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What Makes Danish TV Drama Series Travel?

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Publications from Aarhus University

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Jensen, P. M., Redvall, E. N. & Christensen, C. L. (Eds.) (2023). Audiovisual content for children and adolescents in Scandinavia: Production, distribution, and reception in a multiplatform era. Nordicom. https://doi.org/10.48335/9789188855817

Aveyard, K., Jensen, P. M. & Moran, A. (Eds.) (2016). New Patterns in Global Television Formats. Intellect Ltd.

Knudsen, B. T. & Waade, A. M. (Eds.) (2010). Re-investing Authenticity: Tourism, Place and Emotions. Channel View Publications.

Halskov, A. (Ed.), Larsen, T. S., Nielsen, J. I. (Ed.), Højer, H. (Ed.) & Korsgaard, M. B. (Ed.) (2020). Streaming for viderekomne. VIA Film & Transmedia.

Nielsen, J. I. (2007). Camera Movement in Narrative Cinema: Towards a Taxonomy of Functions. (1 ed.).

Pagello, F., Schleich, M., Jensen, P. M., Bengesser, C. H., Spaletta, M., De Rosa, P. & Lupoli, L. (2020). European Creative Audiences.

Stegger Gemzøe, L. & Hansen, K. T. (Eds.) (2020). Researching transcultural identity I: production perspectives.

Gemzøe, L. S. (2013). Skandinaviske adaptationer og remakes i perioden 1990-2012. Kosmorama. https://www.kosmorama.org/kosmorama/artikler/rapport-skandinaviske-adaptationer-og-remakes-i-perioden-1990-2012

Jensen, P. M., Mitric, P., Sehested, T. & Mouritsen, A. S. (2021). What is Quality Audiovisual Fiction as Seen through the Eyes of Young Danish Viewers: Results from an Explorative Survey of 8–17 Year Old Children. Aarhus Universitet & Københavns Universitet. https://comm.ku.dk/research-data/danishchildrenreport_jensen__mitric__larsen___mouritsen.pdf/

Bengesser, C. H., Hansen, K. T. & Gemzøe, L. S. (Eds.) (2020). Location marketing and cultural tourism. http://www.detect-project.eu/wp-content/uploads/2020/02/COMPLETE_d4.1_final2.pdf

Øfsti, M., Nielsen, J. I. & Kostovska, I. (2025). Small European films: challenges and drivers of change for distribution and exhibition . Crescine.eu. https://www.crescine.eu/small-european-films-challenges-drivers

Nielsen, J. I., Øfsti, M. & Bengesser, C. H. (Eds.) (2026). Value creation and competitiveness in small European markets. https://doi.org/https://zenodo.org/records/19133640

Redvall, E. N. & Jensen, P. M. (2023). Fighting to keep up with children and young audiences: Reflections on Danish children’s television in the 2020s. The Children's Media Foundation. https://www.thechildrensmediafoundation.org/the-childrens-media-yearbook-2023

Jacobsen, U. C. (2018). Language Encounters in Aarhus 2017. (No. 20 ed.) rethinkIMPACTS 2017. http://projects.au.dk/fileadmin/user_upload/LEA2017.pdf

Waade, A. M. & Have, I. (2008). Aesthetification of Politics: Non-verbal Political Communication in Danish Television Documentaries. In J. Stömbäck, M. Ørsten & T. Aalberg (Eds.), Political Communication Nordicom.

Waade, A. M. (2006). Armchair Travelling with Pilot Guides: Cartographic and Sensuous Strategies. In J. Falkheimer & A. Jansson (Eds.), Geographies of Communication: The Spatial Turn in Media Studies (pp. 155-168). Nordicom.

Nielsen, J. I. (2011). Broadcastnetværk. In J. I. Nielsen, A. Halskov & H. Højer (Eds.), Fjernsyn for viderekomne : - de nye amerikanske tv-serier (1 ed., Vol. 1, pp. 242). Turbine. http://www.16-9.dk/books/index.htm

Waade, A. M. (2010). Fra bestselller til blockbuster. Interview med producent Ole Søndberg, Yellow Bird. In Den Skandinaviske krimi - bestseller og blockbuster. (1. ed., pp. 205 - 211). Nordicom.

Waade, A. M. & Toft-Nielsen, C. (2015). Harry Potter som transmedia storytelling: franchise, fantasy og fans. In P. S. Lauridsen & E. Svendsen (Eds.), Medieanalyse (pp. 60-82). Article 4 Samfundslitteratur.

