på stikord fra Jakob Isak Nielsen. In Nordiske nätter: magasin (pp. 14-15). Folkeuniversitetet i Århus. http://Magasinet udgives i anledning af Folkeuniversitetets videns- og kulturfestival NORDISKE NäTTER, og det kan læses uafhængigt af festivalen. Festivalen finder sted på Moesgaard Museum den 4.-6. november 2016.

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Eva Redvall

See list of Eva Redvall's publications here

Revised 04.12.2025