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What Makes Danish TV Drama Series Travel?

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Publications from Aarhus University

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Nielsen, J. I. (2026). The importance of cinema infrastructure in small film markets. In Value creation and competitiveness in small European markets: D3.2 (pp. 32-45). Crescine.eu. https://doi.org/10.5281/zenodo.19133640

Bengesser, C. & Waade, A. M. (2022). Screen tourism on the smartphone: A typology and critical evaluation of the first decade of smart screen tourism. In Audiovisual Tourism Promotion: A Critical Overview (pp. 173-195). Springer Nature. https://doi.org/10.1007/978-981-16-6410-6_9

Waade, A. M. (2000). Zapping, shopping, and sightseeing: Contemporary theatre and new patterns of reception. International Journal of Cultural Policy, 7(2), 281-297. https://doi.org/10.1080/10286630009358147

Mouritsen, A. S. & Jensen, P. M. (Accepted/In press). The Experience of TikTok: Scrolling, Algorithmic Flow, and Shared Agency among Danish Users. MedieKultur: Journal of media and communication research, 1-25.

Bengesser, C. H. & Jensen, P. M. (2026). Young Audiences’ Engagement with Danish Film and Television: Gender, Sociality and Industry Perspectives. Mediascapes Journal, 27, 20-35. Article 2. https://rosa.uniroma1.it/rosa03/mediascapes/article/view/19435/18340

Gemzøe, L. S. (2026). Computerspilsanalyse. Samfundslitteratur. Kort Og Præcist Om Medier Og Kommunikation

Jacobsen, U. C. (2026, Feb 26). Transversal exchanges in videoing the the Spirits of Language Entanglements.

Jacobsen, U. C. (2024). The Entanglements of English in contemporary Greenland. Paper presented at Language Ideologies and Inequality in the Arctic, Nuuk.

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Publications from Aalborg University

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