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Publications from Aarhus University

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Aveyard, K., Jensen, P. M. & Moran, A. (Eds.) (2016). New Patterns in Global Television Formats. Intellect Ltd.
Aveyard, K., Jensen, P. M. & Moran, A. (2016). Introduction: A Changing Format Mosaic. In K. Aveyard, P. M. Jensen & A. Moran (Eds.), New Patterns in Global Television Formats (pp. 1-16). Intellect.
Aveyard, K., Jensen, P. M. & Moran, A. (2016). Introduction: A changing format Mosaic. In New Patterns in Global Television Formats (pp. 1-15). Intellect Ltd..
Bechmann, A., Ess, C. & Waade, A. M. (2012). Locative mobile media, place and performativity. Paper presented at Local and Mobile conference 2012, Raleigh, NC., United States.
Bechmann, A. & Waade, A. M. (2013). TripAdvisor: Empirical study of communicative functions of travel apps. Abstract from Methodologies of mobile communication and media research, Copenhagen, Denmark.
Bengesser, C. H., Hansen, K. T. & Gemzøe, L. S. (Eds.) (2020). Location marketing and cultural tourism. http://www.detect-project.eu/wp-content/uploads/2020/02/COMPLETE_d4.1_final2.pdf
Bengesser, C. H. & Waade, A. M. (2020). Locative media in screen tourism: The production of the DETECt Aarhus app. In C. Bengesser, K. T. Hansen & L. S. Gemzøe (Eds.), Location marketing and cultural tourism (pp. 13-18) http://www.detect-project.eu/wp-content/uploads/2020/02/COMPLETE_d4.1_final2.pdf
Bengesser, C. H. & Waade, A. M. (2021). Smart Crime Tourism as Multilayered Cultural Encounters: Exploring Aarhus via Locative Media and Crime Narratives. European Review, 29(5), 635-650. https://doi.org/10.1017/S1062798720001155
Bengesser, C. H. & Waade, A. M. (2021). Screen Tourism on the Smartphone: A Typology and Critical Evaluation of the First Decade of Smart Screen Tourism . In A. Leotta & B. Diego (Eds.), Audiovisual Tourism Promotion (pp. 173-195). Palgrave.
Bengesser, C. H., Jensen, P. M., Spaletta, M. & De Rosa, P. (2021). Audiences’ perceptions of place, society and (TV) culture in popular European audiovisual crime narratives. Abstract from NECS 2021, Palermo, Italy. https://create.piktochart.com/output/54843434-detect_audience
Bengesser, C. H., De Rosa, P., Jensen, P. M. & Spaletta, M. (2023). Audiences of popular European television crime drama: A nine-country study on consumption patterns, attitudes and drivers of transcultural connection. European Journal of Communication, 38(2), 148-165. https://doi.org/10.1177/02673231221112535
Bengesser, C. H., De Rosa, P., Jensen, P. M. & Spaletta, M. (2021, Oct 29). Detect’s European Audience Study: Insights into the preferences and passions of European crime viewers. https://cstonline.net/detects-european-audience-study-insights-into-the-preferences-and-passions-of-european-crime-viewers-by-cathrin-bengesser-marica-spalletta-pia-majbritt-jensen-paola-de-rosa/
Bengesser, C. H. & Nielsen, J. I. (2024, May 14). Genre mix. https://www.crescine.eu/small-film-industries/production#2
Bengesser, C. H. & Nielsen, J. I. (2025). Crescine – Audience methodologies & insights. Paper presented at EFARN Annual Meeting, Helsinki, Finland. https://doi.org/10.5281/zenodo.18925543
Bengesser, C. & Waade, A. M. (2022). Screen tourism on the smartphone: A typology and critical evaluation of the first decade of smart screen tourism. In Audiovisual Tourism Promotion: A Critical Overview (pp. 173-195). Springer Nature. https://doi.org/10.1007/978-981-16-6410-6_9
Bengesser, C. H. & Jensen, P. M. (2026). Young Audiences’ Engagement with Danish Film and Television: Gender, Sociality and Industry Perspectives. Mediascapes Journal, 27, 20-35. Article 2. https://rosa.uniroma1.it/rosa03/mediascapes/article/view/19435/18340
