What Makes Danish TV Drama Series Travel?

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Publications from Aarhus University

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Waade, A. M. (2017). Aarhus Filmcity
: Cross-Sectoral Strategies. Paper presented at European Media Management Association Conference 2017 - Preconference: Media Clusters, Ghent, Belgium. http://mediaclusters.brussels/wp-content/uploads/2017/06/5_Aarhus-Filmcity-cross-sectoral-strategies.pdf
Jacobsen, U. C. (2021). A New Kid on the Block: English in Greenland. Paper presented at Greenland – Denmark 1721 + 300 = 2021, Copenhagen, Denmark.
Jensen, P. M., Esser, A., Keinonen, H. & Lemor, A. M. (2013). A Trans-National Audience Study of a Global Format Genre: Talent Shows in Denmark, Finland, Germany and Great Britain. Paper presented at IAMCR 2013, Dublin, Ireland.
Jensen, P. M. & Jacobsen, U. C. (2019). Augmenting proximities theory: Including other proximities in the transnational travel of Danish television drama. Paper presented at NordMedia 2019, Malmö, Sweden.
Jacobsen, U. C. (2010). A world of knowledge asymmetries: The professional communication of Swazi cultural identity. Paper presented at Language Use and Cultural Identity Workshop, Helsinki. FI, Finland.
Waade, A. M. (2015). “Behind Every Series is a Strong Woman”: Gender as transnational production value in the Danish TV drama series.. Paper presented at TV in the Age of Transnationalisation and Transmedialisation, London, United Kingdom.
Nielsen, J. I. (2013). Blockbuster TV: Bestseller & Blockbuster Culture – Books, Cinema and Television.
Jensen, P. M. & Raats, T. (2016). Bringing distinctive TV drama? The role and effectiveness of public service media as lever for tv drama production: a two-case comparison. Paper presented at RIPE@2016 Public Service Media in a Networked Society?, Antwerpen, Belgium.
Waade, A. M. & Sandvik, K. (2008). Crime Scene as Augmented Reality On Screen, Online and Offline. Paper presented at ICA, Montreal, Canada.
Waade, A. M. (2012). ‘Death in a Cold Climate’: Wallander tourism, production value and belongings. Paper presented at Cultural Studies Association of Australia, Sydney, Australia.
Waade, A. M. (2013). Death in a Cold Climate: Landscape, setting and climate as production value in Scandinavian crime series. Paper presented at Bestseller and Blockbuster Culture, Aalborg, Denmark. http://www.bestseller-blockbuster.aau.dk/
Waade, A. M. (2011). Wallander Country; Setting and landscape in Scandinavian crime series     . Paper presented at Symposium on Stieg Larsson and Scandinavian Crime Fiction , L.A., United States.
Jensen, P. M. (2017). ‘Far Away, So Close’: Sydney-siders Watching Forbrydelsen, Borgen And Bron/Broen
. 465-470. Paper presented at ECREA TV Section Conference 2017, Málaga, Spain. https://doi.org/10.24908/ss.v15i3/4.6635
Waade, A. M. (2013). Film production, social media marketing and participatory culture. Paper presented at Rethink Participatory Cultural Citizenship, Aarhus, Denmark.
Waade, A. M. (2010). From bestsellers to blockbusters: Conceptualising location in the crime series about Inspector Wallander. Paper presented at Contemporary series culture, Berlin, Germany.
Nielsen, J. I. (2014). From Gøngehøvdingen to 1864: A Production Analysis of Audiovisual Style in DR Series. Paper presented at Årsmøde SMID 2014, Nyborg, Denmark.
Waade, A. M. & Jørgensen, U. A. (2009). Haptic routes and digestive destinations: Travel, food and place in Keith Floyd and The Hairy Bikers with links to art history. Paper presented at Emotion in Motion: The Passion of Tourism, travel and Movement, Leeds, United Kingdom.
Waade, A. M. (2009). Haptic Routes and Digestive Destinations in Cooking Series: Travel, food and place in Keith Floyd and The Hairy Bikers with links to art history. Paper presented at Emotion and Motion within Place, Aarhus, Denmark.
Nielsen, J. I. (2013). House of Cards and the Paradoxical Role of Netflix.
Waade, A. M. (2007). Imagining paradise in commercials. Paper presented at GAZING, GLANCING, GLIMPSING:TOURISTS AND TOURISM IN A VISUAL WORLD, Brighton, United Kingdom.
Waade, A. M. (2014). In the footsteps of Saga Norén Film induced tourism and tourism induced television production. Paper presented at Producers and Audiences, Lund, Sweden.
Gemzøe, L. S. & Møller Tommerup Andersen, M. (2024). Is creative work losing its mythical status?. Paper presented at Media Industries 2024, London, United Kingdom.
Jensen, P. M. & Waade, A. M. (2021). Is the Nordic Media Welfare State facing a crisis? Young audiences' media use and their notions of quality and relevance. 1. Paper presented at The Fourth Nordic Challenges
, Boston, Massachusetts, United States.
Nielsen, J. I. (2024). Keynote: Four Avenues for Small Film Ecosystems. Paper presented at 15th Annual International Small Cinemas Conference , Zagreb, Croatia.
Waade, A. M. (2017). Landscape gazing in television drama: From landscape paintings to tourism and TV drama: Midnight Sun (2016-). Paper presented at Landscapes in Television Drama Series, Aarhus, Denmark.
