What Makes Danish TV Drama Series Travel?

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Publications from Aarhus University

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Waade, A. M. (2017). Melancholy in Nordic Noir: Characters, landscapes, light and music. Critical Studies in Television, 12(4), 380-394. https://doi.org/10.1177/1749602017729629
Waade, A. M. & Jensen, P. M. (2013). Nordic Noir Production Values: The Killing and The Bridge. Akademisk Kvarter, 7, 188-201. http://www.akademiskkvarter.hum.aau.dk/pdf/vol7/13a_AWaadePMJensen_NordicNoir.pdf
Waade, A. M. (2016). Nordic Noir Tourism and Television Landscapes: In the footsteps of Kurt Wallander and Saga Norén . Scandinavica: An International Journal of Scandinavian Studies, 55(1), 42-65. http://www.scandinavica.net/2016-1.php
Waade, A. M. & Wille, J. I. (2016). Production Design and Location in the Danish Television Drama Series "Arvingerne" (The Legacy). Kosmorama, (263). http://www.kosmorama.org/Nyt/~/link.aspx?_id=5F499C1696C247849194F49B7672F791&_z=z
Waade, A. M. (2005). Rejseholdets Danmarksbilleder - om stedets æstetik, kameraets kartografisk turistblik og rejsens forvandling. Passepartout, (24-2005), 64 - 81.
Waade, A. M. & From, U. (2007). Smagfulde fremstillinger: Oplevelsesmatricer i mad- og rejsejournalistik. Journalistica.
Waade, A. M. (Ed.) (2004). Temanummer Mediepolitik: Nordisk Kulturpolitisk Tidskrift. Nordisk Kulturpolitisk Tidskrift, temanummer: Mediepolitik.
Waade, A. M. & Povlsen, K. K. (2009). The Girl With the Dragon Tattoo: Adapting embodied gender from novel to movie in Stieg Larsson’s crime fiction. P.O.V.
Waade, A. M. (2009). Travel Series as TV Entertainment: Showing and consuming the world. MedieKultur.
Waade, A. M. (2000). Zapping, shopping, and sightseeing: Contemporary theatre and new patterns of reception. International Journal of Cultural Policy, 7(2), 281-297. https://doi.org/10.1080/10286630009358147
Chow, P. S., Saunders, R. A. & Waade, A. M. (2020). Introduction dark screens: The geopolitics of nordic television drama. Nordicom Review, 41(s1), 3-9. https://doi.org/10.2478/nor-2020-0010
Jacobsen, U. C. (2016). Dogra, Nandita (2012). Representations of Global Poverty: Aid, Development and International NGOs. New York: I.B. Tauris. Journal of Language and Politics, 15(4), 496-499. https://doi.org/10.1075/jlp.15.4.07jac
Jacobsen, U. C. (2015). Valérie Carayol & Alex Frame (Eds.), 2012, Communication and PR from a Cross-Cultural Standpoint: Practical and Methodological Issues, Peter Lang. Corporate Communications: an international journal, 20(1), 111-114. https://doi.org/10.1108/CCIJ-04-2013-0022
Jensen, P. M. (2015). Trine Syvertsen, Gunn Enli, Ole J. Mjøs and Hallvard Moe. The Media Welfare State: Nordic Media in the Digital Age. Ann Arbor: The University of Michigan Press. 2014. MedieKultur: Journal of media and communication research, 31(59). http://ojs.statsbiblioteket.dk/index.php/mediekultur/article/view/21770/20299
Nielsen, J. I. (2005). A History of Violence. 16:9, 3(14). http://www.16-9.dk/2005-11/pdf/16-9_november2005_side08_filmanmeldelse.pdf
Nielsen, J. I. (2010). Dansk film - før finanskrisen: The State of Danish Film - Before the Financial Crisis. MedieKultur, (49), 182-186.
Nielsen, J. I. (2008). ”Den australske balletdanser”. 16:9, (27).
Nielsen, J. I. (2004). En røverhistorie. 16:9, (5).
Nielsen, J. I. (2003). Mise-en-scène - Film Style and Interpretation. 16:9.
Nielsen, J. I. (2013). Mode og mozzarella. 16:9, 11(52). http://www.16-9.dk/2013-09/index.htm
Nielsen, J. I. (2011). På rette spor. 16:9, 9(43). http://www.16-9.dk/2011-09/side08_filmanmeldelse.htm
Nielsen, J. I. (2025). Portræt af kunstneren: En anmeldelse af The Brutalist. 16:9. https://16-9.dk/2025/04/the-brutalist/
Nielsen, J. I. (2005). Rænkespil. 16:9, 3(11). http://www.16-9.dk/2005-04/pdf/16-9_april2005_side10_dvdanmeldelse.pdf
Nielsen, J. I. (2003). Suspicious Minds. 16:9, (4).
Waade, A. M. (2020). Book Review: The Killing. Critical Studies in Television, 15(2), 208-210. https://doi.org/10.1177/1749602020909620c
Waade, A. M. (2004). Ved vi for lidt om kulturpolitik? Nordisk Kulturpolitisk Tidskrift, (2-2004), 255-260.
Nielsen, J. I. (2011). Bio pics. 16:9, 9(43). http://www.16-9.dk/2011-09/side03_leder.htm
Nielsen, J. I. (2012). Den biografiske film. 16:9, 1.
Nielsen, J. I. (2012). Forbrydelsen takker af. 16:9, 10(48).
Nielsen, J. I. (2006). Konvergerende skæbner. 16:9, 4(19). http://16-9.dk/2006-11/side03_leder.htm
Nielsen, J. I. (2010). "So ein Ding". 16:9, (35).
Souch, I., Saunders, R. A. & Waade, A. M. R. (2024). Landscapes in the frame: Anthropocene screens. Critical Studies in Television, 19(3), 273-291. https://doi.org/10.1177/17496020241259277
Steemers, J., Sundet, V. S. & Jensen, P. M. (2026). Screen entertainment and the ‘youth challenge’: Home advantage, audience preferences and industry responses. Critical Studies in Television, 21(1), 3-15. Article 1. https://doi.org/10.1177/17496020251404730
Waade, A. M. & Agger, G. (2011). Introduction: Crime & Media - Fiction and Journalism. Northern Lights.
Waade, A. M. (2017). Locations in Television Drama Series: Introduction . SERIES - International journal of TV series narratives, 3(1), 5-10. https://doi.org/10.6092/issn.2421-454X/7138
Waade, A. M. (Ed.) (2005). Temanummer: Mediepolitik. Nordisk Kulturpolitisk Tidskrift, (1-2005).
Jacobsen, U. C. (2017). English in the European Union after Brexit: inclusion effects of a language without an owner. Culture, practice and European policy, 2(1), 9-11. https://www.uni-flensburg.de/fileadmin/content/seminare/soziologie/dokumente/culture-practice-and-europeanization/vol.2-issue-1-2017/culture-practice-and-european-policy-vol.2-no.1-2017.pdf
Jacobsen, U. C. (2018). Languaging in art and cultural management. Arts Management Quarterly, (129), 17-22. http://artsmanagement.net/images/file/newsletter/AM_Quarterly_129.pdf