Chow, P.-S., Waade, A. M. & Saunders, R. A. (2020). Geopolitical Television Drama Within and Beyond the Nordic Region. Nordicom Review, 41(S1), 11-27. https://doi.org/10.2478/nor-2020-0013
Chow, P. S., Saunders, R. A. & Waade, A. M. (2020). Introduction dark screens: The geopolitics of nordic television drama. Nordicom Review, 41(s1), 3-9. https://doi.org/10.2478/nor-2020-0010
Damkjaer, M. S. & Waade, A. M. (2014). Armchair Tourism: The Travel Series as a Hybrid Genre. In F. Hanusch & E. Fürsich (Eds.), Travel Journalism : Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan.
Damkjaer, M. S. & Waade, A. M. R. (2025). Motherhood Marketing: Community-Building and Advocacy in Momkind’s Branded Content. Paper presented at NordMedia 2025, Odense, Denmark.
Damkjaer, M. S. & Waade, A. M. R. (2026). Momfluencing beyond individual influencers: Brave motherhood, amateur nano-influencers, and digital parenting in the Nordic context. Frontiers in Communication, 11, Article 1771335. https://doi.org/10.3389/fcomm.2026.1771335
Damkjær, M. S. & Waade, A. M. (2011). Rejseserien - mellem engagerende journalistik, forbrugerorientering og tv-underholdning. Journalistica, 1, 133-161. http://ojs.statsbiblioteket.dk/index.php/journalistica/article/view/4326/5095
Damkjær, M. S. & Waade, A. M. (2014). Armchair tourism: The travel series as a hybrid genre. In Travel Journalism: Exploring Production, Impact and Culture (pp. 39-59). Palgrave Macmillan. https://doi.org/10.1057/9781137325983
Degn, H.-P., Jensen, P. M. & Krogager, S. G. S. (2015). Danish Drama Series: An Export Success Cradled on the Domestic Market. Abstract from IAMCR 2015, Montreal, Canada.
Eichner, S. & Waade, A. M. (2015). Local Colour in German and Danish television Drama: Tatort and Bron/Broen. Global Media Journal. German Edition, 5(1). http://www.db-thueringen.de/servlets/DerivateServlet/Derivate-31988/GMJ9_Eichner%20Waade_final.pdf
Esser, A. & Jensen, P. M. (2013). The Use of International Television Formats by Public-Service Broadcasters in Australia, Denmark and Germany. Paper presented at IAMCR 2013, Dublin, Ireland.
Esser, A. & Jensen, P. M. (2015). The use of international television formats by public-service broadcasters in Australia, Denmark and Germany. The International Communication Gazette (Online), 77(4), 359-383. https://doi.org/10.1177/1748048514568766
Esser, A., Jensen, P. M., Keinonen, H. & Lemor, A. M. (2016). The duality of banal transnationalism and banal nationalism: television audiences and the musical talent competition genre. In K. Aveyard, A. Moran & P. M. Jensen (Eds.), New Patterns in Global Television Formats (pp. 295-309). Intellect.
Falahey, A. & Jensen, P. M. (2011). Making Television around the World: Some indicators of a pilot study comparing Danish and Australian adaptations of global format television productions. Paper presented at The annual conference of the Australian Sociological Association, Newcastle, Australia.
Freudendal, J. & Jensen, P. M. (2024). The Audience Turn in Screen Production: Changing Audience Behaviour and New Audience-centric Production Methods in Fictional Screen Content for Adolescents. Abstract from Media Industries 2024, London, United Kingdom.
Freudendal, J., Christensen, C. L. & Jensen, P. M. (2026). Danish films and series in a no-win-situation? Analyzing the preferences of young audiences and domestic industry responses. Critical Studies in Television, 21(1), 58-77. Article 17496020251383859. https://doi.org/10.1177/17496020251383859
