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What Makes Danish TV Drama Series Travel?

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Publications from Aarhus University

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Jacobsen, U. C. (2016). Dogra, Nandita (2012). Representations of Global Poverty: Aid, Development and International NGOs. New York: I.B. Tauris. Journal of Language and Politics, 15(4), 496-499. https://doi.org/10.1075/jlp.15.4.07jac

Jacobsen, U. C. (2015). Cosmopolitan sensitivities, vulnerability and Global Englishes. Language and Intercultural Communication, 15(4), 459-474. https://doi.org/10.1080/14708477.2015.1031674

Damkjaer, M. S. & Waade, A. M. (2014). Armchair Tourism: The Travel Series as a Hybrid Genre. In F. Hanusch & E. Fürsich (Eds.), Travel Journalism : Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan.

Gemzøe, L. S. (2014). Se det fra den lyse side: Den ulykkelige slutning i nyere amerikansk film. In Terminus i litteratur, medier og kultur (Vol. Bind 6, pp. 187-217). Aalborg Universitetsforlag. http://aauforlag.dk/Shop/historie-kultur-litteratur/terminus-the-end-in-literature-media-and-cult.aspx

Gemzøe, L. S. (2014). Building Bridges Across Borders: Bron/Broen vs. The Tunnel. Abstract from Ecrea 2014, Lisbon, Portugal. http://ecrea2014.ulusofona.pt/images/prog_final_web_ecrea.pdf

Waade, A. M. & Toft-Nielsen, C. (2015). Harry Potter som transmedia storytelling: franchise, fantasy og fans. In P. S. Lauridsen & E. Svendsen (Eds.), Medieanalyse (pp. 60-82). Article 4 Samfundslitteratur.

Eichner, S. & Waade, A. M. (2015). Local Colour in German and Danish television Drama: Tatort and Bron/Broen. Global Media Journal. German Edition, 5(1). http://www.db-thueringen.de/servlets/DerivateServlet/Derivate-31988/GMJ9_Eichner%20Waade_final.pdf

Waade, A. M. & Botoric, V. (2015). Participation in the business context: Crowdsourcing in the LEGO Group and the animation film The Reward. Paper presented at Participation and Cultural Transformations, Cultural transformations Research programme, Aarhus University, Denmark.

Waade, A. M. (2015). Locations in TV Drama Series: The Danish Series Dicte and Arvingerne as Examples. Paper presented at Geomedia , Karlstad, Sweden. http://geomedia.se

Waade, A. M., Jensen, P. M., Nielsen, J. I., Eichner, S., Gemzøe, L. S. & Esser, A. (2014). Questioning the national outlook of television studies (Plenary panel): What makes Danish television drama travel, FKK 2014-2018. Paper presented at Årsmøde SMID, Nyborg, Denmark. http://www.smid.dk

Waade, A. M. (2014). Danish TV Drama Series - and Nordic Noir. Paper presented at RESEARCHING PRODUCTION AND AUDIENCES: National and International Contexts of Television , London, United Kingdom.

Waade, A. M. (2014). Nordic Noir og nordisk melankoli. Paper presented at Nordic Noir seminar, Oslo, Norway.

Jacobsen, U. C. (2015). Empirical references: Locating appropriate data to explain cosmopolitan impact. Abstract from i-Mean 4@Warwick, Warwick, United Kingdom.

Nielsen, J. I. (2014). From Gøngehøvdingen to 1864: A Production Analysis of Audiovisual Style in DR Series. Paper presented at Årsmøde SMID 2014, Nyborg, Denmark.

Nielsen, J. I. (2015). Video essay: Camera Movement in Narrative Cinema. Pictures, Video and sound recordings (digital), 16:9 Filmtidsskrift. http://www.16-9.dk/2015/02/camera-movement-in-narrative-cinema/

Jacobsen, U. C. (2015). On the power of non-exhaustible consumption goods to impact uneven cosmopolitan relationships. Abstract from ACSS 2015, Kobe, Japan.