Jensen, P. M. (2009). How Media Systems Shape the Localization of TV Formats: A Transnational Case Study of The Block and Nerds FC in Australia and Denmark. In A. Moran (Ed.), TV Formats Worldwide: Localizing Global Programs (pp. 163-186). Intellect.

Waade, A. M. & Agger, G. (2010). Introduktion. Skandinavisk krimiproduktion og krimiforskning. In G. Agger & A. M. Waade (Eds.), Den skandinaviske krimi - bestseller og blockbuster (1 ed., pp. 11 - 18). Nordicom.

From, U. & Waade, A. M. (2007). Kunsten at stille de gode spørgsmål: Observations- og spørgeteknikker i kollegial supervision, undervisning og vejledning. In H. L. Andersen & L. Søndergaard (Eds.), Kollegial supervison på universitetet (pp. 59-72). Aarhus Universitetsforlag.

Waade, A. M. (2007). Kys dine vinger; street art som uofficiel kunst i byens rum. In M. Hedegaard (Ed.), Graffiti som engagement (1.udgave ed., pp. 117-131). Klim.

Waade, A. M. (2006). Pilot Gudies som fantastisk rejse: Fysiks, medieret og imaginær turisme som æstetisk praksis. In U. Bisgaard & C. Fridberg (Eds.), Det æstetiskes aktualitet (pp. 113-128). Multivers.

Nielsen, J. I. (2011). Rundt om Mad Men. In N. Jakob Isak, H. Andreas & H. Henrik (Eds.), Fjernsyn for viderekomne - de nye amerikanske tv-serier (1 ed., Vol. 1, pp. 202-223). Turbine. http://www.16-9.dk/books/index.htm

Kring, N., Thaarup, C., Rasmussen, A., Svenningsen, S. D. & Waade, A. M. (2016). 1864 og DR under forandring: public service, branding og lancering . In K. T. Hansen (Ed.), 1864 : tv-serien, historien, kritikken (pp. 115-134). Aalborg Universitetsforlag.

Waade, A. M. & Østergaard, I. A. (2016). 1864 på Fyn: FilmFyn, branding, filmturisme og location placement . In K. T. Hansen (Ed.), 1864: tv-serien, historien, kritikken (pp. 209-234). Aalborg Universitetsforlag.

Jacobsen, U. C. (2020). A cosmopolitan tribe of viewers: Crime, women, and akogare in Japan. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Audiences of Danish Television Drama (pp. 75-90). Nordicom. https://www.nordicom.gu.se/system/tdf/publikationer-hela-pdf/the_global_audiences_of_danish_television_drama_web.pdf?file=1&type=node&id=40632&force=0

Waade, A. M. (2020). Arctic noir on screen: midnight Sun (2016-) as a mix of geopolitical criticism and spectacular, mythical landscapes. In L. Badley, A. Nestingen & J. Seppälä (Eds.), Palgrave Studies in Adaptation and Visual Culture (pp. 37-53). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-38658-0

Damkjær, M. S. & Waade, A. M. (2014). Armchair tourism: The travel series as a hybrid genre. In Travel Journalism: Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan. https://doi.org/10.1057/9781137325983

Damkjaer, M. S. & Waade, A. M. (2014). Armchair Tourism: The Travel Series as a Hybrid Genre. In F. Hanusch & E. Fürsich (Eds.), Travel Journalism : Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan.

Jensen, P. M. & Jacobsen, U. C. (2020). Augmenting proximities theory: Including other proximities in the transnational travel of Danish television drama. In A. M. Waade, E. N. Redvall & P. M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation (pp. 169-186). Palgrave Macmillan.

Jacobsen, U. C. & Meleiro, A. (2020). Brazilian Encounters: Buyers and bloggers appropriating content. In P. M. Jensen & U. C. Jacobsen (Eds.), The Global Audiences of Danish Television Drama (pp. 57-74). Nordicom. https://www.nordicom.gu.se/sv/system/tdf/publikationer-hela-pdf/the_global_audiences_of_danish_television_drama_web.pdf?file=1&type=node&id=40632&force=0

Nielsen, J. I. (2014). Classic(al) Lang: Conflicting Impulses in Ministry of Fear. In J. McElhaney (Ed.), A Companion to Fritz Lang (1 ed., Vol. 1, pp. 430-457). Wiley-Blackwell. https://doi.org/10.1002/9781118587751.ch23

Nielsen, J. I., Heiselberg, L. & Walther, B. K. (2025). Conclusion. In L. Heiselberg, B. K. Walther, J. I. Nielsen & R. Rønlev (Eds.), Seriality in the Streaming Era (pp. 151-159). Routledge. https://doi.org/10.4324/9781003539735-6

Waade, A. M. (2010). Dæmoniserede destianationer: Morderisk plot på Højriis Slot og blodsporsturisme i Ystad. In K. T. Hansen & J. R. Christensen (Eds.), Fingeraftryk (pp. 136 - 164). Aalborg Universitetsforlag.