From, U. & Waade, A. M. (2007). Kunsten at stille de gode spørgsmål: Observations- og spørgeteknikker i kollegial supervision, undervisning og vejledning. In H. L. Andersen & L. Søndergaard (Eds.), Kollegial supervison på universitetet (pp. 59-72). Aarhus Universitetsforlag.
Gemzøe, L. A. (2013). Brødre vs. Brothers - The Transatlantic Remake as Cultural Adaptation. Akademisk Kvarter, 7, 283-297. http://www.akademiskkvarter.hum.aau.dk/pdf/vol7/19a_LyngeAggerGemzoee_BroedreVsBrothers.pdf
Gemzøe, L. S. (2014). Building Bridges Across Borders: Bron/Broen vs. The Tunnel. Abstract from Ecrea 2014, Lisbon, Portugal. http://ecrea2014.ulusofona.pt/images/prog_final_web_ecrea.pdf
Gemzøe, L. S. (2014). Se det fra den lyse side: Den ulykkelige slutning i nyere amerikansk film. In Terminus i litteratur, medier og kultur (Vol. Bind 6, pp. 187-217). Aalborg Universitetsforlag. http://aauforlag.dk/Shop/historie-kultur-litteratur/terminus-the-end-in-literature-media-and-cult.aspx
Gemzøe, L. S. (2016). Genreanalyse og Interstellar. In J. Riber Christensen & S. Ledet Christiansen (Eds.), Filmanalyse (pp. 151-167). Systime Academic.
Gemzøe, L. A. (2014). Se det fra den lyse side. In K. T. Hansen & P. K. Pedersen (Eds.), The End: Terminus in Literature, Media ans Culture (pp. 187-216). Aalborg Universitetsforlag.
Gemzøe, L. S. (2021). Autobiographical adaptation in NBC’s Love Is a Four-Letter Word. Journal of Scandinavian Cinema, 11(1), 113-131. https://doi.org/10.1386/jsca_00042_1
Gemzøe, L. S. (2021). The Kim Wall Murder Serialized: Ethics & Aesthetics in High-Profile True Crime. SERIES - International journal of TV series narratives, 7(1), 81-90. https://doi.org/10.6092/issn.2421-454X/12483
Gemzøe, L. S. (2017). Transformations of National Culture in Bron|Broen and The Bridge. The Bridge, 40(1), Article 10. https://scholarsarchive.byu.edu/thebridge/vol40/iss1/10/
Gemzøe, L. S. (2013). Skandinaviske adaptationer og remakes i perioden 1990-2012. Kosmorama. https://www.kosmorama.org/kosmorama/artikler/rapport-skandinaviske-adaptationer-og-remakes-i-perioden-1990-2012
Gemzøe, L. S. (2012). En scenes anatomi: Once upon a time in Nazi-occupied France. 16:9, 2012(4). https://www.16-9.dk/2012-04/side07_anatomi.htm
Gemzøe, L. S. & Agger, G. (2012). Søndagsdrama. Cut, (98). http://cutmagazine.dk/wp-content/uploads/2017/10/CUT-098.pdf
Gemzøe, L. S., Redvall, E. N. & Wille, J. I. (2016). Danish Television Drama: Production, Texts, Audiences. Kosmorama
Gemzøe, L. S. & Møller Tommerup Andersen, M. (2024). Is creative work losing its mythical status?. Paper presented at Media Industries 2024, London, United Kingdom.
Gemzøe, L. S. (2026). Vital Moments in Dysfunctional Hollywood. Journal of Popular Film and Television, 54(1), 50-64. https://doi.org/10.1080/01956051.2025.2563553
Gemzøe, L. S. (2025). Populær serialitet i en dansk arena. 16:9, 2025(Forår). https://16-9.dk/2025/06/serialitet-i-en-dansk-arena/
Gemzøe, L. S. (2026). Computerspilsanalyse. Samfundslitteratur. Kort Og Præcist Om Medier Og Kommunikation
Grønlund, A. & Waade, A. M. R. (2024). Screening Greenland in Borgen - Power & Glory: The on- and off-screen contestedness of Arctic landscapes and locations. Critical Studies in Television, 19(3), 352-370. https://doi.org/10.1177/17496020241258709
Halskov, A. & Nielsen, J. I. (2017). Funny how things change: moderne audiovisuel komik. In A. Halskov, H. Højer & T. Schwartz Larsen (Eds.), Helt til grin: moderne audiovisuel komik på tværs af medier (pp. 12-31). VIA Film & Transmedia.

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Publications from Aalborg University

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Eva Redvall

See list of Eva Redvall's publications here

Revised 04.12.2025