Jacobsen, U. C. & Jensen, P. M. (2015). A three-tier, seven country audience study on the emergence of Denmark's transnational TV culture. Abstract from Nordmedia 2015, Copenhagen, Denmark.

Jacobsen, U. C. & Rittenhofer, I. (2015). Aligning the notion of ‘public(s)’ for management communication in uncertain times. Abstract from EUPRERA 2015 Congress, Oslo, Norway.

Jensen, P. M. (2015). The transnational appeal of Danish TV series. Paper presented at Media Engagement International Conference, Lund, Sweden.

Esser, A., Jensen, P. M., Keinonen, H. & Lemor, A. M. (2016). The duality of banal transnationalism and banal nationalism: television audiences and the musical talent competition genre. In K. Aveyard, A. Moran & P. M. Jensen (Eds.), New Patterns in Global Television Formats (pp. 295-309). Intellect.

Degn, H.-P., Jensen, P. M. & Krogager, S. G. S. (2015). Danish Drama Series: An Export Success Cradled on the Domestic Market. Abstract from IAMCR 2015, Montreal, Canada.

Jensen, P. M. (2015). Why does Danish TV Drama Travel? A Three-Tier Seven-Country Audience Study on the Rise of Denmark’s Transnational TV Culture: A Three-Tier Seven-Country Audience Study on the Rise of Denmark’s Transnational TV Culture. Paper presented at IAMCR 2015, Montreal, Canada.

Jensen, P. M. (2015). Global Export Patterns and Potential Impacts of Danish TV Drama. Abstract from New directions in film and television production studies, Bristol, United Kingdom.

Jensen, P. M. (2015). The transnational appeal of Danish TV series: a buyer’s and distributor's perspective. Abstract from TV in the Age of Transnationalisation and Transmedialisation, London, United Kingdom.

Jacobsen, U. C. & Jensen, P. M. (2016). Born European, born regional, or born global? Language convergence in The Team. Northern Lights, 14(1), 123-140. https://doi.org/10.1386/nl.14.1.123_1

Rittenhofer, I. & Jacobsen, U. C. (2015). Swarms: Exploring novel qualities of public relations: EUPRERA full paper submission for double blind review. Paper presented at EUPRERA 2015 Congress, Oslo, Norway. http://euprera2015.no/

Jacobsen, U. C. (2014). Knowledge Asymmetries in Action. HERMES - Journal of Language and Communication in Business, 53, 57-71. http://download2.hermes.asb.dk/archive/download/Hermes-53-5-jacobsen.pdf

Jensen, P. M., Nielsen, J. I. & Waade, A. M. (2016). When public service drama travels: the internationalization of Danish television drama and the associated production funding models. The Journal of Popular Television, 4(1), 91-108. https://doi.org/10.1386/jptv.4.1.91_1

Jensen, P. M. (2015). Trine Syvertsen, Gunn Enli, Ole J. Mjøs and Hallvard Moe. The Media Welfare State: Nordic Media in the Digital Age. Ann Arbor: The University of Michigan Press. 2014. MedieKultur: Journal of media and communication research, 31(59). http://ojs.statsbiblioteket.dk/index.php/mediekultur/article/view/21770/20299

Nielsen, J. I. (2016). I sine følelsers vold: stil og fortælling i 1864. In 1864: tv-serien, historien, kritikken (pp. 165-187). Aalborg Universitetsforlag.

Nielsen, J. I. (2016). Points of Contact, Points of Distance: DR/TV2 meet HBO/Netflix. Northern Lights, 14(1), 29-45. https://doi.org/10.1386/nl.14.1.29_1

Jacobsen, U. C. (2018). Does subtitled television drama brand the nation? Danish television drama and its language(s) in Japan. European Journal of Cultural Studies, 21(5), 614-630. https://doi.org/10.1177/1367549417751150

Jacobsen, U. C. (2016). Social Responsibility as The Stranger: A case study of MIPCOM 2015. Paper presented at International Communication Conference 2016, Fukuoka, Japan.

