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Publications from Aarhus University

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Redvall, E. N., Jensen, P. M. & Christensen, C. L. (2023). Introduction: Audiovisual content for children and adolescents in Scandinavia. In P. M. Jensen, E. N. Redvall & C. L. Christensen (Eds.), Audiovisual content for children and adolescents in Scandinavia: Production, distribution, and reception in a multiplatform era (pp. 9-26). Nordicom. https://doi.org/10.48335/9789188855817-1
Pedersen, B. S. & Waade, A. M. (2017). Introduktion: Kreativ markedskommunikation - æstetik og deltagelse. In B. S. Pedersen & A. M. Waade (Eds.), Kreativ Markedskommunikation: Æstetik og deltagelse (pp. 3-28). Systime.
Nielsen, J. I. (2016). I sine følelsers vold: stil og fortælling i 1864. In 1864: tv-serien, historien, kritikken (pp. 165-187). Aalborg Universitetsforlag.
Waade, A. M. (2020). ‘Just Follow the Trail of Blood’: Nordic Noir Tourism and Screened Landscapes. In A. M. Waade, E. N. Redvall & P. M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation (pp. 231-252). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-40798-8
Jacobsen, U. C. (2023). Knowledge Asymmetry, and Corvus Corax in Greenland/Denmark: Locating method. In J. Engberg, A. Fage-Butler & P. Kastberg (Eds.), Perspectives on Knowledge Communication: Concepts and settings (pp. 97-112). Routledge. https://doi.org/10.4324/9781003285120-6
Waade, A. M. (2017). Kreativ destinationsbranding og borgerdeltagelse: Fiktionsturisme, sportsturisme og festivalturisme. In B. S. Pedersen & A. M. Waade (Eds.), Kreativ markedskommunikation: Æstetik og deltagelse (pp. 219-246). Systime.
Stegger Gemzøe, L. (2020). Lines across genres in Danish tv-series. In J. Kirk, J. Riber Christensen, B. Russel Graham, M. Jensen, G. Agger & B. Sørensen (Eds.), Life After Lines (pp. 67-86). Aalborg Universitetsforlag. https://aauforlag.dk/shop/e-boeger/life-after-lines-tim-ingold-across-the-humani.aspx
Waade, A. M. R. (2026). Location, location, location! From Local Colour to Location Placement and Sustainability : The Importance of Location in Television Drama Productions. In A. Spicer, A. Genders & R. Barton (Eds.), The Politics of Place: Space and Locality in the European Screen Industries (pp. 27-49). Palgrave Macmillan. https://doi.org/10.1007/978-3-032-06780-7_2
Waade, A. M. (2018). Medier, steder og turisme. In P. S. Lauridsen & E. Svendsen (Eds.), Medieteori (pp. 212-229). Samfundslitteratur.
Waade, A. M. & Agger, G. (2018). Melancholy and Murder: Mood and Tone in Crime Series. In K. T. Hansen, S. Peacock & S. Turnbull (Eds.), European Television Crime Drama and Beyond (1 ed., pp. 61-82). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-96887-2
Jacobsen, U. C. (2013). Messianic moments in communicating sustainability. In M. Nielsen, I. Rittenhofer, M. G. Ditlevesen, S. E. Andersen & I. Pollach (Eds.), Nachhaltigkeit in der Wirtschaftskommunikation (pp. 93-107). Springer VS.
Nielsen, J. I. (2024). Netflix and Borgen: A match made in...? In T. Dunleavy & E. Weissmann (Eds.), TV Drama in the Multiplatform Era: Transnational Coproduction and Cultural Specificity (pp. 57-79). Springer International Publishing Switzerland. https://doi.org/10.1007/978-3-031-35585-1_3
Waade, A. M., Pasgaard, J. C., Meldgaard, M. & Nielsen, T. (2019). Nordic landscapes in collaborative place-making interventions. In C. Cassinger, S. Gyimóthy & A. Lucarelli (Eds.), The nordic wave in place branding : Poetics, Practices, Politics (pp. 91-108). Edward Elgar Publishing. https://doi.org/10.4337/9781788974325.00018
Waade, A. M. (2010). Rejseprogrammer: TV med udsigt. In K. Frandsen & H. Bruun (Eds.), TV underholdning (pp. 147 - 170). Aarhus Universitetsforlag.