Grønlund, A. & Waade, A. M. R. (Accepted/In press). Drone Technologies in Screen Productions: Nordic Landscapes and Sustainability in the TV series Trom. In E. Weissmann & D. L. Palatinus (Eds.), Television and Sustainability: Technology, Industry, and Cultural Form in a Time of Permacrisis Peter Lang.

Waade, A. M. R. & Dobrescu, C. (2023). Euroscapes: Space, Place, and Multi-Level Governance in European Television Crime Series. In M. Dall'Asta, J. Migozzi, F. Pagello & A. Pepper (Eds.), Contemporary European Crime Fiction : Representing History and Politics (pp. 271-290). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-21979-5_15

Waade, A. M. & Toft-Nielsen, C. (2021). Fankultur. In P. Schantz Lauridsen & E. Svendsen (Eds.), Medietemaer (pp. 167-183). Samfundslitteratur.

Jensen, P. M. (2022). Far away, so close: Sydney-siders watching Forbrydelsen, Borgen and Bron\Broen. In R. McCulloch & W. Proctor (Eds.), The Scandinavian Invasion: Nordic Noir and Beyond (pp. 145-167). Peter Lang.

Jensen, P. M. (2023). Far Away, So Close: Sydney-Siders Watching Forbrydelsen, Borgen and Bron/Broen. In R. McCulloch & W. Proctor (Eds.), The Scandinavian Invasion: Nordic Noir and Beyond (pp. 145-168). Peter Lang.

Nielsen, J. I. (2020). Fifty Shades of Green - On Visual Style in Danish Drama Series. In A.-M. Waade, E. N. Redvall & M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation (pp. 103-124). Palgrave Macmillan.

Nielsen, J. I. (2016). Five Functions of Camera Movement in Narrative Cinema. In L. Coleman, D. Miyao & R. Schaefer (Eds.), Transnational Cinematography Studies (pp. 25-53). Lexington Books.

Nielsen, J. I. (2016). Formalisme og 'Birdman'. In J. Riber Christensen & S. Ledet Christiansen (Eds.), Filmanalyse (pp. 35-59). Systime.

Halskov, A. & Nielsen, J. I. (2017). Funny how things change: moderne audiovisuel komik. In A. Halskov, H. Højer & T. Schwartz Larsen (Eds.), Helt til grin: moderne audiovisuel komik på tværs af medier (pp. 12-31). VIA Film & Transmedia.

Gemzøe, L. S. (2016). Genreanalyse og Interstellar. In J. Riber Christensen & S. Ledet Christiansen (Eds.), Filmanalyse (pp. 151-167). Systime Academic.

Nielsen, J. I. (2017). Having fun with the long take: den lange indstilling som komisk henvendelsesform. In A. Halskov, H. Højer & T. Schwartz Larsen (Eds.), Helt til grin: moderne audiovisuel komik på tværs af medier (pp. 34-52). VIA Film & Transmedia.

Jensen, P. M. (2012). How media system rather than culture determines national variation: Danish and Australian Idols compared. In K. Zwaan & J. De Bruin (Eds.), Adapting Idols: authenticity, identity and performance in a global TV format (pp. 27-40). Ashgate.

Jensen, P. M. (2016). How media system rather than culture determines national variation: Danish idols and australian idol compared. In Adapting Idols: Authenticity, Identity and Performance in a Global Television Format (pp. 27-39). Taylor and Francis Group. https://doi.org/10.4324/9781315565620-11

Aveyard, K., Jensen, P. M. & Moran, A. (2016). Introduction: A Changing Format Mosaic. In K. Aveyard, P. M. Jensen & A. Moran (Eds.), New Patterns in Global Television Formats (pp. 1-16). Intellect.

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Publications from Aalborg University

Revised 04.12.2025