Waade, A. M. & Hansen, K. T. (2016). Locating Nordic Noir. Paper presented at Noir in the North 2016, Reykjavik, Iceland.
Waade, A. M. (2017). Location placement in screen productions. Paper presented at European Media Management Association Conference 2017, Belgium.
Waade, A. M. (2017). Location placement in screen productions: New Nordic Noir. Paper presented at Branded Content Research Network Conference , London, United Kingdom.
Waade, A. M. (2014). Locations in television drama series: Theoretical and methodological approaches. Paper presented at ECREA, Lisbon, Portugal.
Waade, A. M. (2015). Locations in TV Drama Series: The Danish Series Dicte and Arvingerne as Examples. Paper presented at Geomedia , Karlstad, Sweden. http://geomedia.se
Bechmann, A., Ess, C. & Waade, A. M. (2012). Locative mobile media, place and performativity. Paper presented at Local and Mobile conference 2012, Raleigh, NC., United States.
Falahey, A. & Jensen, P. M. (2011). Making Television around the World: Some indicators of a pilot study comparing Danish and Australian adaptations of global format television productions. Paper presented at The annual conference of the Australian Sociological Association, Newcastle, Australia.
Damkjaer, M. S. & Waade, A. M. R. (2025). Motherhood Marketing: Community-Building and Advocacy in Momkind’s Branded Content. Paper presented at NordMedia 2025, Odense, Denmark.
Waade, A. M. (2015). Nordic Noir Ambiance and Nordic Melancholy. Paper presented at NordMedia 2015, Copenhagen, Denmark.
Waade, A. M. (2017). Nordic Noir landscape values: Transnational co-productions, screen tourism and place branding . Paper presented at Branding Nordic Aesthetics conference, Oslo , Norway.
Waade, A. M. (2014). Nordic Noir og nordisk melankoli. Paper presented at Nordic Noir seminar, Oslo, Norway.
Jensen, P. M. (2017). “Original Good, Adaptation Bad”: Investigating the Deeper Reasons behind Australian Audience Preference for the Nordic Versions of Forbrydelsen and Bron/Broen. Paper presented at Media Mutations 9: The Format Factor, Bologna, Italy.
Waade, A. M. & Botoric, V. (2015). Participation in the business context: Crowdsourcing in the LEGO Group and the animation film The Reward. Paper presented at Participation and Cultural Transformations, Cultural transformations Research programme, Aarhus University, Denmark.
Nielsen, J. I. (2015). Points of Contact, Points of Difference: Danish & American production cultures . Paper presented at TV in the Age of Transnationalisation and Transmedialisation, London, United Kingdom.
Waade, A. M., Jensen, P. M., Nielsen, J. I., Eichner, S., Gemzøe, L. S. & Esser, A. (2014). Questioning the national outlook of television studies (Plenary panel): What makes Danish television drama travel, FKK 2014-2018. Paper presented at Årsmøde SMID, Nyborg, Denmark. http://www.smid.dk
Jensen, P. M. & McCutcheon, M. (2017). Ratings behaving madly: Danish TV drama’s fortuitous success in Australia. Paper presented at Nordmedia 2017, Tampere, Finland. http://www.uta.fi/cmt/en/Conferences/NordMedia2017/Divisions/Division10/Division10_Abstracts.pdf
McCutcheon, M. & Jensen, P. M. (2017). Ratings Behaving Madly: Danish TV Drama's Fortuitous Success in Australia. Paper presented at ANZCA - Australian and New Zealand Communication Association Annual Conference - Sydney University, Sydney, Australia.
Jensen, P. M. (2013). Reception of Talent Shows in Denmark: First Results from a Trans-National Audience Study of a Global Format Genre. Paper presented at nordmedia 2013: Defending Democracy, Oslo, Norway.
Waade, A. M. (2018). Rethinking production values and the value chain of Danish television drama series. Paper presented at ECREA 2018, Lugano, Switzerland.
Nielsen, J. I. (2024). Ripple Effects of Cinema Infrastructure in a Small Film Ecosystem. Paper presented at 15th Annual International Small Cinemas Conference , Zagreb, Croatia.
Waade, A. M. (2016). Scandinavian Crime Series and Fan Tourism: Location study as an interdisciplinary approach . Paper presented at International Tourism and Media Conference, Helsingborg, Sweden.
Saunders, R. & Waade, A. M. (2018). Screening the regions: Framework for studying the geopolitical aspects of television drama series across Europe. Paper presented at ECREA 2018, Lugano, Switzerland.
Nielsen, J. I. (2015). Secrets Pages in DR’s Playbook: the development of audiovisual style in DR series from Gøngehøvdingen (1992) to 1864 (2014). Paper presented at NordMedia 2015, Copenhagen, Denmark.
Nielsen, J. I. (2025). Seriality and Platform Vernacular (Nordmedia). Paper presented at NordMedia 2025, Odense.
Jacobsen, U. C. (2016). Social Responsibility as The Stranger: A case study of MIPCOM 2015. Paper presented at International Communication Conference 2016, Fukuoka, Japan.

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Eva Redvall

See list of Eva Redvall's publications here

Revised 04.12.2025