Book anthology

Gemzøe, L. S. (2026). Computerspilsanalyse. Samfundslitteratur. Kort Og Præcist Om Medier Og Kommunikation
Hansen, K. T. & Waade, A. M. (2017). Locating Nordic Noir: From Beck to The Bridge. Palgrave Macmillan. Palgrave European Film and Media Studies
Heiselberg, L., Walther, B. K., Nielsen, J. I. & Rønlev, R. (2025). Seriality in the Streaming Era. Routledge. https://doi.org/10.4324/9781003539735
Jensen, J. L. & Waade, A. M. (2009). Medier og Turisme. Systime Academic.
Jensen, P. M. & Jacobsen, U. C. (Eds.) (2020). The Global Audiences of Danish Television Drama. Nordicom. http://norden.diva-portal.org/smash/record.jsf?pid=diva2%3A1414057&dswid=-2095
Nielsen, J. I. & Højer, H. (2005). Film i øjet. Dansklærerforeningens Forlag.
Pedersen, B. S. & Waade, A. M. (Eds.) (2017). Kreativ markedskommunikation: Æstetik og digital deltagelse . Systime. MÆRKK – Æstetik og Kommunikation Vol. 6
Waade, A. M., Redvall, E. N. & Jensen, P. M. (Eds.) (2020). Danish Television Drama: Global Lessons from a Small Nation. Palgrave Macmillan. Palgrave European Film and Media Studies https://doi.org/10.1007/978-3-030-40798-8
Waade, A. M. & Agger, G. (2010). Den skandinaviske krimi - bestseller og blockbuster.
Waade, A. M. (2013). Wallanderland: medieturisme og skandinavisk tv-krimi. Aalborg Universitetsforlag. Studier i krimi og kriminaljournalistik
Aveyard, K., Jensen, P. M. & Moran, A. (Eds.) (2016). New Patterns in Global Television Formats. Intellect Ltd.
Halskov, A. (Ed.), Larsen, T. S., Nielsen, J. I. (Ed.), Højer, H. (Ed.) & Korsgaard, M. B. (Ed.) (2020). Streaming for viderekomne. VIA Film & Transmedia.

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Publications from Aalborg University

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Eva Redvall

See list of Eva Redvall's publications here

Revised 04.12.2025