Saunders, R. A., Souch, I. & Waade, A. M. R. (2023). Screening Arctic Landscapes in Nordic Television Drama: Anthropocenic Imageries, Ecological Crises, National Identities . In Disturbed Ecologies : Photography, Geopolitics, and the Northern Landscape in the Era of Environmental Crisis. (Vol. 203, pp. 257-281). Transcript Verlag.
Waade, A. M. (2021). Screening the west coast: Developing New Nordic Noir tourism in Denmark and using the actual places as full-scale visual mood boards for the scriptwriting process. In N. van Es, S. Reijnders, L. Bolderman & A. Waydorf (Eds.), Locating Imagination in Popular Culture: Place, Tourism and Belonging (pp. 99-117). Routledge.
Bengesser, C. H. & Waade, A. M. (2021). Screen Tourism on the Smartphone: A Typology and Critical Evaluation of the First Decade of Smart Screen Tourism . In A. Leotta & B. Diego (Eds.), Audiovisual Tourism Promotion (pp. 173-195). Palgrave.
Gemzøe, L. A. (2014). Se det fra den lyse side. In K. T. Hansen & P. K. Pedersen (Eds.), The End: Terminus in Literature, Media ans Culture (pp. 187-216). Aalborg Universitetsforlag.
Nielsen, J. I. (2025). Seriality and Platform Vernacular. In L. Heiselberg, B. K. Walther, J. I. Nielsen & R. Rønlev (Eds.), Seriality in the Streaming Era (pp. 32-68). Routledge. https://doi.org/10.4324/9781003539735-2
Waade, A. M. (2010). Små steder – store forbrydelser: Stedspecifik realisme, provinsmiljø og rurale landskaber i skandinaviske krimiserier. In G. Agger & A. M. Waade (Eds.), Den skandinavisk krimi: bestsellere og blockbustere (1 ed., pp. 63 - 78). Nordicom.
Nielsen, J. I. (2020). Streaming i det danske medielandskab. In J. I. Nielsen, M. B. Korsgaard, A. Halskov, H. Højer & T. S. Larsen (Eds.), Streaming for viderekomne (pp. 14-24). VIA Film & Transmedia.
Hansen, K. T. & Waade, A. M. (2019). Taking place, screening place: studying locations in Danish television drama production. In C. Batty (RMIT), M. Berry (RMIT), S. Kerrigan (Newcastle) , K. Dooley (Curtin) & B. Frankham (UTS) (Eds.), The Palgrave Handbook of Screen Production (pp. 103-116). Palgrave Macmillan.
Jensen, P. M. & Mitric, P. (2023). The appeal of public service fiction in an internationalised media context: Findings from a survey of 8–17-year-old Danes. In Audiovisual content for children and adolescents in Scandinavia: Production, distribution, and reception in a multiplatform era (pp. 139-162). Nordicom. https://doi.org/10.48335/9789188855817-8
Esser, A., Jensen, P. M., Keinonen, H. & Lemor, A. M. (2016). The duality of banal transnationalism and banal nationalism: television audiences and the musical talent competition genre. In K. Aveyard, A. Moran & P. M. Jensen (Eds.), New Patterns in Global Television Formats (pp. 295-309). Intellect.
Nielsen, J. I. (2013). The Oscars og den klassiske Hollywoodfilm. In Guldfeber – på sporet af Oscarfilmen (1 ed., Vol. 1). Turbine.
Stegger Gemzøe, L. (2020). The Showrunner's Touch: The Killing Revisited. In L. Badley, A. Nestingen & J. Seppälä (Eds.), Nordic Noir, Adaptation, Appropriation (pp. 235-252). Palgrave Macmillan. https://www.palgrave.com/us/book/9783030386573
Toft-Nielsen, C. & Waade, A. M. R. (2023). Transmedia storytelling, paratekster og fankultur. In P. S. Lauridsen & E. Svendsen (Eds.), Medieanalyse (2 ed., pp. 59-79). Samfundslitteratur.