Hansen, K. T. & Waade, A. M. (2017). Locating Nordic Noir: From Beck to The Bridge. Palgrave Macmillan. Palgrave European Film and Media Studies

Waade, A. M. & Wille, J. I. (2016). Production Design and Location in the Danish Television Drama Series "Arvingerne" (The Legacy). Kosmorama, (263). http://www.kosmorama.org/Nyt/~/link.aspx?_id=5F499C1696C247849194F49B7672F791&_z=z

Pedersen, B. S. & Waade, A. M. (Eds.) (2017). Kreativ markedskommunikation: Æstetik og digital deltagelse . Systime. MÆRKK – Æstetik og Kommunikation Vol. 6

Waade, A. M. (2015). Nordic Noir Ambiance and Nordic Melancholy. Paper presented at NordMedia 2015, Copenhagen, Denmark.

Waade, A. M. (2015). “Behind Every Series is a Strong Woman”: Gender as transnational production value in the Danish TV drama series.. Paper presented at TV in the Age of Transnationalisation and Transmedialisation, London, United Kingdom.

Waade, A. M. (2015). Local colour - and how can we study production values empirically?. Paper presented at Crime Pays, Crime Days-Conference, Aalborg , Denmark.

Waade, A. M. (2016). Nordic Noir Tourism and Television Landscapes: In the footsteps of Kurt Wallander and Saga Norén . Scandinavica: An International Journal of Scandinavian Studies, 55(1), 42-65. http://www.scandinavica.net/2016-1.php

Waade, A. M. & Hansen, K. T. (2016). Locating Nordic Noir. Paper presented at Noir in the North 2016, Reykjavik, Iceland.

Waade, A. M. & Østergaard, I. A. (2016). 1864 på Fyn: FilmFyn, branding, filmturisme og location placement . In K. T. Hansen (Ed.), 1864: tv-serien, historien, kritikken (pp. 209-234). Aalborg Universitetsforlag.

Kring, N., Thaarup, C., Rasmussen, A., Svenningsen, S. D. & Waade, A. M. (2016). 1864 og DR under forandring: public service, branding og lancering . In K. T. Hansen (Ed.), 1864 : tv-serien, historien, kritikken (pp. 115-134). Aalborg Universitetsforlag.

Nielsen, J. I. (2016). Formalisme og 'Birdman'. In J. Riber Christensen & S. Ledet Christiansen (Eds.), Filmanalyse (pp. 35-59). Systime.

Nielsen, J. I. (2016). The Danish Way of Doing It the American Way. Kosmorama, (263). http://www.kosmorama.org/artikler/~/link.aspx?_id=223706CF95AD4D18A289EA40A7F8313C&_z=z

Nielsen, J. I. (2016). Five Functions of Camera Movement in Narrative Cinema. In L. Coleman, D. Miyao & R. Schaefer (Eds.), Transnational Cinematography Studies (pp. 25-53). Lexington Books.

Nielsen, J. I. (2015). Points of Contact, Points of Difference: Danish & American production cultures . Paper presented at TV in the Age of Transnationalisation and Transmedialisation, London, United Kingdom.

Nielsen, J. I. (2015). Secrets Pages in DR’s Playbook: the development of audiovisual style in DR series from Gøngehøvdingen (1992) to 1864 (2014). Paper presented at NordMedia 2015, Copenhagen, Denmark.

Nielsen, J. I. (2000). The Ultimate Dogma Film: An Interview With Louise Hassing & Jens Albinus. P. O. V. - A Danish Journal of Film Studies, 10-34. http://pov.imv.au.dk/Issue_10/section_2/artc2A.html

Nielsen, J. I. (2002). On Visual Design and Staging in Casablanca. P. O. V. - A Danish Journal of Film Studies, (14), 75-88.

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