Waade, A. M., Redvall, E. N. & Jensen, P. M. (2020). Transnational Television Drama? Lessons Learned from Danish Drama. In A. M. Waade, E. N. Redvall & P. M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation (Vol. 34, pp. 1-22). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-40798-8
Nielsen, J. I. (2018). Tv-serien som roman? In T. Rye Andersen, J. Bruhn, N. Christensen, S. Kjerkegaard, S. T. Linkis, B. Stougaard Pedersen & H. K. Rustad (Eds.), Litteratur mellem medier (pp. 293-322). Aarhus Universitetsforlag.
Jacobsen, U. C. & Jensen, P. M. (2020). Unfolding the global travel of Danish television drama series. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Travel of Danish Television Drama (pp. 9-20). Nordicom. https://www.nordicom.gu.se/sv
Waade, A. M. & Sandvik, K. (2006). Al verden er en scene - rollespil som performativ fortælling. In A. M. Waade & K. Sandvik (Eds.), Rollespil  - i æstetisk, pædagogisk og kulturelt perspektiv (1.udg. ed., pp. 7-23). Aarhus UniPresse.
Waade, A. M. (2006). Jeg - en actionhelt! Liverollespillets populærkulturelle matricer. In A. M. Waade & K. Sandvik (Eds.), Rollespil - i æstetisk, pædagogisk og kulturelt perspektiv (1.udg. ed., pp. 61 - 77). Aarhus UniPresse.
Waade, A. M. & Sandvik, K. (2007). "I play roles, therefore I am": Placing LARP in a broader cultural perspective. In M. Gade (Ed.), Knudepunkt 2007 (1.udgave ed., pp. 250-256).
Waade, A. M. (2013). Krimiens (å)steder. In K. K. Povlsen (Ed.), Viden om drab Aarhus Universitetsforlag.
Jensen, P. M. (2018). Mediesystemer. In P. S. Lauridsen & E. Svendsen (Eds.), Medieteori (pp. 175-190). Samfundslitteratur.
Nielsen, J. I. & Primorac, J. (2026). Balancing acts: incentive schemes logics in small European film markets. In Value creation and competitiveness in small European markets (pp. 16-24). Article 2 Horizon Europe. https://doi.org/https://zenodo.org/records/19133640
Nielsen, J. I. (2026). The importance of cinema infrastructure in small film markets. In Value creation and competitiveness in small European markets: D3.2 (pp. 32-45). Crescine.eu. https://doi.org/10.5281/zenodo.19133640
Nielsen, J. I. (2009). ”David Bordwell”. In  Medie- og Kommunikationsleksikon (1. ed., pp. 59-60). Samfundslitteratur.
Nielsen, J. I. (2009). Filmtyper. In S. Kolstrup (Ed.),  Medie- og Kommunikationsleksikon (1. ed., pp. 151-152). Samfundslitteratur.
Kau, E. & Nielsen, J. I. (2009). Klipning. In S. Kolstrup, G. Agger, P. Jauert & K. Schrøder (Eds.), Medie- og kommunikationsleksikon (1 ed., pp. 237-238). Samfundslitteratur.
Waade, A. M. & Toft-Nielsen, C. (2016). Fankultur. In S. Kolstrup, G. Agger, P. Jauert & K. Schrøder (Eds.), Medie- og kommunikationsleksikon Online (Version 1-0 - 2013 ed.). Samfundslitteratur. http://medieogkommunikationsleksikon.dk/fankultur/
Skytte, M. M. B. & Jensen, P. M. (Accepted/In press). Television and children. In Routledge Resources Online
Pold, S. B. & Waade, A. M. (2019). Visuel kultur. In G. Agger, N. N. Kristensen, P. Jauert & K. Schrøder (Eds.), Medie- og Kommunikationsleksikon Samfundslitteratur. https://medieogkommunikationsleksikon.dk/visuel-kultur/

Publications from Aalborg University